When Caralisa dances into the arms of a masked stranger, her life changes forever. Rumored to be a devil, Count of Samothrace is the most dangerous man Caralisa has ever met. And with a handsome nobleman also vying for her hand, Caralisa must make a decision that will affect not only her own life, but the future of her country.

**"A renaissance story with modern sensibilities" Guardian ** "A gripping story of seduction and revenge" The Times ** The baroque era at the beginning of the 17th century: change and upheaval are undermining the certainties of the Renaissance. In northern Italy, amid political and religious dissent, Vincenzo Gonzaga, 4th Duke of Mantua, devotes himself to the pursuit of excellence and pleasure. He gathers to his court the finest painters and musicians. His composer, Claudio Monteverdi, creates his first opera, La Favola d'Orfeo. "A fine novel of suitable baroque intensity. This is historical fiction with an imaginative sweep" Daily Telegraph Clare Colvin's novel follows the Renaissance dream of Arcadia to its horrific destruction, drawing on letters and documents of the time to resolve one of history's most fascinating riddles. What was the reason for the ambivalent relationship between the Duke and his court composer? Why did the Gonzagas destroy themselves, bringing chaos to Italy? And what role did the seductive Isabella of Novellara play in their downfall? "This highly individual novel recreates its period setting with wit and grace" MICHAEL ARDITTI, Independent Books of the Year

Thomas Middleton and the Plural Politics of Jacobean Drama represents the first sustained study of Middleton’s dramatic works as responses to James I’s governance. Through examining Middleton’s poiesis in relation to the political theology of Jacobean London, Kaethler explores early forms of free speech, namely parrhēsia, and rhetorical devices, such as irony and allegory, to elucidate the ways in which Middleton’s plural art exposes the limitations of the monarch’s sovereign image. By drawing upon earlier forms of dramatic intervention, James’s writings, and popular literature that blossomed during the Jacobean period, including news pamphlets, the book surveys a selection of Middleton’s writings, ranging from his first extant play The Phoenix (1604) to his scandalous finale A Game at Chess (1624). In the course of this investigation, the author identifies that although Middleton’s drama spurs political awareness and questions authority, it nevertheless simultaneously promotes alternative structures of power, which manifest as misogyny and white supremacy.

Thomas Middleton and Early Modern Textual Culture is a comprehensive companion to The Collected Works of Thomas Middleton, providing detailed introductions to and full editorial apparatus for the works themselves as well as a wealth of information about Middleton's historical and literary context.

Brief history of Hereford cattle: v. 1, p. 359-375.