Examines the relationships between soldiers and their wives during the long eighteenth century in Britain, particularly focusing on the wives who stayed at home while their husbands went to war.

The Girl I Left Behind Me addresses a neglected aspect of the history of the Hanoverian army. From 1685 to the beginning of the Victorian era, army administration attempted to discourage marriage among men in almost all ranks. It fostered a misogynist culture of the bachelor soldier who trifled with feminine hearts and avoided responsibility and commitment. The army's policy was unsuccessful in preventing military marriage. By concentrating on the many soldiers' wives who were unable to win permission to live "on the strength" of the regiment (entitled to half-rations) and travel with their husbands, this title explores the phenomenon of soldiers who persisted in defying the army's anti-marriage initiatives. Using evidence gathered from ballads, novels, court and parish records, letters, memoirs, and War Office papers, Jennine Hurl-Eamon shows that both soldiers and their wives exerted continual pressure on the state through evocative appeals to officers and civilians, fuelled by wives' pride in performing their own military "duty" at home. Respectable, companionate couples of all ranks reflect a subculture within the army that recognized the value in Enlightenment femininity. Looking at military marriages within the telescoping contexts of the state, their regimental and civilian communities, and the couples themselves, The Girl I Left Behind Me reveals the range of masculinities beneath the uniform, the positive influence of wives and sweethearts on soldiers' performance of their duties, and the surprising resilience of partnerships severed by war and army anti-marriage policies.

This book explores the world of women who married, or dealt with British soldiers below the rank of officer during the nineteenth century, including fiancées, wives, mothers, sisters, and daughters, as well as the prostitutes they consorted with. It examines women's experiences over the time cycle of a soldier's service. It considers women's finances, how they struggled to make ends meet and how they appealed to the government for support, including in widowhood and after a soldier's service had been completed. It discusses how soldiers' women were viewed in the press, in literature and in society more widely, highlighting in particular issues concerning morality and independence, and outlines how the Crimean War and its aftermath brought about extensive army reforms and also a sharp revision of the reputation of soldiers' wives. The book includes an exploration of soldiers' relations with prostitutes and how prostitutes were regulated, and a consideration of the impact on soldiers' wives of physical arrangements such as barracks, and overall provides much insight into the nature of plebeian life in the nineteenth century. The women portrayed often emerge as exceptionally resolute, independent and canny.

Presenting a broad spectrum of reflections on the subject of female transgression in early modern Britain, this volume proposes a richly productive dialogue between literary and historical approaches to the topic. The essays presented here cover a range of ’transgressive’ women: daughters, witches, prostitutes, thieves; mothers/wives/murderers; violence in NW England; violence in Scotland; single mothers; women as (sexual) partners in crime. Contributions illustrate the dynamic relation between fiction and fact that informs literary and socio-historical analysis alike, exploring female transgression as a process, not of crossing fixed boundaries, but of negotiating the epistemological space between representation and documentation.

The Long Eighteenth Century was the Age of Revolutions, including the first sexual revolution. In this era, sexual toleration began and there was a marked increase in the discussion of morality, extra-marital sex, pornography and same-sex relationships in both print and visual culture media. William Gibson and Joanne Begiato here consider the ways in which the Church of England dealt with sex and sexuality in this period. Despite the backdrop of an increasingly secularising society, religion continued to play a key role in politics, family life and wider society and the eighteenth-century Church was still therefore a considerable force, especially in questions of morality. This book integrates themes of gender and sexuality into a broader understanding of the Church of England in the eighteenth century. It shows that, rather than distancing itself from sex through diminishing teaching, regulation and punishment, the Church not only paid attention to it, but its attitudes to sex and sexuality were at the core of society's reactions to the first sexual revolution.

Take a romp through the long eighteenth-century in this collection of 25 short tales. Marvel at the Queen's Ass, gaze at the celestial heavens through the eyes of the past and be amazed by the equestrian feats of the Norwich Nymph. Journey to the debauched French court at Versailles, travel to Covent Garden and take your seat in a box at the theater and, afterwards, join the mile-high club in a newfangled hot air balloon. Meet actresses, whores and highborn ladies, politicians, inventors, royalty and criminals as we travel through the Georgian era in all its glorious and gruesome glory. In roughly chronological order, covering the reign of the four Georges, 1714-1830 and set within the framework of the main events of the era, these tales are accompanied by over 100 stunning color illustrations.