Forty mystery stories include works by Edgar Allan Poe, Agatha Christie, Arthur Conan Doyle, Ellery Queen, Ross Macdonald, John MacDonald, Ruth Rendell, Dick Francis, P.D. James, Bill Pronzini, Donald Westlake, and Lawrence Block

Agatha Christie is the world's most popular fiction writer; her works have been outsold only by the Bible and Shakespeare. Best remembered for her classic crime novels such as Murder on the Orient Express and And Then There Were None, her works have been cherished by generations of readers. Christie, however, was also a master of the short story and this volume collects some of her finest short pieces. With such masterpieces as 'Witness for the Prosecution' (the basis for the classic film) and 'Three Blind Mice' (the basis for her Mousetrap, the longest-running play in history), as well as some of her lesser known works, including all of her supernatural suspense tales, this collection of twenty-eight ingenious tales displays Agatha Christie's full range as an author.

A collection of ten detective, mystery, and thriller plays first produced in the mid-twentieth century, several of which were later adapted into motion pictures.

In this follow-up to "Shakespeare's Secret," Broach delivers a fast-paced mystery in which a young boy and a beetle attempt to pull off a staged art heist at the Metropolitan Museum of Art. Illustrations.

Yashim is no ordinary detective. It's not that he's particularly brave. Or that he cooks so well, or reads French novels. Not even that his best friend is the Ambassador from Poland, whose country has vanished from the map. Yashim is a eunuch. As the Sultan plans a series of radical reforms to his empire, a concubine is strangled in the palace harem. And a young cadet is found butchered in the streets of Istanbul. Delving deep into the city's crooked alleyways, and deeper still into its tumultuous past, Yashim discovers that some people will go to any lengths to preserve the traditions of the Ottoman Empire. Brilliantly evoking Istanbul in the 1830s, The Ottoman Detective is a fast-paced literary thriller with a spectacular cast, from mystic orders and lissom archivists to soup-makers and a seductive ambassador's wife. Darker than any of these is the mysterious figure who controls the Sultan's harem.

Autumn leaves aren’t the only things falling in the historic Virginia village of Taylorsford—so are some cherished memories, and a few bodies. October in Taylorsford, Virginia means it’s leaf peeping season, with bright colorful foliage and a delightful fresh crew of tourists attending the annual Heritage Festival which celebrates local history and arts and crafts. Library director Amy Webber, though, is slightly dreading having to spend two days running a yard sale fundraiser for her library. But during these preparations, when she and her assistant Sunny stumble across a dead body, Amy finds a real reason to be worried. The body belonged to a renowned artist who was murdered with her own pallet knife. A search of the artist’s studio uncovers a cache of forged paintings, and when the sheriff’s chief deputy Brad Tucker realizes Amy is skilled in art history research, she’s recruited to aid the investigation. It doesn’t seem to be an easy task, but when the state’s art expert uncovers a possible connection between Amy’s deceased uncle and the murder case, Amy must champion her Aunt Lydia to clear her late husband’s name. That’s when another killing shakes the quiet town, and danger sweeps in like an autumn wind. Now, with her swoon-inducing neighbor Richard Muir, Amy must scour their resources to once again close the books on murder in Shelved Under Murder, the charming second installment in Victoria Gilbert’s Blue Ridge Library mysteries, perfect for fans of Jenn McKinlay and Miranda James.

Winner of the 2022 Edgar Award for Best Biography An Economist Best Book of 2021 A fresh, innovative biography of the twentieth century’s most iconic filmmaker. In The Twelve Lives of Alfred Hitchcock, Edward White explores the Hitchcock phenomenon—what defines it, how it was invented, what it reveals about the man at its core, and how its legacy continues to shape our cultural world. The book’s twelve chapters illuminate different aspects of Hitchcock’s life and work: “The Boy Who Couldn’t Grow Up”; “The Murderer”; “The Auteur”; “The Womanizer”; “The Fat Man”; “The Dandy”; “The Family Man”; “The Voyeur”; “The Entertainer”; “The Pioneer”; “The Londoner”; “The Man of God.” Each of these angles reveals something fundamental about the man he was and the mythological creature he has become, presenting not just the life Hitchcock lived but also the various versions of himself that he projected, and those projected on his behalf. From Hitchcock’s early work in England to his most celebrated films, White astutely analyzes Hitchcock’s oeuvre and provides new interpretations. He also delves into Hitchcock’s ideas about gender; his complicated relationships with “his women”—not only Grace Kelly and Tippi Hedren but also his female audiences—as well as leading men such as Cary Grant, and writes movingly of Hitchcock’s devotion to his wife and lifelong companion, Alma, who made vital contributions to numerous classic Hitchcock films, and burnished his mythology. And White is trenchant in his assessment of the Hitchcock persona, so carefully created that Hitchcock became not only a figurehead for his own industry but nothing less than a cultural icon. Ultimately, White’s portrayal illuminates a vital truth: Hitchcock was more than a Hollywood titan; he was the definitive modern artist, and his significance reaches far beyond the confines of cinema.