Studies on everyday life commonly focus on housing conditions, eating and drinking, clothing, hygiene and medical care, professions, land and sea communications, and generally, on production and consumption. Material objects are dominant in these areas; nevertheless, mental aspects can also frequently be considered the carrier and/or symbol of concepts or values. For this reason, an international symposium held in Cambridge in 2001, which counted the Viennese Institute of Byzantine Studies among its organizers, was intent upon including the concept of "well-being" in its multi-facetted aspects, in the material, legal and philosophical-religious dialogue. The symposium's proceedings, consisting of twenty-three contributions preceded by an introduction discussing the current state of research and future plans, accordingly deal with, among other things, town planning, perfume in the secular sphere as well as that of the church, magical practices and holy physicians, clothing as a status symbol, and forms of abundance and shortage in the Byzantine diet.

Although much has been written on the making of art objects as a means of engaging in creative productions of the self (most famously Alfred Gell’s work), there has been very little written on Orthodox Christianity and its use of material within religious self-formation. Eastern Orthodox Christianity is renowned for its artistry and the aesthetics of its worship being an integral part of devout practice. Yet this is an area with little ethnographic exploration available and even scarcer ethnographic attention given to the material culture of Eastern Christianity outside the traditional ‘homelands’ of the greater Levant and Eastern Europe. Drawing from and building upon Gell’s work, Carroll explores the uses and purposes of material culture in Eastern Orthodox Christian worship. Drawing on three years of ethnographic fieldwork in a small Antiochian Orthodox parish in London, Carroll focusses on a study of ecclesiastical fabric but places this within the wider context of Orthodox material ecology in Britain. This ethnographic exploration leads to discussion of the role of materials in the construction of religious identity, material understandings of religion, and pathways of pilgrimatic engagement and religious movement across Europe. In a religious tradition characterised by repetition and continuity, but also as sensuously tactile, this book argues that material objects are necessary for the continual production of Orthodox Christians as art-like subjects. It is an important contribution to the corpus of literature on the anthropology of material culture and art and the anthropology of religion.

This book accounts for the tumultuous period of the fifth to eleventh centuries from the Fall of Rome and the collapse of the Western Roman Empire through the breakup of the Eastern Roman Empire and loss of pan-Mediterranean rule, until the Turks arrived and seized Anatolia. The volume is divided into a dozen syntheses that each addresses an issue of intrigue for the archaeology of Anatolia, and two dozen case studies on single sites that exemplify its richness. Anatolia was the only major part of the Roman Empire that did not fall in late antiquity; it remained steadfast under Roman rule through the eleventh century. Its personal history stands to elucidate both the emphatic impact of Roman administration in the wake of pan-Mediterranean collapse. Thanks to Byzantine archaeology, we now know that urban decline did not set in before the fifth century, after Anatolia had already be thoroughly Christianized in the course of the fourth century; we know now that urban decline, as it occurred from the fifth century onwards, was paired with rural prosperity, and an increase in the number, size, and quality of rural settlements and in rural population; that this ruralization was halted during the seventh to ninth centuries, when Anatolia was invaded first by the Persians, and then by the Arabs---and the population appears to have sought shelter behind new urban fortifications and in large cathedrals. Further, it elucidates that once the Arab threat had ended in the ninth century, this ruralization set in once more, and most cities seem to have been abandoned or reduced to villages during the ensuing time of seeming tranquility, whilst the countryside experienced renewed prosperity; that this trend was reversed yet again, when the Seljuk Turks appeared on the scene in the eleventh century, devastated the countryside and led to a revival and refortification of the former cities. This dynamic historical thread, traced across its extremes through the lens of Byzantine archaeology, speaks not only to the torrid narrative of Byzantine Anatolia, but to the enigmatic medievalization.

