In Material Acts in Everyday Hindu Worlds, Joyce Burkhalter Flueckiger analyzes the agency of materiality—the ability of materials to have an effect on both humans and deities—beyond human intentions. Using materials from three regions where Flueckiger conducted extensive fieldwork, she begins with Indian understandings of the agency of ornaments that have the desired effects of protecting women and making them more auspicious. Subsequent chapters bring in examples of materiality that are agentive beyond human intentions, from a south Indian goddess tradition where female guising transforms the aggressive masculinity of men who wear saris, braids, and breasts to the presence of cement images of Ravana in Chhattisgarh, which perform alternative theologies and ideologies to those of dominant textual traditions of the Ramayana epic. Deeply ethnographic and accessibly written, Material Acts in Everyday Hindu Worlds expands our understanding of material agency as well as the parameters of religion more broadly. This book is freely available in an open access edition thanks to the National Endowment for the Humanities Fellowships Open Book Program—a limited competition designed to make outstanding humanities books available to a wide audience. Learn more at the Fellowships Open Book Program at https://www.neh.gov/grants/odh/FOBP, and access the book online at the SUNY Open Access Repository at https://soar.suny.edu/handle/20.500.12648/8716.

Juxtaposing theological inquiry with the philosophical movement of new materialism, Sam Mickey reflects on questions of human embodiment, nonhuman agency, technological innovation, and possible futures for humankind. New Materialism and Theology opens several pathways for thinking about what really matters.

Studies in Religion and the Everyday is a collection of essays addressing the contours of religious beliefs and practices in the context of everyday life in India. Events and processes in contemporary India—especially post the 1990s—have contributed to distinct modes of articulating religious practices. This volume is an attempt to historicize—and problematize—the categorization of religion as a universally held and analytically distinct feature of human life and seeks to understand the conditions—historical, political, discursive—and processes of authorization under which a particular set of practices, values, and dispositions constitutes the 'religious' at a specific point in time. By bringing together studies that draw from diverse methodological and epistemological approaches, the book will serve as a useful introduction to religion in India for the general reader and as an indispensable resource for students and researchers. The volume presents fresh perspectives on existing fields of study such as the city, capital, minorities, secularization, and the state—no longer seen as distinct from religion but actively co-produced with religion in the context of the theoretical rubric of the everyday—thereby marking a departure from approaching the question of religion solely through the lens of identity and conflict.

This book is the first to focus on material visualities of bhakti imagery that inspire, shape, convey, and expand both the visual practices of devotional communities, as well as possibilities for extending the reach of devotion in society in new and often unexpected ways. Communities of interpreters of bhakti images discussed in this book include not only a number of distinctive Hindu bhakti groups, but also artisans, diaspora women, South Asian Sufis, businessmen, dancers, and filmmakers. This book's identification of devotional practices of looking, such as materializing memory, mirroring and immaterializing portraits, and shaping the return look, connect material and visual cultures as well as illustrate modes of established and experimental image usage. Bhakti is one of the most-studied aspects of Indic devotionalism on account of its expression through emotive poetry, song, and vivid hagiographies of saints. The diverse devotional visualities analyzed in this book meaningfully circulate bhakti images in past and present, generating their renewed relationship to contemporary concerns.

This book is an engaging introduction to the complex religious tradition of Hinduism. Central to its focus is demonstrating the fundamental diversity within Hinduism through the multiplicity of its core beliefs and traditions. Chapters are divided into four historical categories – Vedic, Ascetic, Classical, and Contemporary Hinduism – with each examining one deity alongside one key term, serving as a twin focal point for a more complex discussion of related key texts, ideas, social structures, religious practices, festivals, and concepts such as ritual and sacrifice, music and devotion, and engagement and renunciation. The organization of this book requires that we see deities as not simply divine individuals who preside over one part of the Hindu world, but that each deity operates as a larger cultural category whose related persons, concepts, and practices provide a vivid lens through which Hindu devotees see and continue to readapt to the world in which they live. With study questions, glossaries, and lists of key contemporary figures, this book is an essential and comprehensive resource for students encountering the multiplicity of Hinduism for the first time.

The Wiley Blackwell Companion to Religion and Materiality provides a thoughtfully organized, inclusive, and vibrant project of the multiple ways in which religion and materiality intersect. The contributions explore the way that religion is shaped by, and has shaped, the material world, embedding beliefs, doctrines, and texts into social and cultural contexts of production, circulation, and consumption. The Companion not only contains scholarly essays but has an accompanying website to demonstrate the work of performers, architects, and expressive artists, ranging from musicians and dancers to religious practitioners. These examples offer specific illustrations of the interplay of religion and materiality in everyday life. The project is organized from a comparative perspective, highlighting examples and case studies from traditions originating in both East and West. To summarize, the volume: Brings together the leading figures, theories and ideas in the field in a systematic and comprehensive way Offers an interdisciplinary approach drawing together religious studies, anthropology, archaeology, history, sociology, geography, the cognitive sciences, ecology, and media studies Takes a comparative perspective, covering all the major faith traditions

Islam through Objects represents the state of the field of Islamic material cultural studies. With contributions from scholars of religion, anthropologists, art historians, folklorists, historians, and other disciplines, Anna Bigelow brings together a wide range of perspectives on Islamic materiality to debunk myths of Islamic aversion to material aspects of religion. Each chapter focuses on a single object in daily use by Muslims-prayer beads, coins, amulets, a cistern well, clothing, jewellery, bodily and domestic adornments-to consider both generic and particular aspects of the object in question. These narratives will engage the reader by describing and analyzing each object in terms of its provenance, materials, uses, and history, as well as the broader history, variety and uses of the object in Islamic history and cultures. Temporal, regional, and sectarian variations in the styles, uses, and theological perspectives are also considered. Framed by an introduction that assesses the various approaches to Islamic material culture in recent scholarship, Islam through Objects provides a template for the study of religion and material culture, which engages current theory, subtle and nuanced narratives, and the creative and imaginal capacities of Muslims through history.