Bohuslav Martinu (1890-1959)was one of the most prolific composers in the 20th century. Despite the fact that he lived for several years in the United States and had many of his works premiered in this country, he still stands as an enigma. This collection of essays by an international group of experts, is dedicated to the memory of Michael Henderson, who died in 1994 at the age of 47. Henderson was in the process of writing a biography of the composer. These essays include a range of new approaches to Martinu: Judy Mabary gives a concise history of Martinu's collaboration with choreographer Eric Hawkins, The Strangler; Ales Brezina looks penetratingly at the often tortured relationship between Martinu and the Czechoslovak government; and Michael Beckerman explores questions of construction in Martinu's Piano Concerto No. 2. Shorter pieces by Czech scholars Isa Popelka and Jaroslav Mihule are also included. In addition, there will be an essay by Michael Henderson on "Martinu's Mysterious Accident" which will shed light on one of the most harrowing events in the composer's life.

A celebration of the beauty and mystery of Iona—a hallowed place of pilgrimage and spiritual self-discovery. With a history swathed in spirituality and mystery, the Scottish isle of Iona has always been revered as a holy place, the center of Scottish Christianity. Legends abound of Jesus and Mary Magdalene alighting and living here before the Crucifixion, and Christ is believed to have visited the island with his mother. Celebrating sacred Iona as a place of pilgrimage, Claire Nahmad explores the fascinating ancient link between Iona and Rosslyn Chapel, the extraordinary unfinished building near Edinburgh, another prominent destination for those interested in biblical, masonic and pagan history. Nahmad takes you on a journey of revelation, unlocking the golden secret of the island and unveiling the undisclosed legacy of the Knights Templar.

With the entrance of the European Union into the field of International Investment Law and Arbitration, a new specialist field of law, namely ‘European Investment Law and Arbitration’ is in the making. This new field of law draws on EU Law, Public International Law, International Investment Law, International Arbitration Law and Practice and International Economic Law, while others fields of law such as Energy Law are also relevant. The European Investment Law and Arbitration Review is the first law periodical specifically dedicated to the field of ‘European Investment Law and Arbitration’. The timing could not be better. The first EU integrated investment treaties with Canada (CETA), US (TTIP) and Singapore (EU-SING) are either negotiated or about to be signed and ratified by the EU and its Member States. These are “integrated” investment treaties in that they combine free trade agreement provisions with international investment agreement norms. Moreover, the Court of Justice of the EU (CJEU) is about to deliver its first judgments and Opinions directly relating to intra-EU BITs and the EU-SING FTA. More generally, the public debate and discussions within academic and practitioner circles about the pros and cons of investor-state dispute settlement (ISDS) and investment treaties in general is intensifying almost on a daily basis. The Review will cover all these issues, but also goes beyond that by offering space for more innovative approaches and themes.

"Starting with the grim Britain of the Civil War era, with its punishing sense of the body as a corrupt vessel for the soul, Roy Porter charts how, through figures as diverse as Locke, Swift, Johnson, and Gibbon, ideas about medicine, politics, and religion fundamentally changed notions of self. He shows how the Enlightenment (with its explosion or rational thinking and scientific invention of the eighteenth and nineteenth centuries) provided a lens through which we can best see the profound shift from the theocentric, otherwordly, Dark Ages to the modern, earthly, body-centered world we live in today. As man made in God's image gave way to the Enlightenment's notion of the Self-made man, the body moved center stage. Porter writes brilliantly on the ways in which men and women flaunted, decorated, tanned, and dieted themselves: activities that we find familiar but that a Puritan divine would have considered satanic. And he explores how, at the end of the century, the human soul took on a new significance in the works of Godwin, Blake, and Byron."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The first systematic assessment of the symphonic style of the Czech composer Bohuslav Martinu [1890-1959], tracing the evolution of his musical language and including detailed analyses of all six symphonies. Over the past few decades the music of the Czech composer Bohuslav Martinu (1890-1959) has enjoyed a slow but steady rise in popularity, and his six symphonies, written between 1942 and 1953, have now been recorded many times; concert performances are on the increase, too. But Martinu and the Symphony is not only the first book in English intended to help the music-lover to a deeper understanding of these glorious works - it is by far the most comprehensive work on the subject in any language. Each Symphony is examined in turn, the analyses revealing what makes each creation so individual yet also so clearly part of a close-knit family of works and identifying the elements of his melodic, harmonic and instrumental style which produce Martinu's very personal vibrant and organic symphonic manner. Martinu and the Symphony is illustrated with almost 200 musical examples, taken not only fromthe Symphonies but also from his other works for large orchestra. His path to symphonic mastery is examined in unprecedented detail: attention is at last paid to the early orchestral works which, although largely unperformed andunpublished even now, afford fascinating glimpses of the composer to come. A study of the late triptychs The Frescoes of Piero della Francesca and The Parables rounds out this appraisal of Martinus enthralling symphonic and orchestral legacy.