When the proprietor of an obscure museum is found dead amidst priceless Greek antiquities--one of which is missing along with the bones of a legendary hero thought to exist only in myth--museum curator Deborah Miller enters into dangerous realm of mystery, murder, and vengeance. Original.

Every reader is an actor according to Rosenberg. To prepare the actor-reader for insights, Rosenberg draws on major intepretations of the play worldwide, in theatre and in criticism, wherever possible from the first known performances to the present day. The book is rich and provocative on every question about the play.

When his brother, a Catholic priest, dies under mysterious circumstances while researching the history of Christian symbols in the Philippines, Thomas Knight, retracing his brother's steps, goes up against a fanatical cabal of agents who are determined to keep the truth buried forever. Original.

This book offers perhaps the most comprehensive history of pantomime ever written. No other book so thoroughly examines the varieties of pantomimic performance from the early Roman Empire, when the term “pantomime” came into use, until the present. After thoroughly examining the complexities and startlingly imaginative performance strategies of Roman pantomime, the author identifies the peculiar political circumstances that revived and shaped pantomime in France and Austria in the eighteenth century, leading to the Pierrot obsession in the nineteenth century. Modernist aesthetics awakened a huge, highly diverse fascination with pantomime. The book explores an extraordinary variety of modernist and postmodern approaches to pantomime in Germany, Austria, France, numerous countries of Eastern Europe, Russia, Scandinavia, Spain, Belgium, The Netherlands, Chile, England, and The United States. Making use of many performance and historical documents never before included in pantomime histories, the book also discusses pantomime’s messy relation to dance, its peculiar uses of music, its “modernization” through silent film aesthetics, and the extent to which writers, performers, or directors are “authors” of pantomimes. Just as importantly, the book explains why, more than any other performance medium, pantomime allows the spectator to see the body as the agent of narrative action.

Thomas Knight is faced with a centuries-old mystery when he comes to be in possession of a priceless literary treasure, Shakespeare's Love's Labour's Won, a discovery that leads him all over the world, through the rarefied air of academia and into the heart of danger. Original.