The evidential role of matter—when media records trace evidence of violence—explored through a series of cases drawn from Kosovo, Japan, Vietnam, and elsewhere. In this book, Susan Schuppli introduces a new operative concept: material witness, an exploration of the evidential role of matter as both registering external events and exposing the practices and procedures that enable matter to bear witness. Organized in the format of a trial, Material Witness moves through a series of cases that provide insight into the ways in which materials become contested agents of dispute around which stake holders gather. These cases include an extraordinary videotape documenting the massacre at Izbica, Kosovo, used as war crimes evidence against Slobodan Milošević; the telephonic transmission of an iconic photograph of a South Vietnamese girl fleeing an accidental napalm attack; radioactive contamination discovered in Canada's coastal waters five years after the accident at Fukushima Daiichi; and the ecological media or “disaster film” produced by the Deep Water Horizon oil spill in the Gulf of Mexico. Each highlights the degree to which a rearrangement of matter exposes the contingency of witnessing, raising questions about what can be known in relationship to that which is seen or sensed, about who or what is able to bestow meaning onto things, and about whose stories will be heeded or dismissed. An artist-researcher, Schuppli offers an analysis that merges her creative sensibility with a forensic imagination rich in technical detail. Her goal is to relink the material world and its affordances with the aesthetic, the juridical, and the political.

Tragedy strikes on the opening night of the Fall Crafters Fair when a woman is killed in the parking lot of Daisy's Quilt Shop, and the only material witness is one of Melinda Byer's boys. The investigation takes a more bizarre turn when detective Shane Black becomes convinced the killer was actually after Callie. This time it's a madman loose in the largest crowd of the year, and he's looking for something or someone. If they can't figure out what, one of Deborah and Callie's close circle of friends may be next. Masked identities, antique quilts with hidden messages, an Amish boy whose handicap makes him stronger, one brave dog, and a possible hidden treasure ... this time it's nonstop action, danger, and a dash of romance.

An activist and a curator as well as a trailblazing artist, feminist and lesbian scholar, New Mexico-based Harmony Hammond (born 1944) has enjoyed a career spanning nearly fifty years and many mediums, all of which are brought together for the first time in Material Witness, which accompanies the artist's museum survey of the same name at the Aldrich Contemporary Art Museum. Hammond's groundbreaking painting and installation practice unites minimalist and postminimalist concerns with feminist art strategies, employing marginalized craft traditions in the service of abstraction, and working through a wide cast of materials: fabric, rope, pine needles, hair, blood, bone and wood, mixed with traditional sculptural and painting materials. Harmony Hammond: Material Witnessrestages the most significant installations of Hammond's career and presents them alongside her major paintings, sculptures, works on paper and ephemera. Fully illustrated, and with an essay by exhibition curator Amy Smith-Stewart, this is the first and definitive monograph on Harmony Hammond and her revolutionary practice.

In this “wild, exhilarating ride” from the New York Times–bestselling author, a prosecutor goes undercover—on the court—after a basketball player’s murder (Chicago Tribune). Marion Simmons is big. He’s tough. And he takes a long time to die. Simmons survives the long ride through Queens, clinging to life until the car stops in an abandoned lot, and a hit man puts two bullets in his head. When the police arrive, they recognize the dead man instantly. Simmons is the most famous basketball player in New York City, and his murder—along with the fortune of cocaine found in the car—will turn the sport upside down. When he was in college, Butch Karp dreamed of playing professional basketball. Instead, he became the toughest prosecutor in the District Attorney’s office. To get to the truth of Simmons’ murder, Karp goes undercover as a player—putting his life on the line to cleanse the sport of drug dealing, point shaving, and murder for hire. From the former Manhattan assistant DA and bestselling author of Justice Denied, Material Witness is a standout legal thriller in the long-running Butch Karp and Marlene Ciampi series. Material Witness is the 5th book in the Butch Karp and Marlene Ciampi series, but you may enjoy reading the series in any order. “A winner . . . a master of the crime grime of Manhattan . . . for those who have stalked the criminal courts there’s tremendous authenticity.” —F. Lee Baily “Extraordinary . . . sexy dialogue, rousing action, pungent observation on the New York criminal justice system.” —Chicago Tribune

The Model Rules of Professional Conduct provides an up-to-date resource for information on legal ethics. Federal, state and local courts in all jurisdictions look to the Rules for guidance in solving lawyer malpractice cases, disciplinary actions, disqualification issues, sanctions questions and much more. In this volume, black-letter Rules of Professional Conduct are followed by numbered Comments that explain each Rule's purpose and provide suggestions for its practical application. The Rules will help you identify proper conduct in a variety of given situations, review those instances where discretionary action is possible, and define the nature of the relationship between you and your clients, colleagues and the courts.

The evidential role of matter—when media records trace evidence of violence—explored through a series of cases drawn from Kosovo, Japan, Vietnam, and elsewhere. In this book, Susan Schuppli introduces a new operative concept: material witness, an exploration of the evidential role of matter as both registering external events and exposing the practices and procedures that enable matter to bear witness. Organized in the format of a trial, Material Witness moves through a series of cases that provide insight into the ways in which materials become contested agents of dispute around which stake holders gather. These cases include an extraordinary videotape documenting the massacre at Izbica, Kosovo, used as war crimes evidence against Slobodan Milošević; the telephonic transmission of an iconic photograph of a South Vietnamese girl fleeing an accidental napalm attack; radioactive contamination discovered in Canada's coastal waters five years after the accident at Fukushima Daiichi; and the ecological media or “disaster film” produced by the Deep Water Horizon oil spill in the Gulf of Mexico. Each highlights the degree to which a rearrangement of matter exposes the contingency of witnessing, raising questions about what can be known in relationship to that which is seen or sensed, about who or what is able to bestow meaning onto things, and about whose stories will be heeded or dismissed. An artist-researcher, Schuppli offers an analysis that merges her creative sensibility with a forensic imagination rich in technical detail. Her goal is to relink the material world and its affordances with the aesthetic, the juridical, and the political.