The themes in this book—drawn from Chinese history, culture, and martial arts experience—are entwined in a fictional narrative to animate events envisaged to have occurred during the mid-eighteenth century. From the outset, a thin veil separates fact from fiction. Our story starts with a discovery. While conducting research at the Vatican Library on the Jesuit missions in China, two scholars find a folder of papers written in Chinese among documents belonging to Giuseppe Castiglione (1688–1766), a painter at the royal court in Beijing. The papers turn out to be written by a fellow court painter, Yang Mingbin (c. 1664–1765). Yang’s handwritten essays provide revelations vital for understanding the ingenuity of Chinese martial arts. Yang’s text is organized under sixty-four subheadings. The author elucidates theory and practice methods in a fashion unlike any other writings on this subject. This is a rare early text written during a transitional period for martial arts. It is the time when the Qing Dynasty (1644 to 1912) was at its peak of cultural splendor and expanding its borders by military expeditions. Cannons and smaller firearms show the Western influence, but traditional martial arts were ubiquitous in the village, province, and national levels. Master Yang offers fascinating reading on all aspects of the Chinese fighting traditions. He places great emphasis on the importance of the “martial arts family” and the role of secrecy in lethal arts. The arts are also adapted for health and entertainment. All reflect an infusion of philosophy and practices from Buddhism, Daoism, and Confucianism. How one thinks affects how one practices martial arts. Yang describes the qualities associated with different skill levels, from beginner to most advanced. As he does this, we learn secrets that set forth key ways for improving defensive and offensive applications. These topics include body alignment, coordination, spontaneity, naturalness, balance, distancing, relaxation, and power. The same principles apply to bare-hand and weapons practice, as well as martial arts for health. Yang’s learning methodology for studying martial arts can be useful in other areas, as in his work as a master painter at court.

A needle may draw a thread through printed pages to bind a book. In this little memoir, I feel like a needle that drew a common thread though a segment of martial art history. This book details three interrelated activities: (1) martial art studies, (2) involvement as founder of Via Media Publishing, producing a quarterly journal and books, and (3) teaching martial arts. Publishers, writers, researchers and serious martial art practitioners will benefit with the detailed overview of Via Media and its publications. Via Media produced the Journal of Asian Martial Arts, known for its high academic and aesthetic standards. Its contents reflect the history of two decades and provides rich information for practitioners and scholars, making The Best Fighta valuable reference work. In addition to reading, the primary way to learn a martial art is through instruction. In reading about my studies and teaching experience, readers can relate to their own involvement in martial arts. What is important here is the portrayal of my instructors, their teaching methods, and reasons for being involved in martial arts. Their accounts should offer insights and inspiration for others who study and practice any martial art.

Dr. Jason Lou represents a medical tradition transmitted over centuries through his family lineage. In 1857, his ancestor brought the art to San Francisco from China to serve the growing Chinese population who arrived during the gold rush and railroad building period. The Sacramento Bee publishes an in depth feature about Dr. Lou. Afterwords, a series of break ins occur. A few discover that Dr. Lou is a master of another art practiced in strict privacy: a martial arts system transmitted in tandem with the medical tradition. Was there something in the feature article that induced the criminal activities? Investigators soon learn that they are dealing with an international crime ring. An interdepartmental governmental team is formed and formulates theories regarding those responsible for the crime. Dr. Lou proves vital to the investigation. Ten years later, Dr. Lou and others realize the profound significance of what they’ve learned from their fateful brush with organized crime. This book should be of particular interest to Chinese Americans who can take pride in their history and be inspired by the main character as a role model — a hero in the broadest sense.

Montenero Val Cocchiara is usually referred to simply as Montenero, or Mundunur in the local dialect. It is a typical mountain village on the border of Italy's Abruzzo and Molise regions, but Montenero is more than that. Certainly the village and its people retain unique traditions and character traits because of its relative seclusion. At the same time-as fully revealed in this book-its history was tinted by contacts with numerous powerful groups over many centuries. Since Naples was the political and cultural heartbeat of south Italy, it sewed threads that tie Montenero to a heritage common to all living in the sunny south. Anyone with roots in south Italy will certainly benefit from reading this book. However, the author's greater aspiration is that others will equally enjoy the story of Montenero as a metaphor for their own ancestral village or town, regardless of country-or even see the village as a microcosm of the world, where the forces of history and culture forge the character of people.

Devoted to the most enigmatic and little-known aspect of training of Shaolin monks. Training methods allow supernatural abilites to develop, far beyond abilities of an ordinary man. The book was writen with the blessing and direct participation of the Head of the Shaolin Monastery Reverend Miao Xing, nicknamed "The Golden Arhat," one of the best Shaolin fighters of all times. These secret practices traditionally called "72 arts of Shaolin" or the essence of the Shaolin Combat Training.

Possible Origins presents for the first time an in depth cultural history of Chinese martial arts. It offers fresh perspectives and the latest research to show how martial arts have preserved religious and theatrical traditions hidden inside martial skills. It connects previously unexamined elements of Chinese cultural history directly to the arts people practice today. Everyone wants to know where their martial art came from and how it was created-here, for the first time, is the authentic story. Find answers to questions like: What is a sworn brotherhood? How do talismans work? Why does Tai Chi have so much mime in it? Why does Baguazhang look like a guy riding around on roller skates? Was the Shaolin Monastery a performing arts center? How can you tell if a martial art is Daoist or Buddhist? And what is so important about emptiness? Master practitioners, beginning students, and serious scholars will discover parts of their practice they didn't know were there.

Was the primary focus of the Qing dynasty really civil rather than military matters? In this ground-breaking book, Joanna Waley-Cohen overturns conventional wisdom to put warfare at the heart of seventeenth and eighteenth century China. She argues that the civil and the military were understood as mutually complementary forces. Emperors underpinned military expansion with a wide-ranging cultural campaign intended to bring military success, and the martial values associated with it, into the mainstream of cultural life. The Culture of War in China is a striking revisionist history that brings new insight into the roots of Chinese nationalism and the modern militarized state.