Maroon Cosmopolitics: Personhood, Creativity and Incorporation offers diverse perspectives on the presence of the Guianese Maroon at the twentieth-first century, and on the contemporary lives of the descendants of those who fled from slavery in the Americas.

How do people in an intensely multicultural city live alongside one another while maintaining clear boundaries? This question is at the core of The Cultural Work, which illustrates how the Maroons (descendants of escaped slaves) of Suriname and French Guiana, on the northern coast of South America, have used culture-representational performance to sustain their communities within Paramaribo, the capital. Focusing on three collectives known locally as "cultural groups," which specialize in the music and dance traditions of the Maroons, it marks a vital contribution to knowledge about the cultural map of the African diaspora in South America, Latin America, and the Caribbean.

This collection of essays explores historical and conceptual locations of Guyane, as a relational space characterised by dynamics of interaction and conflict. Does Guyane have, or has it had, its own place in the world, or is it a borderland which can only make sense in relation to elsewhere?

Once the Maroons escaped from slavery and established their communities in the remote interior of Suriname, attention shifted from military threat to internal danger. As they faced these dangers in an unknown rainforest, they sought refuge in prophetic movements directed by charismatic religious leaders. This book charts the history of Okanisi religious movements from their escape to the present day. It is based on sixty years of fieldwork by the late Bonno Thoden van Velzen and Ineke van Wetering, archival research and oral histories. Prophets of Doom is a tribute to Okanisi society and reflects decades of research and dedication.

Schmidt’s is a story that takes account of the pathological mechanisms of colonialism. Duin’s annotated translation of Lodewijk Schmidt’s ethnographic accounts forces us to reflect upon the catastrophe that is ethnocide and deforestation of the Eastern Guiana Highlands in Amazonia.

Hunting stories will usually glorify the hunters, since it is the hunters who write the stories. In this book, Dénètem Touam Bona takes up the perspective of the hunted, using the concept of marronage to highlight the lives and creativity of colonized and subjugated peoples. In a format that blends travel diary, anthropological inquiry, and philosophical and literary reflection, he narrates the hidden history of fugues – those of the runaway slave, the deserting soldier, the clandestine migrant, and all those who challenged norms and forms of control. In the space of the fugue, in the folds and retreats of dense and muggy woods, runaway countercultures appeared and spread out, cultures whose organization and values were diametrically opposed to those of colonial societies. Marronage, the art of disappearance, has never been a more timely topic: thwarting surveillance, profiling, and tracking by the police and by corporations; disappearing from databases; extending the forest’s shadow by the click of a key. In our cyberconnected world, where control of individuals in real time is increasingly becoming the norm, we need to reinvent marronage and recognize the maroon as a universal figure of resistance. Beyond its critical dimension, this book calls for a cosmo-poetics of refuge and aims at rehabilitating the power of dreams and poetry to ward off the confinement of minds and bodies.

Suspect Others explores how ideas of self-knowledge and identity arise from a unique set of rituals in Suriname, a postcolonial Caribbean nation rife with racial and religious suspicion. Amid competition for belonging, political power, and control over natural resources, Surinamese Ndyuka Maroons and Hindus look to spirit mediums to understand the causes of their successes and sufferings and to know the hidden minds of relatives and rivals alike. But although mediumship promises knowledge of others, interactions between mediums and their devotees also fundamentally challenge what devotees know about themselves, thereby turning interpersonal suspicion into doubts about the self. Through a rich ethnographic comparison of the different ways in which Ndyuka and Hindu spirit mediums and their devotees navigate suspicion, Suspect Others shows how present-day Caribbean peoples come to experience selves that defy concepts of personhood inflicted by the colonial past. Stuart Earle Strange investigates key questions about the nature of self-knowledge, religious revelation, and racial discourse in a hyper-diverse society. At a moment when exclusionary suspicions dominate global politics, Suspect Others elucidates self-identity as a social process that emerges from the paradoxical ways in which people must look to others to know themselves.