Praise for Executive Coaching with Backbone and Heart "In this book, O'Neill brings form and structure to the art of executive coaching. Novices are provided a path while seasoned practitioners will find affirmation." —Daryl R. Conner, CEO and president, ODR-USA, Inc. "Mary Beth O'Neill's executive coaching gave me the tools and clarity to become a far more effective leader and change agent. The bottom line was that we succeeded with a monumental organizational turnaround that had seemed impossible to accomplish." —Eric Stevens, former CEO, Courage Center "O'Neill writes in a way that allows you to see this experienced coach in action. What a wonderful way to learn!" —Geoff Bellman, consultant and author, The Consultant's Calling "Mary Beth brings a keen business focus to coaching by not just contributing insights but through helping me and my team gain the insights that we need to solve our own problems. She has the ability to see through the sometimes chaotic dialogue and personalities in order to help a team focus on the real issues and dynamics that can impede organizations from achieving their goals." —John C. Nicol, general manager, MSN Media Network "Effective leaders require courage, compassion, and initiative. O'Neill's systems-based coaching serves as a guide for both coaches and executives to better enable good decisions and good decision-makers." —Paul D. Purcell, president, Beacon Development Group "With Mary Beth O'Neill's coaching, I've become the kind of leader who balances both the needs to get results and to develop great working relationships. Since I started working with her, I've won accolades as the Top Innovator for my company, and as Professional of the Year for my industry. More important, I've been able to scope my job in a way that allows me to learn and contribute at the same time, all the while delivering great results to the bottom line." —Lynann Bradbury, vice president, Waggener Edstrom

Poems written from a child's point of view describing the various friends she has made and activities she has witnessed in her childhood.

Inventive, outlandish, and tender fairy tales from a bestselling author The fantastic has always been at the edges of Heather O'Neill's work. In her bestselling novels Lullabies for Little Criminals and The Girl Who Was Saturday Night, she transformed the shabbiest streets of Montreal with her beautiful, freewheeling metaphors. She described the smallest of things—a stray cat or a second-hand coat—with an intensity that made them otherworldly. In Daydreams of Angels, O'Neill's first collection of short stories, she gives free reign to her imaginative gifts. In "The Ugly Ducklings," generations of Nureyev clones live out their lives in a grand Soviet experiment. In "Dear Piglet," a teenaged cult follower writes a letter to explain the motivation behind her crime. And in another tale, a grandmother reveals where babies come from: the beach, where young mothers-to-be hunt for infants in the surf. Each of these beguiling stories twists the beloved narratives of childhood—fairy tales, storybooks, Bible stories—to uncover the deepest truths of family life.

Emma O'Donovan is eighteen, beautiful, and fearless. It's the beginning of summer in a quiet Irish town and tonight she and her friends have dressed to impress. Everyone is at the party, and all eyes are on Emma. The next morning Emma's parents discover her collapsed on the doorstop of their home, unconscious. She is disheveled, bleeding, and disoriented, looking as if she had been dumped there. To her distress, Emma can't remember what happened the night before. All she knows is that none of her friends will respond to her texts. At school, people turn away from her and whisper under their breath. Her mind may be a blank as far as the events of the previous evening, but someone has posted photos of it on Facebook under a fake account, "Easy Emma"--photos she will never be able to forget. As the photos go viral and a criminal investigation is launched, the community is thrown into tumult. The media descends, neighbors chose sides, and people from all over the world want to talk about her story. Everyone has something to say about Emma. Asking For It is a powerful story about the devastating effects of rape and public shaming, told through the awful experience of a young woman whose life is changed forever by an act of violence.

Uncovering the hidden history of poetry written by women in Ireland from 1870 to 1970, this anthology includes more than 180 poems by fifteen women with diverse backgrounds, experiences, and creative aims. Challenging the assumption that women wrote little poetry of note during this period, this rich and original collection reveals the range of their achievement and the lasting value of their work. Presented alongside biographical sketches of their authors, the poems span the political and the personal. From nationalist ballads to modernist lyrics, this book is an essential resource for students and scholars of Irish literature.

Where women are created for the pleasure of men, beauty is the first duty of every girl. In Louise O'Neill's world of Only Every Yours women are no longer born naturally, girls (called "eves") are raised in Schools and trained in the arts of pleasing men until they come of age. Freida and Isabel are best friends. Now, aged sixteen and in their final year, they expect to be selected as companions--wives to powerful men. All they have to do is ensure they stay in the top ten beautiful girls in their year. The alternatives--life as a concubine, or a chastity (teaching endless generations of girls)--are too horrible to contemplate. But as the intensity of final year takes hold, the pressure to be perfect mounts. Isabel starts to self-destruct, putting her beauty--her only asset--in peril. And then into this sealed female environment, the boys arrive, eager to choose a bride. Freida must fight for her future--even if it means betraying the only friend, the only love, she has ever known.

Francis O'Neill left Ireland in 1865. After five years travelling the world as a sailor, he and his family settled in Chicago just before the Great Fire of 1871. As O'Neill looked back on his life, he could give first-hand accounts of the Pullman strike of 1894, the railway strike of 1903 and the packinghouse strike of 1904. Fighting corruption and prejudice, O'Neill rose to be chief of police. In addition to his professional success, O'Neill is also remembered and loved for his hobby, preserving traditional Irish music.