A woman approaching the 'invisible years' of middle age abandons her failing writing career to retrain as a chiropodist in the East Berlin suburb of Marzahn, once the GDR's largest prefabricated housing estate. From her intimate vantage point at the foot of the clinic chair, she observes her clients and co-workers, listening to their stories with empathy and curiosity. Part memoir, part collective history, Katja Oskamp's love letter to the inhabitants of Marzahn is a tender reflection on life's progression and our ability to forge connections in the unlikeliest of places. Each person's story stands alone as a beautifully crafted vignette, but together they form a portrait of a community.

Accompanying CD-ROM contains ... "150 of these [blackletter] fonts for free private and restricted commercial use."--Page 4 of cover.

From award-winning journalist and filmmaker Stefania Rousselle, a stunning collection of photographs and essays that seek to understand the universality of love Journalist and filmmaker Stefania Rousselle found herself overwhelmed and dejected with the horrors of the news after covering terrorist attacks, human trafficking, and the rise of extremism. To renew her faith in humanity, she took off on a solo road trip across France, determined to see if love still exists. Traveling from village to village, farming towns to industrial cities, heart to heart, Rousselle sought out ordinary women and men, all to ask them one question, What is love? Collecting more than 90 personal testimonies, each one moving and beautiful in its own way, alongside over 100 intimate photographs, Rousselle reveals the many facets of love, and discovers that love can still be found even in the darkest of places. From a baker in Normandy to a shepherd in the Pyrenees, from a tree trimmer in Martinique to a mail woman in the Alps, Amour is a visual testament to love in all its many forms.

Alexandra has built a new life in Paris, finding the happiness she never expected with her husband Phillipe. Philippe values the comfort and intimacy of his second marriage. Hard to believe he'd risk it all. Jean-Luc is the son of Philipe's best friend. He wants Alexandra and once she is involved only one of them will get the blame. Paris Mon Amour charts the passion and the price of inescapable desire, obsessive love and devastating betrayal.

Collecting together Manhattan, a grimy story of depression, madness and suicide in New York City, whose appearance in the premiere issue of RAW magazine was key to the virtuoso aesthetic of the publication and three other tales of the Big Apple rendered by Tardi with the same panache as he does for Paris or the trenches of WW1 - in one spectacular volume. Also featured is the Coackroach Killer, a violent, surreal conspiracy thriller that features a striking two-colour black and red technique and remains one of the cartoonist's most startling works.

When Alina Rudya (b. Ukraine, 1985; lives and works in Berlin) was one year old, she and fifty thousand others were evacuated from the city of Prypyat after the nuclear disaster that occurred in the nearby Chernobyl power plant on April 26, 1986. Her father, an engineer, was on duty in the power station that night, when reactor no. 4 exploded during a systems test. The worst accident in the history of nuclear energy to date released an enormous highly radioactive cloud into the atmosphere, necessitating the hurried resettlement of all local residents. After studying journalism and political science and training as a photographer, Rudya returned to Chernobyl for the thirtieth anniversary of the disaster. In the photographic project Prypyat Mon Amour, the artist tells stories of people like herself whose lives were fundamentally changed when they had to leave Prypyat in 1986. She joined them on a tour of their former homes--a journey into their past--and compiled new as well as historic photographs to document the history of a city that has ceased to exist.

** WINNER OF THE ENGLISH PEN WRITERS IN TRANSLATION AWARD ** **LONG-LISTED FOR THE 2013 FRANK O'CONNOR INTERNATIONAL SHORT STORY AWARD** **BOOK OF THE MONTH IN THE SKINNY** A soldier with the ability to predict the future finds himself blackmailed by an insurgent into the ultimate act of terror… A deviser of crosswords survives a car-bomb attack, only to discover he is now haunted by one of its victims… Fleeing a robbery, a Baghdad shopkeeper falls into a deep hole, at the bottom of which sits a djinni and the corpse of a soldier from a completely different war… From legends of the desert to horrors of the forest, Blasim’s stories blend the fantastic with the everyday, the surreal with the all-too-real. Taking his cues from Kafka, his prose shines a dazzling light into the dark absurdities of Iraq’s recent past and the torments of its countless refugees. The subject of this, his second collection, is primarily trauma and the curious strategies human beings adopt to process it (including, of course, fiction). The result is a masterclass in metaphor – a new kind of story-telling, forged in the crucible of war, and just as shocking. 'At first, you receive Blasim with the kind of shocked applause you’d award a fairly transgressive stand-up. You’re quite elated. Then you stop reading it at bedtime. At his best, Blasim produces a corrosive mixture of broken lyricism, bitter irony and hyper-realism which topples into the fantastic and the quotidian in the same reading moment.' – M John Harrison 'Perhaps the best writer of Arabic fiction alive...' – The Guardian. 'Bolaño-esque in its visceral exuberance, and also Borgesian in its gnomic complexity... a master of metaphor.' – The Guardian.