A unique, efficient methodology for developing high levels of proficiency in string players in both classroom and private studio settings. It complements the standard method books by constructing a step-by-step pedagogical program for violin, viola, cello and string bass.

Mastery for Strings presents a unique, efficient methodology for developing high levels of proficiency in string players in both classroom and private studio settings. Cornerstones of the Mastery for Strings approach are: a curriculum design for large heterogeneous string classes, technical skills organized in small, sequential steps, "how-to" pages with clear goals, explicit instructions, and recognizable evaluation criteria for each technical skill, a plan for developing problem-solving strategies and self-evaluation skills, music theory (fingerboard geography) taught without reference to the piano keyboard.

A unique, efficient methodology for developing high levels of proficiency in string players in both classroom and private studio settings. It complements the standard method books by constructing a step-by-step pedagogical program for violin, viola, cello and string bass.

Stringing Along is the first in a series of books for beginning string orchestra players by Albert Stoutamire and Kenneth Henderson. The second is Strings Are Fun, and a third book, only slightly more advanced, is Bow, Pick, 'n' Rock. The first two books are made up of program pieces which are easy to play and are full-sounding, harmonized arrangements. Both can be used throughout the first year of string instrument instruction. Published for 1st violin, 2nd violin, viola, cello and bass, and piano-conductor.

Teaching Strings in Today’s Classroom: A Guide for Group Instruction assists music education students, in-service teachers, and performers to realize their goals of becoming effective string educators. It introduces readers to the school orchestra environment, presents the foundational concepts needed to teach strings, and provides opportunities for the reader to apply this information. The author describes how becoming an effective string teacher requires three things of equal importance: content knowledge, performance skills, and opportunities to apply the content knowledge and performance skills in a teaching situation. In two parts, the text addresses the unique context that is teaching strings, a practice with its own objectives and related teaching strategies. Part I (Foundations of Teaching and Learning String Instruments) first presents an overview of the string teaching environment, encouraging the reader to consider how context impacts teaching, followed by practical discussions of instrument sizing and position, chapters on the development of each hand, and instruction for best practices concerning tone production, articulation, and bowing guidelines. Part II (Understanding Fingerings) provides clear guidance for understanding basic finger patterns, positions, and the creation of logical fingerings. String fingerings are abstract and thus difficult to negotiate without years of playing experience—these chapters (and their corresponding interactive online tutorials) distill the content knowledge required to understand string fingerings in a way that non-string players can understand and use. Teaching Strings in Today’s Classroom contains pedagogical information, performance activities, and an online virtual teaching environment with twelve interactive tutorials, three for each of the four string instruments. ACCOMPANYING VIDEOS CAN BE ACCESSED VIA THE AUTHOR'S WEBSITE: www.teachingstrings.online

First Program for Strings (for string orchestra) may be started when the class reaches Page 12 in Volume I of the String Builder. It may, however, be used in conjunction with any standard string class method, as this book is a complete unit in itself and may be used separately for class or individual instruction. Published for score, piano accompaniment, 1st violin, 2nd violin, 3rd violin (viola T.C.), viola, cello, bass.