A Jungian analyst provides a new model for understanding the masculine and feminine principles that exist in everyone, providing insight into the events of daily life and the themes of entire lifetimes.

Roland Barthes, whose centenary falls in 2015, was a restless, protean thinker. A constant innovator, often as a daring smuggler of ideas from one discipline to another, he first gained an audience with his pithy, semiological essays on mass culture, then unsettled the literary critical establishment with heretical writings on the French classics, before going on to produce some of the most suggestive and stimulating cultural criticism of the late twentieth century (Empire of Signs, S/Z, The Pleasure of the Text, Camera Lucida, Roland Barthes by Roland Barthes). In 1976, the one-time structuralist 'outsider' was elected to a chair at France's pre-eminent academic institution, the College de France, choosing to style himself its Professor of Literary Semiology, though this last somewhat hedonistic and more 'subjectivist' phase of his intellectual adventure was cut short by his untimely death in 1980. The greater part of Barthes's published writings have been available to a French audience since the publication in 2002 of the expanded version of his Oeuvres completes [Complete Works], edited by Eric Marty. The present collection of essays, interviews, prefaces, book reviews and other occasional journalistic pieces, all drawn from that comprehensive source, attempts to give English-speaking readers access to the most significant previously untranslated material from the various stages of Barthes's career. It is divided (not entirely scientifically) into five themed volumes entitled: Theory, Politics, Literary Criticism, Signs and Images (Art, Cinema, Photography), and Interviews. Barthes's earliest interest is in literature--in theatre and the classic realist novel, but also in the more experimental writers of the 1940s and 50s (literature of the absurd, nouveau roman etc.). The articles translated in this volume run from his mid-1950s writings on popular poetry, the giants of the nineteenth century novel (Hugo, Maupassant, Zola), and the narrative innovations of Robbe-Grillet and his associates through to writings from his later years on Sade, Rousseau and Voltaire, and the longer study 'Masculine, Feminine, Neuter' which is, in the words of his French editor, the 'first outline' of his remarkable critical work S/Z.

Betwixt and Between offers new insights into the basic elements of initiations and rites of passage. The absence of these traditional supports creates problems in the lives of those who are caught in the void and lack definite expectations at various times of their lives. The chapters on masculine and feminine initiation provide new and creative concepts and practical possibilities for each of us. Initiation has been a missing component in the modern world and needs to be re-introduced with new understanding and consciousness.

DIVA leading feminist theorist shows why the feminist movement has been crucial not simply to the liberation of women but to understanding the ways in which power operated under the military regime in Chile./div

Masculinity without men. In Female Masculinity Judith Halberstam takes aim at the protected status of male masculinity and shows that female masculinity has offered a distinct alternative to it for well over two hundred years. Providing the first full-length study on this subject, Halberstam catalogs the diversity of gender expressions among masculine women from nineteenth-century pre-lesbian practices to contemporary drag king performances. Through detailed textual readings as well as empirical research, Halberstam uncovers a hidden history of female masculinities while arguing for a more nuanced understanding of gender categories that would incorporate rather than pathologize them. She rereads Anne Lister's diaries and Radclyffe Hall's The Well of Loneliness as foundational assertions of female masculine identity. She considers the enigma of the stone butch and the politics surrounding butch/femme roles within lesbian communities. She also explores issues of transsexuality among "transgender dykes"--lesbians who pass as men--and female-to-male transsexuals who may find the label of "lesbian" a temporary refuge. Halberstam also tackles such topics as women and boxing, butches in Hollywood and independent cinema, and the phenomenon of male impersonators. Female Masculinity signals a new understanding of masculine behaviors and identities, and a new direction in interdisciplinary queer scholarship. Illustrated with nearly forty photographs, including portraits, film stills, and drag king performance shots, this book provides an extensive record of the wide range of female masculinities. And as Halberstam clearly demonstrates, female masculinity is not some bad imitation of virility, but a lively and dramatic staging of hybrid and minority genders.

We're well into the twenty-first century, yet we continue to struggle with the same problemsthat have plagued us for centuries. Violence. Poverty. Inequality. Toxic relationships. Ashopeless as it seems, however, real change is possible. The first step is to understand thedriving force behind all the turmoil in the world.In Feminine Masculine Balance, Jacqueline McLeod explains how masculine and feminineenergies are unbalanced on a global scale. Masculine attributes like competitiveness, rationality, and detachment, while beneficial for all genders, grow dangerous when theydominate our value systems. With compassion and humor, Jacqueline demonstrates howwomen and men alike can become better versions of themselves by valuing and respectingtheir feminine energies to the same level as their masculine energies.It's past time for humanity to wake up. Jacqueline's insights into our out-of-whacksociety-and her vision of a world in balance-will open our eyes to a new way of being