This captivating story recounts Miller's local and state-wide political impact, his influence on the planning and appearance of his home town, his peace advocacy, his almost endless creativity for civic improvement and his penchant for ceremony. At his death the city of Riverside halted for fifteen minutes. Beyond being known as "the man who built the Mission Inn" Frank Augustus Miller's personal and public life have been shrouded in obscurity since his death in 1935. This new biography, based extensively on unpublished sources tells the fuller story of a colorful life. The narrative traces Miller's sometimes conflicted journey toward personal and intellectual maturity, first in frontier Wisconsin then in Riverside California. Readers trace Miller's lifelong growth and his driving sense of "firstness." They sit with him among presidents and princes, travel with him in Europe and Asia, agonize with him in the loss of his first wife and share his happiness in his marriage to Marion Clark. Author Maurice Hodgen has lived in Riverside California since 1968, has guided tours of the Historic Mission Inn since 2001 and has published on the Mission Inn as a National Historic Landmark and Miller's Asian interests as expressed in hotel architecture and decoration.

The story of the internationally famous Mission Inn Hotel, and its predecessor, has been intertwined with the city of Riverside's history since both began. As the slogan once said, Riverside is a "City with a Mission Inn its Heart." For more than a century, the Mission Inn and its eclectic collections have intrigued visitors, artisans, architects, and dignitaries who have come to Riverside for a myriad of reasons. The Mission Inn, founded by colorful entrepreneur Frank Miller, was integral to the city's turn-of-the-20th-century tourism as wealthy Easterners flocked to Riverside and its famous hotel, lured by a Mediterranean climate, investment opportunities, and vast navel orange groves. Unlike other grand hotels of the time, the Mission Inn, with its Mission style architecture, was a luxury hotel that was uniquely Californian.

Through a fascinating discussion of religion's role in the rhetoric of American civilizing empire, The Imperial Church undertakes an exploration of how Catholic mission histories served as a useful reference for Americans narrating US settler colonialism on the North American continent and seeking to extend military, political, and cultural power around the world. Katherine D. Moran traces historical celebrations of Catholic missionary histories in the upper Midwest, Southern California, and the US colonial Philippines to demonstrate the improbable centrality of the Catholic missions to ostensibly Protestant imperial endeavors. Moran shows that, as the United States built its continental and global dominion and an empire of production and commerce in the Gilded Age and Progressive Era, Protestant and Catholic Americans began to celebrate Catholic imperial pasts. She demonstrates that American Protestants joined their Catholic compatriots in speaking with admiration about historical Catholic missionaries: the Jesuit Jacques Marquette in the Midwest, the Franciscan Junípero Serra in Southern California, and the Spanish friars in the Philippines. Comparing them favorably to the Puritans, Pilgrims, and the American Revolutionary generation, commemorators drew these missionaries into a cross-confessional pantheon of US national and imperial founding fathers. In the process, they cast Catholic missionaries as gentle and effective agents of conquest, uplift, and economic growth, arguing that they could serve as both origins and models for an American civilizing empire. The Imperial Church connects Catholic history and the history of US empire by demonstrating that the religious dimensions of American imperial rhetoric have been as cross-confessional as the imperial nation itself.