The Shinji Shobogenzo is a marvelous collection of 301 Zen koan stories in three volumes that the Japanese Buddhist master Dogen collected during his four-year stay in China. The stories were written in Chinese, and are records of conversations between Buddhist masters and their students. Dogen used many of these stories as the basis for his formal lectures in his major work, the Shobogenzo. The Shinji Shobogenzo is an essential collection that encompasses many of the well-known koan stories, with many interesting and less familiar ones, together with the comments of a contemporary Buddhist master renowned for his clear and no-nonsense approach. Gudo Nishijima Roshi has published a complete translation and commentary on the stories in Japanese, and he first dictated an English translation to three of his students in the early 1980s, together with a commentary on each story, which was produced in three volumes. Only the first of the three volumes was published, but it is now long out of print. This new and completely revised version comprises all three volumes in one edition, together with Nishijimas refreshingly down-to-earth explanations of the stories.

This translation, supported by the Japan Foundation, makes a strong claim to be the definitive translation of the 95 chapter edition of Shobogenzo, the essential Japanese Buddhist text, written in the 13th century by Zen Master Dogen. Following Shobogenzo Books 1 and 2, the third book in this four-volume set contains chapters 42 to 72 from the 95-chapter edition, including: Tsuki (The Moon); Kuge (Flowers in Space); Mujo Seppo (All Things and Phenomena Preach Dharma); Kajo (Daily Life); and Zanmai-O-Zanmai (Samadhi, King of Samadhis). Book 3 maintains the highest standards of translation, with a clear style that rigorously follows the original words of Master Dogen. 'The first Patriarch, the Venerable Bodhidharma, after arriving from the west, passed nine years facing the wall at Shorin-ji temple on Shoshitsu-ho peak in the Sugaku mountains, sitting in Zazen in the lotus posture. From that time through to today, brains and eyes have pervaded China. The lifeblood of the first Patriarch is only the practice of sitting in the full lotus posture.'

A collection of three hundred koans compiled by Eihei Dogen, the thirteenth-century founder of Soto Zen in Japan, this book presents readers with a uniquely contemporary perspective on his profound teachings and their relevance for modern Western practitioners of Zen. Following the traditional format for koan collections, John Daido Loori Roshi, an American Zen master, has added his own commentary and accompanying verse for each of Dogen’s koans. Zen students and scholars will find The True Dharma Eye to be a source of deep insight into the mind of one of the world’s greatest religious thinkers, as well as the practice of koan study itself.

Zen, plain and simple, with no BS. This is not your typical Zen book. Brad Warner, a young punk who grew up to be a Zen master, spares no one. This bold new approach to the "Why?" of Zen Buddhism is as strongly grounded in the tradition of Zen as it is utterly revolutionary. Warner's voice is hilarious, and he calls on the wisdom of everyone from punk and pop culture icons to the Buddha himself to make sure his points come through loud and clear. As it prods readers to question everything, Hardcore Zen is both an approach and a departure, leaving behind the soft and lyrical for the gritty and stark perspective of a new generation. This new edition will feature an afterword from the author.

This book has three major goals in critically examining the historical and philosophical relation between the writings of Dōgen and the Zen koan tradition. First, it introduces and evaluates recent Japanese scholarship concerning Dōgen's two Shōbōgenzō texts, the Japanese (Kana) collection of ninety-two fascicles on Buddhist topics and the Chinese (Mana) collection of three hundred koan cases also known as the Shōbōgenzō Sanbyakusoku. Second, it develops a new methodology for clarifying the development of the koan tradition and the relation between intellectual history and multifarious interpretations of koan cases based on postmodern literary criticism. Third, the book's emphasis on a literary critical methodology challenges the conventional reading of koans stressing the role of psychological impasse culminating in silence.

The complete English translation of one of the great Zen classics and works of Japanese literature, by the founder of the Soto school—now in a single volume Treasury of the True Dharma Eye (Shobo Genzo, in Japanese) is a monumental work, considered to be one of the profoundest expressions of Zen wisdom ever put on paper, and also the most outstanding literary and philosophical work of Japan. It is a collection of essays by Eihei Dogen (1200–1253), founder of Zen’s Soto school. Kazuaki Tanahashi and a team of translators that represent a Who’s Who of American Zen have produced a translation of the great work that combines accuracy with a deep understanding of Dogen’s voice and literary gifts. This eBook includes a wealth of materials to aid understanding, including maps, lineage charts, a bibliography, and an exhaustive glossary of names and terms—and, as a bonus, the most renowned of all Dogen’s essays, “Recommending Zazen to All People.”

These pithy and powerful readings provide a perfect introduction to the teachings of Zen master Dogen—and will inspire spiritual practice in people of all traditions Eihei Dogen (1200–1253), founder of the Soto School of Zen Buddhism, is one of the greatest religious, philosophical, and literary geniuses of Japan. His writings have been studied by Zen students for centuries, particularly his masterwork, Shobo Genzo or Treasury of the True Dharma Eye. This is the first book to offer the great master’s incisive wisdom in short selections taken from the whole range of his voluminous works.