"Masters of Contemporary Fine Art" is the first edition of an annual publication dedicated to the promotion and dissemination of high quality Contemporary Art. Painting, Sculpture, Drawing and Digital Art are the categories that we have chosen to publish in this art book. The vast range of expressive techniques and also the different styles in each category add value, depict fascinating rhythm and captivate diversity. The book is also a powerful tool for research, consultation or study for Artists, Collectors, Galleries, Art Dealers and Art Lovers.

This collection offers field-defining work from 43 master book artists.

When it comes to viewing art, living in the information age is not necessarily a benefit. So argues Michael Findlay in this book that encourages a new way of looking at art. Much of this thinking involves stripping away what we have been taught and instead trusting our own instincts, opinions, and reactions. Including reproductions of works by Mark Rothko, Paul Klee, Joan Miró, Jacob Lawrence, and other modern and contemporary masters, this book takes readers on a journey through modern art. Chapters such as “What Is a Work of Art?”, “Can We Look and See at the Same Time?”, and “Real Connoisseurs Are Not Snobs,” not only give readers the confidence to form their own opinions, but also encourages them to make connections that spark curiosity, intellect, and imagination. “The most important thing for us to grasp,” writes Findlay, “is that the essence of a great work of art is inert until it is seen. Our engagement with the work of art liberates its essence.” After reading this book, even the most intimidated art viewer will enter a museum or gallery feeling more confident and leave it feeling enriched and inspired.

A pictorial showcase of the work of 40 contemporary art quilt masters from around the world. Up to a dozen quilts by each artist are shown, along with commentary by each artist.

Beautifully illustrated, this is the first volume in a world first series of volumes dedicated to the 'Contemporary Masters of Bangladesh'. Kazi Ghiyasuddin (Madaripur, Bangladesh, 1951) has been living between Bangladesh and Japan since 1975, when he took up a scholarship at the National University of Fine Arts and Music in Tokyo. He draws his inspiration from nature to project his desire for harmony and peace on richly textured canvases, which resonate with delicate, inwardly expanding applications of paint. While Ghiyasuddin has consistently displayed a refined urban sensibility which is at home in any international environment, he has put a premium value on expropriating colours, motifs and themes that typify the essential Bengali aesthetic. His early works employ bustling colours with rich tonal variations and bright visual fields. About 20 years ago, he adopted a new style. At that stage he erased his earlier canvases by painting over them with white, light grey and light blue. He is concerned as peace wanes in urbanised parts of the world and believes that nature is the ultimate destination for peace. Ghiyasuddin's genre of work is abstract, with finely sketched figures or objects on the canvas.

All that glitters here IS gold--and it’s gorgeous! This addition to the popular Masters series focuses on a topic--gold jewelry--with mass appeal to a wide audience: jewelers, metalsmiths, collectors, museums, and just about anyone who loves beautiful workmanship. Leading jewelry expert Marthe Le Van has chosen 40 of the world’s best goldsmiths and presents their finest pieces. A short essay accompanies each eight-page section, along with choice quotes from the featured artists. The talented creators showcased here include: Eva Steinberg (Germany): Art Nouveau influences abound in her colorful earrings and pendants Namu Cho (Korea/United States): Cho employs the ancient technique of Korean damascene known as poe mok saang gum. Claude Chavent (France): He plays with the optical illusions of trompe l’oeil, bringing volume and movement to his dazzling flat pieces. Stuart Golder (United States): Golder weaves sheets and wires of gold on a loom, designing elaborate patterns based on traditional cloth weaving.

Masters of Contemporary Wood Art, Volume IV presents an overview of what is currently going on in the world of contemporary wood art by bringing together works of internationally recognized masters of wood art from around the world. Each work reveals the soul of the master, with its own distinct style and personality. The featured artists push the boundaries of wood art with their unique techniques, approaches, and philosophies. The works included in the catalogue vary by their shape, color, style, theme, and technique. However, they all serve one purpose - celebrating art by sharing the artists' perception of beauty.