Moviegoers know her as the housekeeper in White Christmas, the nurse in Now, Voyager, and the crotchety choir director in Sister Act. This book, filled with never-published behind-the-scenes stories from Broadway and Hollywood, chronicles the life of a complicated woman who brought an assortment of unforgettable nurses, nuns, and housekeepers to life on screen and stage. Wickes (1910–1995) was part of some of the most significant moments in film, television, theatre, and radio history. On that frightening night in 1938 when Orson Welles recorded his earth-shattering “War of the Worlds” radio broadcast, Wickes was waiting on another soundstage for him for a rehearsal of Danton's Death, oblivious to the havoc taking place outside. When silent film star Gloria Swanson decided to host a live talk show on this new thing called television, Wickes was one of her first guests. When Lucille Ball made one of her first TV appearances, Wickes appeared with her—and became Lucy's closest friend for more than thirty years. Wickes was the original Mary Poppins, long before an umbrella carried Julie Andrews across the rooftops of London. And when Disney began creating 101 Dalmatians, Wickes was asked to pose for animators trying to capture the evil of Cruella De Vil. The pinched-face actress who cracked wise by day became a confidante to some of the day's biggest stars by night, including Bette Davis and Doris Day. Bolstered by interviews with almost three hundred people, and by private correspondence from Ball, Davis, Day, and others, Mary Wickes: I Know I've Seen That Face Before includes scores of never-before-shared anecdotes about Hollywood and Broadway. In the process, it introduces readers to a complex woman who sustained a remarkable career for sixty years.

Moviegoers know her as the housekeeper in White Christmas, the nurse in Now, Voyager, and the crotchety choir director in Sister Act. This book, filled with never-published behind-the-scenes stories from Broadway and Hollywood, chronicles the life of a complicated woman who brought an assortment of unforgettable nurses, nuns, and housekeepers to life on screen and stage. Wickes was part of some of the most significant moments in film, television, theatre, and radio history. On that frightening night in 1938 that Orson Welles recorded his earth-shattering "War of the Worlds" radio broadcast, Wickes was waiting on another soundstage for him for a rehearsal of Danton's Death, oblivious to the havoc taking place outside. When silent film star Gloria Swanson decided to host a live talk show on this new thing called television, Wickes was one of her first guests. When Lucille Ball made her first TV appearance anywhere, Wickes appeared with her--and became Lucy's closest friend for more than thirty years. Wickes was the original Mary Poppins, long before an umbrella carried Julie Andrews across the rooftops of London. And when Disney began creating 101 Dalmatians, it asked Wickes to pose for animators trying to capture the evil of Cruella de Vil. The pinched-face actress who cracked wise by day became a confidante to some of the day's biggest stars by night, including Bette Davis and Doris Day. Bolstered by interviews with almost three hundred people, and by private correspondence from Ball, Davis, Day, and others, Mary Wickes: I Know I've Seen That Face Before includes scores of never-before-shared anecdotes about Hollywood and Broadway. In the process, it introduces readers to a complex woman who sustained a remarkable career for sixty years.

Dit boek is een vervolg op een eerdere gesprekkenreeks met homo's uit de wereld van film en theater. Enkele namen: Dorothy Arzner, Barbara Stanwyck en Marjorie Main. De gesprekken gaan natuurlijk vooral over film en de respectievelijke carrières van de geïnterviewden, maar er is ook plaats en tijd voor uitweidingen zoals bijvoorbeeld over vrouwen en politiek.

The only biography of Vivian Vance is now in paperback, with dozens of rare photographs and handwritten correspondence. Drawn from exclusive interviews with the actress's friends and acquaintances, as well as her own unpublished memoirs, this book tells the whole story about the former glamor girl, including her struggle with a violent depression, her failed love affairs, and her tumultuous friendship with Lucille Ball.

From Privilege to Prison A bubbly, outgoing young woman spirals out of control in a habitual cycle of addiction and alcoholism, indulging in immoral and criminal behaviors. Amy Wickes-Passmore pays a hefty price: a six month prison sentence that continues for almost 4 years, at times alongside of inmates serving life sentences. She is overwhelmed with the loss of her kids to the system as she tries to make sense of her situation while battling her newly diagnosed Bipolar I diagnosis. Amy's animated, comedic personality serves her well behinds bars. She makes a vow to those whom she leaves behind to tell the unimaginable stories about what life is like on the inside. Some jaw dropping stories of inmates, the justice system, kickin' it with the lifers, and performing karaoke for the prison guards. When Amy is released, her personal growth while enduring the harshest of environments allows her to "flip the script" on her past.

Renowned, award-winning actress Heckart knew everybody in Hollywood - and her son spills the stories she could never tell.

Indian, European, and African women of seventeenth and eighteenth-century America were defenders of their native land, pioneers on the frontier, willing immigrants, and courageous slaves. They were also - as traditional scholarship tends to omit - as important as men in shaping American culture and history. This remarkable work is a gripping portrait that gives early-American women their proper place in history.