Insights into a rediscovered author's revealing portraits of New England women

A young Irish nun finds herself the guardian of a mysterious manuscript claiming to be the lost gospel of Mary, when she realizes that church authorities are willing to kill to get their hands on it . . . An old and dying nun has turned up at Deirdre's monastery in Ireland with an ancient manuscript on a papyrus roll. When Deirdre reads the first line, she realizes it claims to be a previously unknown gospel written by Mary, the mother of Jesus. The church authorities in Rome have been seeking to destroy this gospel for centuries, claiming it is a forgery that threatens the very foundations of the faith. Deirdre begins to translate the gospel, but when a delegate of the pope arrives in Kildare searching for the text, she must set out across Ireland seeking safety as the church and its henchmen are hot on her trail. What does the gospel say? And why is the church so afraid of it?

Mary Wilkins Freeman (1852–1930), born in Randolph, Massachusetts, began to publish stories about New England in the early 1880s. In the following decades, Freeman drew widespread praise for her intimate portraits of women and her realistic depictions of rural New England life. She published short stories, essays, novels, plays, and children’s books. Her stories, written in a clear and direct prose, are remarkable for their unpretentious, sympathetic portrayals of the lives of ordinary New Englanders of Freeman’s era. Many of the stories depict rebellion against oppressive social and private conditions. Others describe conflicting desires for independence and lasting relationships. This volume of twenty-eight stories is the first to provide a representative sample of Freeman’s finest work, from all phases of her career. It makes plain why Freeman (in the words of editor Mary R. Reichardt) is widely recognized as an important figure “in the history of American women’s fiction . . . and the development of the American short story.”

Rachel O'Connor is anxious to renew the decrepit landscape at the Garden View Retirement Village in Blossom and to bring joy to the elderly residents there. But when, one by one, residents begin to pass away from other-than-natural causes, Rachel senses foul play. (May)

Yet as Leah Blatt Glasser shows, Freeman was one of the first American authors to write extensively about the relationships women form outside of marriage and motherhood, the role of work in women's lives, the complexity of women's sexuality, and the interior lives of women who rebel rather than conform to patriarchal strictures.