Modern scholarship has examined the life and works of Robert Grosseteste (ca. 1170-1253) mainly in a philosophical or episcopal context, yet Grosseteste wrote many treatises on pastoral theology, spent some years as a regent master in theology at the University of Oxford, and maintained interest in theological discourse throughout his time as Bishop of Lincoln. This book offers the first scholarly study of Grosseteste as theologian, taking account of the whole range of his theological writing both in published and unedited sources. Ginther reveals the central focus of Grosseteste's theology as the person and work of Christ, with the person of Christ as the interpretive key by which humanity comes to see the Trinity in the created world and the means by which humanity may participate in the divine. Surveying some of the major doctrinal issues of the thirteenth century, this book offers a thorough introduction to the theology of the period.

Starting with the premise that the history of a medieval subject cannot be properly written "without recourse to the materials it produced," Lesley Smith's Masters of the Sacred Page provides an illuminating study of theology in the Middle Ages. She focuses on the dramatic transformations of the discipline in the twelfth century and uses a collection of contemporary manuscripts as a guide to its changes and developments. Smith points out that the medieval masters of theology had a much wider view of their subject than the modern academic tendency for neatness and division can easily admit, and she places their discipline squarely within the rapidly evolving intellectual and educational context of the twelfth-century university. Her approach avoids two of the most common weaknesses of modern historical studies of medieval theology. In the first place, those histories have a tendency to be distorted by a reliance on easily available printed editions of medieval texts, the bulk of which are summae and other logical, systematic treatments. This preponderance, however, often reflects the concerns and interests of nineteenth- and twentieth-century editors more than it does the medieval masters. Biblical commentaries, sermons, and manuals for pastoral use have only recently begun to be edited and printed in numbers reflecting their importance and widespread use in the Middle Ages; Smith includes such material in her study. In the second place, traditional histories have a tendency to remove the study of theology from the actual environment of the medieval university and therefore fail to account for the complex relations between theology, the arts, and the burgeoning disciplines of medicine and law. By refusing to follow this trend, Smith has greatly improved our awareness of the situation of medieval theology. Using the manuscript books themselves as witnesses, Smith shows how theology competed with other disciplines for students (as well as teachers), how it attempted to define itself, and how it cooperated with other disciplines to foster new development in book technology--and new traditions in the social and intellectual culture of the medieval university.

This stand-alone novel in the four-part Book of Books series presents the people and the events that brought the Bible into the English language. These historical novels are told in high drama, but with great respect for God's Word and for the courageous people who translated it.

This fresh look at the Gospel of Matthew highlights the unique contribution that Matthew's rich and multilayered portrait of Jesus makes to understanding the connection between the Old and New Testaments. Patrick Schreiner argues that Matthew obeyed the Great Commission by acting as scribe to his teacher Jesus in order to share Jesus's life and work with the world, thereby making disciples of future generations. The First Gospel presents Jesus's life as the fulfillment of the Old Testament story of Israel and shows how Jesus brings new life in the New Testament.

Researcher Bonnie Gaunts continues the line of research begun by John Michell into the geometric design of Stonehenge, the Great Pyramid and the Golden Proportions. Chapters in this book cover the following topics: the amazing number 144 and the numbers in the design of the New Jerusalem; the Great Pyramid, Stonehenge and Solomon's Temple display a common design that reveals the work of a Master Designer; the amazing location of Bethlehem; how the process of photosynthesis reveals the sacred design while transforming light into organic substance; how the Bible's number code (gematria) reveals a sacred design; more.

On a summer day in 1828, Book of Mormon scribe and witness Martin Harris was emptying drawers, upending furniture, and ripping apart mattresses as he desperately looked for a stack of papers he had sworn to God to protect. Those pages containing the only copy of the first three months of the Joseph Smith's translation of the golden plates were forever lost, and the detailed stories they held forgotten over the ensuing years--until now. In this highly anticipated work, author Don Bradley presents over a decade of historical and scriptural research to not only tell the story of the lost pages but to reconstruct many of the detailed stories written on them. Questions explored and answered include: Was the lost manuscript actually 116 pages? How did Mormon's abridgment of this period differ from the accounts in Nephi's small plates? Where did the brass plates and Laban's sword come from? How did Lehi's family and their descendants live the Law of Moses without the temple and Aaronic priesthood? How did the Liahona operate? Why is Joseph of Egypt emphasized so much in the Book of Mormon? How were the first Nephites similar to the very last? What message did God write on the temple wall for Aminadi to translate? How did the Jaredite interpreters come into the hands of the Nephite kings? Why was King Benjamin so beloved by his people? Despite the likely demise of those pages to the sands of time, the answers to these questions and many more are now available for the first time in nearly two centuries in The Lost 116 Pages: Reconstructing the Book of Mormon's Missing Stories.

A major new work on the Dead Sea Scrolls, the oldest sacred documents of Judaism, which reveals their surprising connections to early Christianity. “A luminous treatment of a fascinating subject! Highly recommended!”—Scott Hahn, author of The Fourth Cup From award-winning scholar John Bergsma comes an intriguing book that reveals new insights on the Essenes, a radical Jewish community predating Christianity, whose existence, beliefs, and practices are often overlooked in the annuls of history. Bergsma reveals how this Jewish sect directly influenced the beliefs, sacraments, and practices of early Christianity and offers new information on how Christians lived their lives, worshipped, and eventually went on to influence the Roman Empire and Western civilization. Looking to Hebrew scripture and Jewish tradition, Bergsma helps to further explain how a simple Jewish peasant could go on to inspire a religion and a philosophy that still resonates 2,000 years later. In this enriching and exciting exploration, Bergsma demonstrates how the Dead Sea Scrolls—the world's greatest modern archaeological discovery—can shed light on the Church as a sacred society that offered hope, redemption, and salvation to its member. Ultimately, these mysterious writings are a time machine that can transport us back to the ancient world, deepen our appreciation of Scripture, and strengthen our understanding of the Christian faith. “An accessible introduction . . . This is a handy entry point for readers unfamiliar with Essenes or those interested in the Dead Sea Scrolls.”—Publishers Weekly