Byzantine medicine remains a little known and misrepresented field not only in the context of debates on medieval medicine, but also among Byzantinists themselves. It is often viewed as 'stagnant' and mainly preserving ancient ideas, and our knowledge of it continues to be based to a great extent on the comments of earlier authorities, which are often repeated uncritically. This volume presents the first comprehensive examination of the medical corpus of, arguably, the most important Late Byzantine physician: John Zacharias Aktouarios (c.1275-c.1330). Its main thesis is that John's medical works show an astonishing degree of openness to knowledge from outside Byzantium combined with a significant degree of originality, in particular, in the fields of uroscopy and human physiology. The analysis of John's edited (On Urines and On Psychic Pneuma) and unedited (Medical Epitome) treatises is supported for the first time by the consultation of a large number of manuscripts, and is also informed by evidence from a wide range of medical sources, including those previously unpublished, and texts from other genres, such as epistolography and merchants' accounts. The contextualization of John's corpus sheds new light on the development of Byzantine medical thought and practice, and enhances our understanding of the Late Byzantine social and intellectual landscape. Through examination of his medical observations in the light of examples from the medieval Latin and Islamic worlds, his theories are also placed within the wider Mediterranean milieu, highlighting the cultural exchange between Byzantium and its neighbours.

Authority is an important concept in Byzantine culture whose myriad modes of implementation helped maintain the existence of the Byzantine state across so many centuries, binding together people from different ethnic groups, in different spheres of life and activities. Even though its significance to understanding the Byzantine world is so central, it is nonetheless imperfectly understood. The present volume brings together an international cast of scholars to explore this concept. The contributions are divided into nine sections focusing on different aspects of authority: the imperial authority of the state, how it was transmitted from the top down, from Constantinople to provincial towns, how it dealt with marginal legal issues or good medical practice; authority in the market place, whether directly concerning over-the-counter issues such as coinage, weights and measures, or the wider concerns of the activities of foreign traders; authority in the church, such as the extent to which ecclesiastical authority was inherent, or how constructs of religious authority ordered family life; the authority of knowledge revealed through imperial patronage or divine wisdom; the authority of text, though its conformity with ancient traditions, through the Holy scriptures and through the authenticity of history; exhibiting authority through images of the emperor or the Divine. The final section draws on personal experience of three great ’authorities’ within Byzantine Studies: Ostrogorsky, Beck and Browning.

This new edition of Byzantium and the Crusades provides a fully-revised and updated version of Jonathan Harris's landmark text in the field of Byzantine and crusader history. The book offers a chronological exploration of Byzantium and the outlook of its rulers during the time of the Crusades. It argues that one of the main keys to Byzantine interaction with Western Europe, the Crusades and the crusader states can be found in the nature of the Byzantine Empire and the ideology which underpinned it, rather than in any generalised hostility between the peoples. Taking recent scholarship into account, this new edition includes an updated notes section and bibliography, as well as significant additions to the text: - New material on the role of religious differences after 1100 - A detailed discussion of economic, social and religious changes that took place in 12th-century Byzantine relations with the west - In-depth coverage of Byzantium and the Crusades during the 13th century - New maps, illustrations, genealogical tables and a timeline of key dates Byzantium and the Crusades is an important contribution to the historiography by a major scholar in the field that should be read by anyone interested in Byzantine and crusader history.

In Transcending Patterns: Silk Road Cultural and Artistic Interactions through Central Asian Textiles, Mariachiara Gasparini investigates the origin and effects of a textile-mediated visual culture that developed at the heart of the Silk Road between the seventh and fourteenth centuries. Through the analysis of the Turfan Textile Collection in the Museum of Asian Art in Berlin and more than a thousand textiles held in collections worldwide, Gasparini discloses and reconstructs the rich cultural entanglements along the Silk Road, between the coming of Islam and the rise of the Mongol Empire, from the Tarim to Mediterranean Basin. Exploring in detail the iconographic transfer between different agents and different media from Central Asian caves to South Italian churches, the author depicts and describes the movement and exchange of portable objects such as sculpture, wall painting, and silk fragments across the Asian continent and across the ages. Gasparini’s history offers critical perspectives that extend far beyond an outmoded notion of “Silk Road studies.” Her cross-media work shows readers how certain material cultures are connected not only by the physical routes they take but also because of the meanings and interpretations these objects engage in various places. Transcending Patterns is at once art history, material and visual cultural history, Asian studies, conservatory studies, and linguistics.