Cruel and Tender 'A mordantly knowing modernisation of Sophocles's Trachiniae... . The approach here manages to be at once lethally level and capable of surges of anguished feeling... Highly recommended.' Independent Fewer Emergencies 'A triptych of vicious modern fairy tales that brings the nightmare right back and stabs you through the soul.' Guardian The City 'Although this is the most disquieting play in London, there is a curious exhilaration about both the performance and Crimp's confrontation with our perpetual unease.' Guardian Definitely the Bahamas 'A summation of a life lived vicariously, at the margins of other lives, between suffocating suburban walls; and the play is as unflinching as it is unnerving.' The Times Play House ' Play House concerns the volatility and vulnerability of love, as a young couple, Simon and Katrina set up home... Unusually for Crimp, the play both begins and ends with moving declarations of love. Suddenly this usually chilly dramatist seems unexpectedly blessed with a warm heart.' Daily Telegraph In the Republic of Happiness 'Crimp goes so far as to call it "an entertainment in three parts," and it rocks along like a dystopian vaudeville... The actors are imprisoned and liberated at once, their strange between-worlds condition a source of joy, intemperateness and above all a care for our diversion... My favourite play of the year.' What's on Stage

From pornography and ethnic violence, to terrorism and unprotected sex, this work presents an array of nameless characters that attempt to invent the story to encapsulate our time. It has been translated into more than 20 languages.

- What're you doing here Robert? - Well to be frank with you, I've really no idea. I thought I would just suddenly appear, so I did. I suddenly appeared. A family Christmas is interrupted by the unexpected arrival of Uncle Bob. Who is he? Why has he come? Why does his wife stay out in the car? And what is the meaning of his long and outrageous message? All we can be sure of is that the world will never be the same again. A provocative roll-call of contemporary obsessions, In the Republic of Happiness premiered at the Royal Court Theatre, London, in December 2012.

Sex, work, pregnancy, parents, weird neighbours, cleaning the fridge and dancing: Play House tells - in thirteen fleeting scenes - the story of a young couple's attempts to set up home.In Definitely the Bahamas, Frank and Milly relish the visits of Michael, their charming and successful only child. But what exactly is his relationship to the young student living in their house?Martin Crimp's Definitely the Bahamas was first staged at the Orange Tree Theatre, Richmond, in 1987. It was revived there with Play House, a new play, in March 2012.

Go on then: lock the doors and see what happens. Show me how much power you really have.When We Have Sufficiently Tortured Each Other breaks through the surface of contemporary debate to explore the messy, often violent nature of desire and the fluid, complicated roles that men and women play.Using Samuel Richardson's novel Pamela as a provocation, six characters act out a dangerous game of sexual domination and resistance.When We Have Sufficiently Tortured Each Other premiered at the National Theatre, London, in January 2019.

'It is a stress, yes, to deal, undeniably, to deal with people, yes, but That That That is what I enjoy. That is what I'm good at, okay?' Clair works in real estate. Mike and Liz are selling. James wants to buy. He'll only deal with Clair. Martin Crimp's play Dealing with Clair premiered in 1988 at the Orange Tree Theatre, Richmond. This edition was published alongside a new production of the play at the Orange Tree, in October 2018, in a co-production with English Touring Theatre.

The latest collection of plays confirms Martin Crimp's reputation as one of the most original and exciting talents writing for the theatre today.