So, what would Mary Ann do? As the sweet, polite, and thoughtful Mary Ann Summers from Kansas in the hit series Gilligan’s Island, Dawn Wells created an unforgettable and beloved character that still connects with people fifty years from the show’s debut in 1964. As the “good girl” among the group of castaways on a tiny island, she was often positioned against the glamorous and exotic Ginger Grant, played by Tina Louise, prompting many to ask: Are you a Ginger or a Mary Ann? This book not only helps readers answer that question for themselves but also sends the inspirational and heartwarming message that yes, good girls do finish first. Part self-help, part memoir, and part humor—with a little classic TV nostalgia for good measure—What Would Mary Ann Do? contains twelve chapters on everything from how Mary Ann would respond to changes in today’s culture to addressing issues confronting single women and mothers. Wells brings along her fellow characters from Gilligan’s Island to illustrate certain principles, such as incorporating the miserly Thurston Howell III (Jim Backus) in a discussion on money. Anecdotal sidebars also describe fascinating facts and compelling memories from the show, as well as some trivia questions to challenge fans and followers. Illustrated with photographs from Wells’s private collection, this book provides inspiring lessons from TV’s favorite good girl.

An analysis of the under-studied sitcom Gilligan’s Island that addresses key questions about American social life in the 1960s. Gilligan’s Island, created by Sherwood Schwartz, aired for three seasons between 1964 and 1967 on the CBS network. While the series was typically dismissed for its episodic inanity, author Walter Metz argues that this characteristic is precisely the source of the show’s innovation as it produces a vibrant critique of dominant American values. In this analysis of Gilligan’s Island, Metz reveals the inner workings of American television and society through an intensive look at the popular sitcom. In twenty-one short sections, Metz investigates many aspects of Gilligan’s Island: the narrative, the characters, the plot, and the performativity. Through multiple episode analyses and character examinations, Metz shows how the castaways’ actions on the island held deeper meaning and illustrated American social customs. The book also looks at several different themes presented in the show and connects them to many literary traditions, including Shakespeare (The Tempest and Hamlet), existential theatre (Waiting for Godot), and classic American literature (Moby-Dick). Through this discussion, Metz examines the literacy of Gilligan’s Island and the way it knowingly returns to certain tropes from high literature, masking their expression in a distinctly populist American idiom. Metz also addresses the legacy of Gilligan’s Island and its profound effect on American television, as evidenced by popular contemporary shows like Survivor and Lost. At one point in time, Gilligan’s Island was the most syndicated show around the world, but few scholarly articles exist about it. Fans of the show and those interested in television history and popular culture will enjoy this playful and informative study that fills a gap in television history.

While every new TV series has to face some problems, no show had to overcome greater obstacles than Gilligan's Island. In spite of that, no series has achieved greater success, as measured by the fact that Gilligan's Island has given rise to three TV movies, two animated series, and is the most rerun program in the entire history of television. Now, Sherwood Schwartz, creator, writer, and producer of Gilligan's Island, tells the life story of the show: from the labor pains of scripting, casting, and production to its golden years of afternoon reruns. Fascinating history that could be known only by the show's creator is enhanced by wonderful photos, sketches, and other illustrations from the author's personal collection, as well as the guest forewords by all seven "Castaways." An appendix lists plots, writers and directors for every episode. All this behind-the-scenes information makes the book a special treat, not only for fans, but for anyone interested in an inside look at the television industry.

This book picks up right where Learning Perl leaves off. With Intermediate Perl , you'll graduate from short scripts to much larger programs, using features that make Perl a general-purpose language. This gentle but thorough guide introduces you to modules, complex data structures, and object-oriented programming. Each chapter is small enough to be read in just an hour or two, ending with exercises to help you practice what you've learned. If you're familiar with the material in Learning Perl and have the ambition to go further, Intermediate Perl will teach you most of the core Perl language concepts you need for writing robust programs on any platform. Topics include: Packages and namespaces References and scoping, including regular expression references Manipulating complex data structures Object-oriented programming Writing and using modules Testing Perl code Contributing to CPAN Just like Learning Perl , material in this book closely follows the popular introductory Perl course the authors have taught since 1991. This second edition covers recent changes to the language up to version 5.14.

No Phones in Heaven is about two different families. The first family is from south Louisiana. This family of four is very loving and caring for each other, and it shows in every way. Janet is a beautiful six-year-old girl that is looking forward to her seventh birthday. A tragic accident puts Janet in the hospital, and a miracle needs to happen to save her life. The doctors are confident that Janet will live a long life if she can survive the next forty-eight hours. Janet's family and friends are praying for her to recover as soon as possible. Janet struggles to hold on to her life, and that's when she dreams of heaven, and what happens next is a miracle that is believable for the faithful who trusts in God. This story will keep hope alive. The other family is from southeast Texas, and being a large family with many characters, it will give a story of vivid pictures through the pages. The main character's name is Trent, and he is looking forward to retiring in a few weeks. Trent's children are very proud of their dad. They are concerned of their dad's well-being because their mother, his wife, died of breast cancer two years ago. The children give a ticket for a seven-day cruise as Trent's birthday present in the hopes that Trent will find a good woman to share his retirement years. This book will make you laugh, cry, and wish for a miracle.

Poetic Acts & New Media advances the fields of literary and new media studies by clarifying boundaries between competing genres and media through the creation of a new artistic genre, "media poetry." This aesthetic mode of expression/becoming seeks to transform mass culture (our codes of communication) by self-consciously acknowledging how textual, audio, and/or visual signs are constructed according to their simulation and not their representation. This study draws heavily upon literary media theories that intersect with Gilles Deleuze's philosophy of 'Sense' as a simulated power of sensory transformations. Media poetry becomes a complex power of 'Sense' by blending conventional mass-media codes with poetic simulations that provide alternative forms of creating meaning. Poetic Acts & New Media specifically examines the works of several poets that exemplify this multi-sensory approach to printed-text poetry, especially: -Langston Hughes -Tony Medina -David Wojahn -John Kinsella -David Trinidad. It also analyzes several contemporary films that embody the multi-modal logic of media poetry: -David Lynch's Mullholland Drive -Cameron Crowe's Vanilla Sky -Spike Jonze's Being John Malkovich. In addition, this study interprets two influential primetime TV shows as exemplars of media poetry: Twin Peaks and Buffy the Vampire Slayer. All media poetry, regardless of genre or medium, allows readers/viewers to envision "reality production" as a rewriteable and poetic enterprise that can productively remediate any transparent abstraction or common-sense realism.

Object-oriented language for others. It is used for everything from performing quick global replacements on text files to crunching huge, complex sets of scientific data that take weeks to process. Perl is what you make of it, but regardless of what you use Perl for, this book helps you do it more effectively, efficiently, and elegantly. Learning Perl Objects, References, and Modules is about learning to use Perl as a programming language, not just a scripting language. This is the book.