"Composed of 184 prose passages and 5,263 lines of verse to be narrated and sung by a performing singer-storyteller, Master Tung's Western Chamber Romance is an elaboration of the T'ang dynasty love story, The Story of Ying-ying, by Yuan Chen (779-831). But unlike the T'ang story, in which the lovers fail to marry each other, Master Tang's Western Chamber Romance ends with their wedding."--Cover.

Comprising 184 prose passages and 5,263 lines of verse to be narrated and sung by a performing singer-storyteller, it is an elaboration of the Tang dynasty love story, "The Story of Ying-ying, " by Yuan Chen (779-831).

The Columbia History of Chinese Literature is a comprehensive yet portable guide to China's vast literary traditions. Stretching from earliest times to the present, the text features original contributions by leading specialists working in all genres and periods. Chapters cover poetry, prose, fiction, and drama, and consider such contextual subjects as popular culture, the impact of religion, the role of women, and China's relationship with non-Sinitic languages and peoples. Opening with a major section on the linguistic and intellectual foundations of Chinese literature, the anthology traces the development of forms and movements over time, along with critical trends, and pays particular attention to the premodern canon.

How Zen Became Zen takes a novel approach to understanding one of the most crucial developments in Zen Buddhism: the dispute over the nature of enlightenment that erupted within the Chinese Chan (Zen) school in the twelfth century. The famous Linji (Rinzai) Chan master Dahui Zonggao (1089–1163) railed against "heretical silent illumination Chan" and strongly advocated kanhua (koan) meditation as an antidote. In this fascinating study, Morten Schlütter shows that Dahui’s target was the Caodong (Soto) Chan tradition that had been revived and reinvented in the early twelfth century, and that silent meditation was an approach to practice and enlightenment that originated within this "new" Chan tradition. Schlütter has written a refreshingly accessible account of the intricacies of the dispute, which is still reverberating through modern Zen in both Asia and the West. Dahui and his opponents’ arguments for their respective positions come across in this book in as earnest and relevant a manner as they must have seemed almost nine hundred years ago. Although much of the book is devoted to illuminating the doctrinal and soteriological issues behind the enlightenment dispute, Schlütter makes the case that the dispute must be understood in the context of government policies toward Buddhism, economic factors, and social changes. He analyzes the remarkable ascent of Chan during the first centuries of the Song dynasty, when it became the dominant form of elite monastic Buddhism, and demonstrates that secular educated elites came to control the critical transmission from master to disciple ("procreation" as Schlütter terms it) in the Chan School.

For generations scholars and the general public have looked to John King Fairbank for knowledge and insights about China. In four editions of this work he has provided these. Reviews of this book: "An indispensable book for thoughtful people." DD--New York Times Book Review "Fairbank provides a miraculously concise account of Chinese civilization from its foundations to the present day...Maps, photographs, and an 80-page bibliography make this an invaluable reference work." DD--New Republic "As useful and timely as when it first appeared in 1948. Written by America's foremost China scholar, John Fairbank, the book addresses a popular, not the academic, audience. It offers a sweeping view of the Chinese polity from ancient times up to the recent, convoluted period of Western contact, spiced by the wit and insight into detail of a geographer who drew the maps himself...Yet the book offers much to the specialist as well as the layman. To the historian, a state-of-the-art review of the latest historical analysis of modern china...To the student, a cogent guide to the field...For the diplomat and businessman, the work explores that most intangible but also most influential area of human feeling between the two countries that has launched ventures and derailed them." DD--China Business Review "The best general introduction to the Chinese political system...A book of love and great learning." DD--Kirkus Reviews "Still flashes with brilliance in its latest (fourth) incarnation...With this latest edition of what is arguably the best guide to China in any language, American and other non-Chinese readers may finally catch a glimpse of the 'very complex' Chinese way of life." DD--Asiaweek Literary Review "[Fairbank's] ability to transcend the academic to write a highly readable, authoritative, information-packed, perceptive and analytical account of the Chinese is unsurpassed. This is must reading for all Asiaphiles." DD--Asia Mail

This book is a comprehensive and inviting introduction to the literary forms and cultural significance of Chinese drama as both text and performance. Each chapter offers an accessible overview and critical analysis of one or more plays—canonical as well as less frequently studied works—and their historical contexts. How to Read Chinese Drama highlights how each play sheds light on key aspects of the dramatic tradition, including genre conventions, staging practices, musical performance, audience participation, and political resonances, emphasizing interconnections among chapters. It brings together leading scholars spanning anthropology, art history, ethnomusicology, history, literature, and theater studies. How to Read Chinese Drama is straightforward, clear, and concise, written for undergraduate students and their instructors as well as a wider audience interested in world theater. For students of Chinese literature and language, the book provides questions to explore when reading, watching, and listening to plays, and it features bilingual excerpts. For teachers, an analytical table of contents, a theater-specific chronology of events, and lists of visual resources and translations provide pedagogical resources for exploring Chinese theater within broader cultural and comparative contexts. For theater practitioners, the volume offers deeply researched readings of important plays together with background on historical performance conventions, audience responses, and select modern adaptations.

Eight studies examine key features of Chinese visual and material cultures, ranging from tomb design, metalware, ceramic pillows, and bronze mirrors, to printed illustrations, calligraphic rubbings, colophons, and paintings on Buddhist, landscape, and narrative themes. Questions addressed include how artists and artisans made their works, the ways both popular literature and market forces could shape ways of looking, and how practices and imagery spread across regions. The authors connect visual materials to funeral and religious practices, drama, poetry, literati life, travel, and trade, showing ways visual images and practices reflected, adapted to, and reproduced the culture and society around them. Readers will gain a stronger appreciation of the richness of the visual and material cultures of Middle Period China.