An important ethnographic analysis of motherhood in one Melanesian society

Mock Ritual in the Modern Era explores the complex interrelations between ritual and mockery, the latter of which is not infrequently the unofficial face of claims to rationality. McGinnis and Smyth consider how the mocking and parodying of ritual often associated with modern rationalism may itself become ritualized, and other ways in which supposedly sham ritual may survive its "outing." This volume traces the evolution of "mock ritual" in various forms throughout the modern era, as found in literary, historical, and anthropological texts as well as encyclopedias, newspapers, and films. Mock Ritual in the Modern Era places famous eighteenth- and nineteenth-century authors in dialogue with contemporary popular culture, from Diderot, Sterne, and Flaubert to the TV shows Survivor and Judge Judy, and from Voltaire to the Charlie Hebdo tragedy of 2015. Ritualistic and mock ritualistic aspects of comedy and ridicule are considered along with those, notably, of sexuality, medicine, art, education, and justice.

Geir Henning Presterudstuen provides an ethnographic account of howmen in the multicultural urban centres of Fiji perceive, construct andperform masculinities in the context of rapid social change. Theoreticallyinformed by critical feminist theories, postcolonialism, R.W. Connell’s workon masculinities and a Bourdieuan conceptualization of the body, thisbook explores how notions of masculinity, manhood and the male bodyare shaped by the conflicting social forces of Fijian tradition, modernity,commercialization and urbanization.The book provides a timely intervention, from the grassroots level in theglobal south, into an ongoing discourse about men and masculinities thathas long been dominated by voices from Europe and the US. Combiningclassic ethnography with innovative social analysis, Presterudstuen’sbook is suitable for students and academics with an interest in genderand social change, and for scholars across a variety of disciplinesincluding anthropology, gender studies, sociology, pacific studies andinternational development.

A Cultural History of Jewish Dress is the first comprehensive account of how Jews have been distinguished by their appearance from Ancient Israel to the present. For centuries Jews have dressed in distinctive ways to communicate their devotion to God, their religious identity, and the proper earthly roles of men and women. This lively work explores the rich history of Jewish dress, examining how Jews and non-Jews alike debated and legislated Jewish attire in different places, as well as outlining the big debates on dress within the Jewish community today. Focusing on tensions over gender, ethnic identity and assimilation, each chapter discusses the meaning and symbolism of a specific era or type of Jewish dress. What were biblical and rabbinic fashions? Why was clothing so important to immigrant Jews in America? Why do Hassidic Jews wear black? When did yarmulkes become bar mitzvah souvenirs? The book also offers the first analysis of how young Jewish adults today announce on caps, shirts, and even undergarments their striving to transform Jewishness from a religious and historical heritage into an ethnic identity that is hip, racy, and irreverent. Fascinating and accessibly written, A Cultural History of Jewish Dress will appeal to anybody interested in the central role of clothing in defining Jewish identity.

This collection builds on previous works on gender violence in the Pacific, but goes beyond some previous approaches to ‘domestic violence’ or ‘violence against women’ in analysing the dynamic processes of ‘engendering’ violence in PNG. ‘Engendering’ refers not just to the sex of individual actors, but to gender as a crucial relation in collective life and the massive social transformations ongoing in PNG: conversion to Christianity, the development of extractive industries, the implanting of introduced models of justice and the law and the spread of HIV. Hence the collection examines issues of ‘troubled masculinities’ as much as ‘battered women’ and tries to move beyond the black and white binaries of blaming either tradition or modernity as the primary cause of gender violence. It relates original scholarly research in the villages and towns of PNG to questions of policy and practice and reveals the complexities and contestations in the local translation of concepts of human rights. It will interest undergraduate and graduate students in gender studies and Pacific studies and those working on the policy and practice of combating gender violence in PNG and elsewhere.

The central aim of this encyclopedia is to give the reader a comparative perspective on issues involving conceptions of gender, gender differences, gender roles, relationships between the genders, and sexuality. The encyclopedia is divided into two volumes: Topics and Cultures. The combination of topical overviews and varying cultural portraits is what makes this encyclopedia a unique reference work for students, researchers and teachers interested in gender studies and cross-cultural variation in sex and gender. It deserves a place in the library of every university and every social science and health department. Contents:- Glossary. Cultural Conceptions of Gender. Gender Roles, Status, and Institutions. Sexuality and Male-Female Interaction. Sex and Gender in the World's Cultures. Culture Name Index. Subject Index.