When the Black Death strikes London, all the theatres are closed down by order of the Privy Council. The Chamberlain's Men, the theatre company Nick Revill is part of, takes up an invitation to play in Oxford. However, it seems that the plague has followed them - but not all deaths are as they seem.

'Another clever criminal plunge into history' Guardian Elizabeth I approaches the end of her illustrious reign, the plague is raging in London, and the Privy Council has ordered the theaters closed. Still, author Philip Gooden's fifth novel in the popular Shakespearean series brings us a great mystery as actor-sleuth Nick Revill and the Chamberlain's Men travel to Oxford, where a local physician, Dr. Hugh Fern, has commissioned a private performance of Romeo and Juliet. While Fern's motive is obscure-an attempt to reconcile two feuding families to the prospect of a marriage, perhaps; or maybe simply a ploy to get himself a role in the production-his fate is not. Indeed, he is decidedly dead, when his body is discovered during a performance at the Golden Cross Inn. No matter that the deceased lies inside a locked room or that the pestilence has followed the Chamberlain troupe from London, Revill is convinced Fern has not succumbed to natural causes. Nor is Fern's death the only one that rouses Revill's suspicions. The mysteries multiply as a strange band of men in cowls patrols the town at night, a simple carter meets a baffling end, and a corpse changes its shoes. The fifth Shakespearean murder mystery in the Nick Revill series, set during the reign of the formidable Elizabeth I. Praise for Philip Gooden: 'Highly entertaining' Sunday Times 'The witty narrative, laced with puns and word play so popular in this period, makes this an enjoyable racy tale'Sunday Telegraph 'The book has much in common with the film Shakespeare in Love - full of colourful characters . . . but the book has an underlying darkness' Crime Time 'Historical mystery fans are in for a treat' Publishers Weekly

Two very different women find themselves united by a huge, haunted ruin of a manor home, where they discover a mask that binds them together and links them to a handsome stranger who appears only in their dreams.

Welcome to Frightville... one-stop shopping for all your fears! Ben has just been invited to the birthday party of the year. The only catch is that you have to come in costume.Luckily, Ben knows just the place to buy the perfect mask -- that cool new store Frightville. It sells all sorts of spooky and one-of-a-kind items.But when Ben puts on the mask he finds at Frightville, suddenly he has the ability to see strange and ominous creatures lurking all around him. Is it his imagination, or are they real?

* 2021 Foreword INDIES, Finalist * 2022 IPPY MEDALISTS for Essay, bronze "A Best Book of 2021" —NPR "A Most Anticipated Book of 2021” —Refinery29, Thrillist, Book Riot, Lit Hub “In a horror movie, an infected character may hide a bite or rash, an urge, an unwellness. She might withdraw or act out, or behave as if nothing is the matter, nothing has happened. Any course of action opposite saying how she feels suggests suffering privately is preferable to the anticipated betrayal of being cast out.” Night Rooms is a poetic, intimate collection of personal essays that weaves together fragmented images from horror films and cultural tropes to meditate on anxiety and depression, suicide, body image, identity, grief, and survival. Whether competing in shopping mall beauty pageants, reflecting on childhood monsters and ballet lessons, or recounting dark cultural ephemera while facing grief and authenticity in the digital age, Gina Nutt’s shifting style echoes the sub-genres that Night Rooms highlights—spirit-haunted slow burns, possession tales, slashers, and revenge films with a feminist bent. Refracting life through the lens of horror films, Night Rooms masterfully leaps between reality and movies, past and present—because the “final girl’s” story is ultimately a survival story told another way. The audiobook of Night Rooms is available now, and narrated by the author.

"Lush, engrossing, and full of mystery and dark magic," The Mask of Mirrors is the unmissable start to the Rook & Rose trilogy, a dazzling fantasy adventure by Marie Brennan and Alyc Helms, writing together as M. A. Carrick. (BookPage) FORTUNE FAVORS THE BOLD. MAGIC FAVORS THE LIARS. Ren is a liar and a thief, a pattern-reader and a daughter of no clan. Raised in the slums of Nadežra, she fled that world to save her sister. Now, she has returned with one goal: to trick her way into a noble house, securing her fortune and her sister’s future. But in the city of dreams, her masquerade is just one of many. Enigmatic crime lord Derossi Vargo, stony captain of the guard Grey Serrado, dashing heir Leato Traementis, and the legendary vigilante known as the Rook all have secrets that could unravel her own. And as corrupt nightmare magic begins to weave its way through the city of dreams, the poisonous feuds of its aristocrats and the shadowy dangers of its impoverished underbelly become tangled—with Ren at their heart. Praise for the Rook & Rose trilogy: "Immersive…a feast to savor slowly." —BuzzFeed "For those who like their revenge plots served with the intrigue of The Goblin Emperor, the colonial conflict of The City of Brass, the panache of Swordspoint, and the richly detailed settings of Guy Gavriel Kay."—Booklist (starred review) "Utterly captivating." —Shannon Chakraborty, author of The City of Brass "This novel will catch hold of your dreams and keep you from sleeping." —Mary Robinette Kowal, author of The Calculating Stars "Wonderfully immersive—I was unable to put it down." —Andrea Stewart, author of The Bone Shard Daughter "Exactly the fantasy adventure novel you're craving." —Tasha Suri, author of The Jasmine Throne