In this book, Katie Reid argues that the fifth-century author Martianus Capella was a significant influence in the late Middle Ages and Renaissance. His poetic encyclopaedia, The Marriage of Philology and Mercury, was a source for writing on the liberal arts, allegory and classical mythology from 1300 to 1650. In fact, writers of this period had much more in common with Martianus Capella than they did with older ancients like Homer and Virgil. As such, we must reshape our understanding of late medieval and Renaissance encounters with the classical world by exploring their roots in Late Antiquity.

Part of a detailed compendium of late-Roman learning in each of the seven liberal arts, set within an amusing mythological-allegorical tale of courtship and marriage among the pagan gods. The text provides an understanding of medieval allegory and the components of a medieval education.

A connected account of European thought from the Patristic age through the mid-fourteenth century, and emphasizing educational systems, the interaction between the popular and elite cultures, and medieval humanism; with excellent interpretive chapters on science and philosophy.

Classical Rhetoric in the Middle Ages: The Medieval Rhetors and Their Art 400-1300, with Manuscript Survey to 1500 CE is a completely updated version of John Ward’s much-used doctoral thesis of 1972, and is the definitive treatment of this fundamental aspect of medieval and rhetorical culture. It is commonly believed that medieval writers were interested only in Christian truth, not in Graeco-Roman methods of ‘persuasion’ to whatever viewpoint the speaker / writer wanted. Dr Ward, however, investigates the content of well over one thousand medieval manuscripts and shows that medieval writers were fully conscious of and much dependent upon Graeco-Roman rhetorical methods of persuasion. The volume then demonstrates why and to what purpose this use of classical rhetoric took place.

The articles in this volume focus upon Boethius's extant works: his De arithmetica and a fragmentary De musica, his translations and commentaries on logic, his five theological texts, and, of course, his Consolation of Philosophy. They examine the effects that Boethian thought has exercised upon the learning of later generations of scholars.

This title was first published in 2002: Before the introduction of Greco-Arabic mathematical astronomy in the 12th century, what astronomy was there in the medieval West? While we know of developments in computus, which calculated with solar and lunar cycles to create Christian calendars, and in monastic time-telling by the stars, was anything known of the five planets? Using glosses, commentaries, and diagrams to the early manuscripts of four classical Latin authors - Pliny, Macrobius, Martianus Capella, and Calcidius - Bruce Eastwood provides evidence for the extensive development of the sixth liberal art, astronomy, from the time of Charlemagne forward, with a particular focus on the diagrams used and invented by Carolingian and later scholars. Learning to understand the motions of planets in terms of spatial, or geometrical, arrangement, they mined these Roman writings for astronomical and cosmological doctrines, in the process not only absorbing but also creating models of planetary motions. What they accomplished over three centuries was to establish a basic set of models that showed the reasoned order of the planets in the heavens.