A collection of three novels by the author who transformed the scope and style of twentieth-century American literature—including the landmark classic The Group In Mary McCarthy's most famous novel, The Group (1963), she depicts the lives of eight Vassar College graduates during the 1930s as they grapple with sex, sexism, money, motherhood, and family. McCarthy's final two novels—Birds of America (1971), a coming of age tale of 19-year-old Peter Levi, who travels to Europe during the 1960s, and Cannibals and Missionaries (1979), a thriller about a group of passengers taken hostage on an airplane by militant hijackers—are both concerned with the state of modern society, from the cross-currents of radical social change to the psychology of terrorism. As a special feature, this second volume contains McCarthy's 1979 essay "The Novels that Got Away," on her unfinished fiction. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

A collection of three novels by the author who transformed the scope and style of twentieth-century American literature—including the landmark classic The Group In Mary McCarthy's most famous novel, The Group (1963), she depicts the lives of eight Vassar College graduates during the 1930s as they grapple with sex, sexism, money, motherhood, and family. McCarthy's final two novels—Birds of America (1971), a coming of age tale of 19-year-old Peter Levi, who travels to Europe during the 1960s, and Cannibals and Missionaries (1979), a thriller about a group of passengers taken hostage on an airplane by militant hijackers—are both concerned with the state of modern society, from the cross-currents of radical social change to the psychology of terrorism. As a special feature, this second volume contains McCarthy's 1979 essay "The Novels that Got Away," on her unfinished fiction. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

What secrets are held between friends? Drene, a dramatic, moody sculptor, shares many secrets with his childhood friend, Graylock. Women wed and wooed,

This smash bestseller about privileged Vassar classmates shocked America in the sixties and remains “juicy . . . witty . . . brilliant” (Cosmopolitan). At Vassar, they were known as “the group”—eight young women of privilege, the closest of friends, an eclectic mix of vibrant personalities. A week after graduation in 1933, they all gather for the wedding of Kay Strong, one of their own, before going their separate ways in the world. In the years that follow, they will each know accomplishment and loss in equal measure, pursuing careers and marriage, experiencing the joys and traumas of sexual awakening and motherhood, all while suffering through betrayals, infidelities, and sometimes madness. Some of them will drift apart. Some will play important roles in the personal dramas of others. But it is tragedy that will ultimately unite the group once again. A novel that stunned the world when it was first published in 1963, Mary McCarthy’s The Group found acclaim, controversy, and a place atop the New York Times bestseller list for nearly two years for its frank and controversial exploration of women’s issues, social concerns, and sexuality. A blistering satire of the mores of an emergent generation of women, The Group is McCarthy’s enduring masterpiece, still as relevant, powerful, and wonderfully entertaining fifty years on. This ebook features an illustrated biography of Mary McCarthy including rare images from the author’s estate.

A vicious and brilliant satire of human vanity from the author of the classic bestseller The Group Long out of print, Mary McCarthy's second novel is a bitingly funny satire set in the early years of the Cold War about a group of writers, editors, and intellectuals who retreat to rural New England to found a hilltop utopia. With this group loosely divided into two factions—purists, led by the libertarian editor Macdougal Macdermott, and the realists, skeptics led by the smug Will Taub—the situation is ripe not only for disaster but for comedy, as reality clashes with their dreams of a perfect society. Though written as a roman à clef, McCarthy barely disguised her characters, including using her former lover Philip Rahv, founder of Partisan Review, as the model for Will Taub. As a result, the novel caused an absolute explosion of outrage among the literary elite of the day, who clearly recognized themselves among her all-too-accurate portraits. Rahv threatened a lawsuit to stop publication. Diana Trilling, Lionel Trilling's wife, called McCarthy a "thug." McCarthy's friend Dwight McDonald (Macdougal Macdermott) called it "vicious, malicious, and nasty." Never one to shy away from controversy, McCarthy's portrait of her generation had indeed drawn blood. But the brilliance of the novel has outlasted its first detonation and can now be enjoyed for its aphoritic, fearless dissection of the vanities of human endeavor. In an added bonus, the renowned essayist Vivian Gornick details in a moving introduction the importance of McCarthy's intellectual and artistic bravery, and how she influenced a generation of young writers and thinkers.

Guideline 12: If the Results of Previous Studies Are Inconsistent or Widely Varying, Cite Them Separately

Paul John Eakin's earlier work Fictions in Autobiography is a key text in autobiography studies. In it he proposed that the self that finds expression in autobiography is in fundamental ways a kind of fictive construct, a fiction articulated in a fiction. In this new book Eakin turns his attention to what he sees as the defining assumption of autobiography: that the story of the self does refer to a world of biographical and historical fact. Here he shows that people write autobiography not in some private realm of the autonomous self but rather in strenuous engagement with the pressures that life in culture entails. In so demonstrating, he offers fresh readings of autobiographies by Roland Barthes, Nathalie Sarraute, William Maxwell, Henry James, Ronald Fraser, Richard Rodriguez, Henry Adams, Patricia Hampl, John Updike, James McConkey, and Lillian Hellman. In the introduction Eakin makes a case for reopening the file on reference in autobiography, and in the first chapter he establishes the complexity of the referential aesthetic of the genre, the intricate interplay of fact and fiction in such texts. In subsequent chapters he explores some of the major contexts of reference in autobiography: the biographical, the social and cultural, the historical, and finally, underlying all the rest, the somatic and temporal dimensions of the lived experience of identity. In his discussion of contemporary theories of the self, Eakin draws especially on cultural anthropology and developmental psychology.