How can material artifacts help illuminate the religious lives of women in antiquity? In what ways do archaeological and art historical studies recover women’s religious perspectives and experiences that the literary record misses or underrepresents? The authors of the essays in this volume set out to answer such questions in fascinating, new case studies of women and ancient religions in the Near East and Mediterranean world. They cover a broad historical, geographic, and religious spectrum as they explore women’s lives from the time of ancient Egypt in the second millennium BCE into the early medieval period, from the Syrian Desert to Western Europe, in the religious traditions of Egypt, Canaan, Greece, Rome, ancient Israel, early Judaism, and early Christianity. Working at the intersections of religion, archaeology, art history, and women’s history, these authors make fresh contributions to interdisciplinary studies, and their essays will be of interest to students and scholars across these academic fields.

How can material artifacts help illuminate the religious lives of women in antiquity? In what ways do archaeological and art historical studies recover women's religious perspectives and experiences that the literary record misses or underrepresents? The authors of the essays in this volume set out to answer such questions in fascinating, new case studies of women and ancient religions in the Near East and Mediterranean world. They cover a broad historical, geographic, and religious spectrum as they explore women's lives from the time of ancient Egypt in the second millennium BCE into the early medieval period, from the Syrian Desert to Western Europe, in the religious traditions of Egypt, Canaan, Greece, Rome, ancient Israel, early Judaism, and early Christianity. Working at the intersections of religion, archaeology, art history, and women's history, these authors make fresh contributions to interdisciplinary studies, and their essays will be of interest to students and scholars across these academic fields.

This authoritative volume brings together a team of world-class scholars to cover the full range of New Testament backgrounds studies in a concise, up-to-date, and comprehensive manner. Drawing on the expertise of specialists in the areas of archaeological, historical, and biblical studies, this book provides concise treatments of a wide breadth of topics related to the world of the early Christ followers. The book offers compact overviews of key historical issues, facilitating enriched understandings of the significance and force of the texts of the New Testament in their original contexts. Meant to be used alongside traditional literature-based canonical surveys, this one-stop introduction to New Testament backgrounds fills a gap in typical introduction to the Bible courses and is ideal for undergraduate or seminary classes. It is beautifully designed and includes photographs, line drawings, maps, charts, and tables, which will facilitate its use in the classroom.

Gender and Material Culture is the first complete study in the archaeology of gender, exploring the differences between the religious life of men and women. Gender in medieval monasticism influenced landscape contexts and strategies of economic management, the form and development of buildings and their symbolic and iconographic content. Women's religious experience was often poorly documented, but their archaeology indicates a shared tradition which was closely linked with, and valued by local communities. The distinctive patterns observed suggest that gender is essential to archaeological analysis.

This study examines third- and fourth-century portraits of married Christians and associated images, reading them as visual rhetoric in early Christian conversations about marriage and celibacy, and recovering lay perspectives underrepresented or missing in literary sources. Historians of early Christianity have grown increasingly aware that written sources display an enthusiasm for asceticism and sexual renunciation that was far from representative of the lives of most early Christians. Often called a “silent majority,” the married laity in fact left behind a significant body of work in the material record. Particularly in and around Rome, they commissioned and used such objects as sarcophagi, paintings, glass vessels, finger rings, luxury silver, other jewellery items, gems, and seals that bore their portraits and other iconographic forms of self-representation. This study is the first to undertake a sustained exploration of these material sources in the context of early Christian discourses and practices related to marriage, sexuality, and celibacy. Reading this visual evidence increases understanding of the population who created it, the religious commitments they asserted, and the comparatively moderate forms of piety they set forth as meritorious alternatives to the ascetic ideal. In their visual rhetoric, these artifacts and images comprise additional voices in Late Antique conversations about idealized ways of Christian life, and ultimately provide a fuller picture of the early Christian world. Plentifully illustrated with photographs and drawings, this volume provides readers access to primary material evidence. Such evidence, like textual sources, require critical interpretation; this study sets forth a careful methodology for iconographic analysis and applies it to identify the potential intentions of patrons and artists and the perceptions of viewers. It compares iconography to literary sources and ritual practices as part of the interpretive process, clarifying the ways images had a rhetorical edge and contributed to larger conversations. Accessibly written, The Visual Rhetoric of the Married Laity in Late Antiquity is of interest to students and scholars working on Late Antiquity, early Christian and late Roman social history, marriage and celibacy in early Christianity, and early Christian, Roman, and Byzantine art.

This volume presents a timely contribution to the growing body of scholarship on the apocryphal writings and their reception in the Middle Ages, especially in connection with visual representation. It aims to bridge what often remains disconnected, the visual art and the written text, the early Christian roots and medieval reception, the East and the West, as well as methodologies of various disciplines. The studies in this volume firstly investigate issues related to the Virgin Mary, and through them, also the status, function, and identity of women. Mary and the female element thus represent significant models and/or background figures in fields pertaining to theology, religious studies, textual studies, manuscript studies, and art history in a trans-disciplinary perspective. Secondly, the studies focus on the apostles and the Last Judgment, their visual representations and the use of apocryphal sources. The volume is divided in two parts according to two major topics: Part I dealing with Mary in the Apocrypha, and Part II focusing on the Apostles and the Last Judgment.

A crucial text for any university course on the interaction of archaeology and the Bible The world of early Christians was not a world lived in texts; it was a world saturated with material reality and concerns: what, where and when to eat or drink; how to present oneself in the space of bodily life and that of death; how to move from one place to another; what impacted status or the adjudication of legal charges. All these and more controlled so much of life in the ancient world. The Christians were not immune from the impact of these realities. Sometimes they absorbed their surrounds; sometimes they quite explicitly rejected the material practices bearing in on them; frequently they modified the practice and the rationale to create a significant Christian alternative. The collection of essays in this volume come from a range of international scholars who, for all their different interests and critical commitments, are yet united in treasuring research into the Greek and Roman worlds in which Christians sought to make their way. They offer these essays in honor of one who has made a lifetime's work in mining ancient material culture to extract nuggets of insight into early Christian dining practices: Dennis E. Smith. Features Rich examples of method in the utilization of ancient material culture for biblical interpretation. Thirteen essays with a response from Dennis E. Smith Maps, diagrams, and plates