Many contemporary theologians seek to retrieve the concept of beauty as a way for people to encounter God. This groundbreaking book argues that while Martin Luther's view of beauty has often been ignored or underappreciated, it has much to contribute to that quest. Mark Mattes, one of today's leading Lutheran theologians, analyzes Luther's theological aesthetics and discusses its implications for music, art, and the contemplative life. Mattes shows that for Luther, the cross is the lens through which the beauty of God is refracted into the world.

Forty years of in-depth research on Martin Luther's theology has left Oswald Bayer uniquely qualified to present this comprehensive study. He does so with clarity and care, simply enough for nontheologians to access. This remarkable book offers the basics of Luther's understanding of theology, discussing his response to the philosophy of science tradition, the formula by which he studied theology, and the basic philosophy that informed him. Bayer then takes Luther's stance on Christian dogmatics and ethics and applies it to our own theological understanding in the modern age. With such a complete Lutheran dogmatic concept -- the first of its kind offered -- the stunning inner consistency of Luther's theology and its ease of application to contemporary studies become unmistakably clear. Martin Luther's Theology is a valuable tool for students and teachers of theology and for those looking for a guide into the mind and heart of Luther -- a theologian for today.

This is a comprehensive and systematic survey of Martin Luther's entire thought by an internationally recognized authority in the field of Reformation research. The main theological questions which engaged the Reformer's attention are set forth in clear and simple fashion, along with a host of quotations from this own writings to illumine the presentation. Scholars and laypersons alike will appreciate the more than a thousand instances in which the author allows Luther to speak forcefully and directly for himself.

In this significant book Mark C. Mattes critically evaluates the role of justification in the theologies of five leading Protestant thinkers -- Eberhard Jungel, Wolfhart Pannenberg, Jurgen Moltmann, Robert W. Jenson, and Oswald Bayer -- pointing out their respective strengths and weaknesses and showing how each matches up with Luther's own views. Offering both an excellent review of recent trends in Christian theology and a powerful analysis of these trends, Mattes points readers to the various ways in which the doctrine of justification has been applied today. Despite the greatness of their thought, Jungel, Pannenberg, and Moltmann each accommodate the doctrine of justification to goals aligned with secular modernity. Both Jenson and Bayer, on the other hand, construe the doctrine of justification in a nonaccommodating way, thus challenging the secularity of the modern academy. In the end, Mattes argues that Bayer's position is to be preferred as closest to Luther's own, and he shows why it offers the greatest potential for confronting current attempts at self-justification before God.

Martin Luther started a reformation movement that revolutionized Europe in the sixteenth century. His far-reaching reforms of theological understanding and church practices radically modified both church and society in Europe and beyond. Steven Paulson's discussion of Luther's thought, coupled with Ron Hill's illustrations, provides an engaging introduction to Luther's multifaceted self and the ideas that catapulted him to fame. Written by experts but designed for the novice, the Armchair series provides accurate, concise, and witty overviews of some of the most profound Christian theologians in history. This series is an essential supplement for first-time encounters with primary texts, a lucid refresher for scholars and clergy, and an enjoyable read for the theologically curious.

The sweetness of music is something that has puzzled Christian theologians for centuries. In this study, Luther's theology of music is approached from the point of view of pleasure. It examines the significance of joy, beauty and pleasure in relationship with music and Luther's theology. The notion of music as the supreme gift of God requires also a discussion about the idea of 'gift'. Music opens up new perspectives into Luther's thinking. Luther has seldom been reckoned among aesthetic theologians. Nevertheless, Luther has a peculiar view on beauty, understanding faith as a kind of aesthetic contemplation.

This book presents the most detailed examination in English to date of Luther's theological breakthrough, together with a wealth of information concerning the theological development of the young Luther in its late medieval context.