Mastering in Music is a cutting-edge edited collection that offers twenty perspectives on the contexts and process of mastering. This book collects the perspectives of both academics and professionals to discuss recent developments in the field, such as mastering for VR and high resolution mastering, alongside crucial perspectives on fundamental skills, such as the business of mastering, equipment design and audio processing. Including a range of detailed case studies and interviews, Mastering in Music offers a comprehensive overview of the foremost hot topics affecting the industry, making it key reading for students and professionals engaged in music production.

Mixing and mastering are the final challenges in creating great recordings. Great mixes require both creativity and a practical understanding of process, while final masters require both a clear sense for purpose and specialized ears for achieving artistic goals. Mixing and Mastering in the Box gives readers the practical tools for accomplishing both of these tasks while highlighting the artistry of the creative process. While much of the information presented in Mixing and Mastering in the Box is applicable to those using analog mixing gear, or a hybrid of digital and analog tools, the book focuses directly on working completely within the Digital Audio Workstation (DAW). Author Steve Savage lets readers in on such topics as the secrets of collaboration and using EQ, compression, delay, reverb, and brickwall limiting to improve the sound of records, each topic illustrated with a myriad of concrete examples. Mixing and Mastering in the Box is the ultimate reference manual for the home recordist and the perfect basic to intermediate text for any DAW (Digital Audio Workstation) training class in mixing or mastering. The book is also ideal for readers who handle their own mixing and mastering or who wish - or are professionally required - to be better informed when collaborating on mixes and masters.

Suitable for those who want to increase their mastery of digital and analog audio: musicians, producers, A&R, mastering, recording, and mixing engineers, this title offers an introduction to the procedures and technical issues involved in mastering.

It wasn?t all that many years ago that almost every serious audio recording session took place in a commercial studio and was performed by professional engineers and producers using highly specialized, extremely expensive equipment. But those days are long gone. Today, artists of all levels?from amateur to mega-star?are working in their home and project studios, sometimes with an engineer and/or a producer to help them and sometimes without, doing the producing and recording themselves. Using a personal computer and today?s affordable software and hardware tools, it?s possible to capture professional level tracks and create perfectly balanced mixes right from the comfort of your own home without spending a fortune. But, there?s one part of the process of creating music at home that has eluded many home recordists. The final stage that puts the polished sheen on the mix. The step that allows homemade productions to better compete with those coming out of multimillion-dollar commercial recording facilities. The final preparation that will ready the music for release on CD or over the Internet. This step is called mastering. Mastering Music at Home is for any home or project studio owner or operator. It's for musicians and engineers who can't afford to pay a professional mastering engineer thousands of dollars to master their music, but who still want to get professional-level results when releasing their songs to the web or on CD. After an overview of mastering and the gear required, the book goes on to cover acoustic considerations, problem solving, distribution, and much, much more. Throughout the book, audio professionals provide additional ?in the trenches? case studies on how they approach the art of mastering. The book's companion CD-ROM includes numerous real-world music examples to help you work through the book's tutorials. This is the only guide you?ll ever need to take your home recordings to the next level.

Mixing is an Attitude
When I think back to my best mixes—regardless of their commercial success—in each and every case, I can only describe the experience as one in which I was working from deep within, outside of any external forces. I wasn't thinking; I was doing. I wasn't scared of what anyone would think. I wasn't scared of failure. All my decisions were made with confidence, and once a judgment was made, I didn't second-guess myself. I allowed the music to guide me, and I based all of my mix decisions on nothing more than one simple criterion: Are the song and production doing what they're supposed to be doing?
That sounds nice, huh? I mean, that's the headspace you want to be in when you're mixing! The problem is, you can't get there if you're focused on all the wrong things, and we're all susceptible to distraction and self-doubt. Great mixing involves trusting yourself, first and foremost. And I can promise you, that trust is downright infectious to everyone on your project.
Who Am I?
I'm Mixerman, a gold and multi-platinum mixer, producer, and recordist. I've been mixing professionally and at a high level for over three decades now., and I can assure you, great mixing isn't about manipulating sound. It's about the decisions you make in regards to the music, the balances, and how you use the arrangement to push the listener forward through the song. This is accomplished thought concrete strategies and techniques, that I'm uniquely qualified to offer you.
Boost Your Confidence Now
You can spend the next decade mixing two songs a day to get there. Or you can get Zen & the Art of MIXING 2021, and I'll explain the thinking behind great mixing. And then watch your confidence soar.
There's a reason why this is my most popular work, to date. Enjoy, Mixerman

Mastering Music Fundamentals is a prescriptive, hands-on introduction to the fundamentals of music theory that presents the subject in a user-friendly format so that students immediately are comfortable with the material. The organization and presentation of chapter topics revolve around essential principles explained and reinforced with numerous problems for students to solve. The book does not simply present basic theory; rather, it guides students using a visual step-by-step process that anticipates and answers their questions. Highlights of the Second Edition include an improved and streamlined approach to pedagogy, homework assignments, worksheets with answers at the end of each chapter, and an innovative hybrid methodology that addresses both traditional and programmatic learning styles.

(Berklee Guide). Improve the sound of your recordings. Mastering is the art of optimizing recorded sound, finding the ideal volume levels and tonal quality, and insuring data integrity necessary to produce a professional-quality duplication and distribution-ready master. This book introduces the techniques and tools of audio mastering, suitable for commercial and home/project studio environments. Technical discussions address gear, studio setup, methodologies, goals, and other considerations for making tracks sound their best, individually and in relationship to other tracks. The accompanying recording has audio examples that support two detailed case studies where readers can follow a mastering engineer's manipulations step by step.