Now including an excerpt from VICTORIA: A Novel, by Daisy Goodwin, the Creator/Writer of the Masterpiece Presentation on PBS. "Anyone suffering Downton Abbey withdrawal symptoms (who isn't?) will find an instant tonic in Daisy Goodwin's The American Heiress. The story of Cora Cash, an American heiress in the 1890s who bags an English duke, this is a deliciously evocative first novel that lingers in the mind." --Allison Pearson, New York Times bestselling author of I Don't Know How She Does It and I Think I Love You Be careful what you wish for. Traveling abroad with her mother at the turn of the twentieth century to seek a titled husband, beautiful, vivacious Cora Cash, whose family mansion in Newport dwarfs the Vanderbilts', suddenly finds herself Duchess of Wareham, married to Ivo, the most eligible bachelor in England. Nothing is quite as it seems, however: Ivo is withdrawn and secretive, and the English social scene is full of traps and betrayals. Money, Cora soon learns, cannot buy everything, as she must decide what is truly worth the price in her life and her marriage. Witty, moving, and brilliantly entertaining, Cora's story marks the debut of a glorious storyteller who brings a fresh new spirit to the world of Edith Wharton and Henry James. "For daughters of the new American billionaires of the 19th century, it was the ultimate deal: marriage to a cash-strapped British Aristocrat in return for a title and social status. But money didn't always buy them happiness." --Daisy Goodwin in The Daily Mail One of Library Journal's Best Historical Fiction Books of 2011

Michael Blake, a straitlaced English nobleman, desperately needs to marry an heiress. When he discovers that his intended bride--and her much-need dowry--has been romanced away from him by his own brother, he is forced to turn to the only other great heiress on the market. Emma Marks is an American adventuress who has spent the last few years traveling the world--a bargain she made with her father in return for her promise to marry a titled aristocrat by the time she's twenty-five. But when Michael is accused of a crime he didn't commit, can Emma help him deal with the ghosts of his past? And can Michael show Emma she doesn't need to travel the world to be happy because love is the greatest adventure of all?

A deliciously told group biography of the young, rich, American heiresses who married into the impoverished British aristocracy at the turn of the twentieth century – the real women who inspired Downton Abbey Towards the end of the nineteenth century and for the first few years of the twentieth, a strange invasion took place in Britain. The citadel of power, privilege and breeding in which the titled, land-owning governing class had barricaded itself for so long was breached. The incomers were a group of young women who, fifty years earlier, would have been looked on as the alien denizens of another world - the New World, to be precise. From 1874 - the year that Jennie Jerome, the first known 'Dollar Princess', married Randolph Churchill - to 1905, dozens of young American heiresses married into the British peerage, bringing with them all the fabulous wealth, glamour and sophistication of the Gilded Age. Anne de Courcy sets the stories of these young women and their families in the context of their times. Based on extensive first-hand research, drawing on diaries, memoirs and letters, this richly entertaining group biography reveals what they thought of their new lives in England - and what England thought of them.

When Lady Jessalyn Hunter finds herself ruined, both socially and financially, she is forced to accept the help of her brother's best friend -- a man she's loved since childhood.Ethan Tremaine has spent his entire life running from the tragedy of his past, but he can't refuse his best friend's dying request. He reluctantly agrees to marry Jessalyn, even though he's terrified by the thought of someone depending on him.What begins as a marriage of convenience quickly becomes much more. Can they find the courage to love, or will they let the ghosts of their pasts destroy them?

My dear sister Clara, London society is so much more complicated than I could ever have known! Every night is a different ball or assembly, and a different swirl of glittering jewels and rustling gowns. Though I fear I am making social blunders left and right I am having some measure of success in my (or rather, Mother's) objective. Mother is beside herself with glee at the attentions I have been receiving from a few gentlemen she finds supremely suitable as husband material. But my dearest sister, it is so hard for me to even look at any gentleman but a certain duke, who, if I may confess, makes my heart beat so that I fear it can be seen across a ballroom. He is James Langdon, the Duke of Wentworth, and though I may sound dramatic, he makes me feel as no man ever has before. But I must push these feelings away. I sometimes hear whispers about his dark past, and he is quietly called the Dangerous Duke. Oh Clara! I am secretly overjoyed that he may love me, and at the same time terrified of his attentions. I have waited so long for my true love, and now I must resist him to protect my heart. If only I knew how to proceed… Your devoted sister, Sophia

Even a fortune forged in railroads and steel can't buy entrance into the upper echelons of Victorian high society--for that you need a marriage of convenience. American heiress August Crenshaw has aspirations. But unlike her peers, it isn't some stuffy British Lord she wants wrapped around her finger--it's Crenshaw Iron Works, the family business. When it's clear that August's outrageously progressive ways render her unsuitable for a respectable match, her parents offer up her younger sister to the highest entitled bidder instead. This simply will not do. August refuses to leave her sister to the mercy of a loveless marriage. Evan Sterling, the Duke of Rothschild, has no intention of walking away from the marriage. He's recently inherited the title only to find his coffers empty, and with countless lives depending on him, he can't walk away from the fortune a Crenshaw heiress would bring him. But after meeting her fiery sister, he realizes Violet isn't the heiress he wants. He wants August, and he always gets what he wants. But August won't go peacefully to her fate. She decides to show Rothschild that she's no typical London wallflower. Little does she realize that every stunt she pulls to make him call off the wedding only makes him like her even more.