"A thrilling piece of page-turning psychedelic horror!" Marley has never been a normal woman. She’s always appreciated that fact about herself. She’s always leaned into her worst tendencies with an astonishing proudness. Yet, her demons finally catch up to her one day (in a very literal way) when she accidentally murders a co-worker and is left to deal with how her employer—the head of a massive drug operation—reacts. Shadows in the night. Feral cats. Junkies. A jealous daughter. Will Marley escape the Wuthering Hotel and all of it’s perils?

"As the Wax Drops is a very imaginative, twisty, fast-paced story. Something new is always happening, and it's never what you think." A candle drives a woman insane in this new horror story from Oscar O'Rourke. There's a demon dog, disembodied voices, a woman who may or may not be a ghost, a strange purple fog, and so much more with elements of cosmic horror, psychological horror, family drama, mystery, and dark comedy. All of this is explored through a complex, blink-and-you'll-miss-it story. As the Wax Drops is a truly unforgettable horror experience!

In the more than twenty years since the publication of his book The Black Atlantic, Paul Gilroy has become a leading Afro-European intellectual whose work in the cultural studies of race has influenced a number of fields and made the study of black Atlantic literatures and cultures an enduring part of the humanities. The essays in this collection examine the full trajectory of Gilroy's work, looking beyond The Black Atlantic to consider also his work in the intervening years, focusing in particular on his investigations of contemporary black life in the United States, histories of human rights, and the politics of memory and empire in contemporary Britain. With an essay by Gilroy himself extending his longstanding examination of fascism, racial thinking, and European philosophical thought, in addition to an interview with Gilroy, this volume features Gilroy's own words alongside other scholars' alternative conceptualizations and critical rereadings of his works.

Now in a new Fourth Edition, Psychiatry remains the leading reference on all aspects of the current practice and latest developments in psychiatry. From an international team of recognised expert editors and contributors, Psychiatry provides a truly comprehensive overview of the entire field of psychiatry in 132 chapters across two volumes. It includes two new sections, on psychosomatic medicine and collaborative care, and on emergency psychiatry, and compares Diagnostic and Statistical Manual (DSM-5) and International Classification of Diseases (ICD10) classifications for every psychiatric disorder. Psychiatry, Fourth Edition is an essential reference for psychiatrists in clinical practice and clinical research, residents in training, and for all those involved in the treatment psychiatric disorders. Includes a a companion website at www.tasmanpsychiatry.com featuring PDFs of each chapter and downloadable images

With a compelling mix of information, illustration, and interpretation, David B. Cohen explores the current state of knowledge about depression, including the powerful influence of genetics. In addition to depressive illness, the book deals with related subjects such as mourning, mania, the rhythms of sleep, self concepts, and suicide.

"Music cultures in sounds, words and images", edited by Antonio Baldassarre and Tatjana Markovic, is dedicated to the 60th birthday of the Croatian-American musicologist Zdravko Blažekovic (b. 1956, Zagreb). After his studies of musicology and first working experiences in Zagreb, Blažekovic moved to New York City, where he is since 1996 the executive editor of the RILM - Répertoire International de Littérature Musicale, and since 1998 director of the RCMI - Research Center for Music Iconography as well as editor of one of the leading journals for music iconography, "Music in Art", in the framework of the Barry S. Brook Center for Music Reserach and Documentation at the Graduate Center of the City University of New York. In view of Blažekovic's very broad multidisciplinary interests, including historical musicology, music iconography, organology, archeology, lexicography and databases, this book contains 38 studies in six languages (English, German, Italian, Serbian, Croatian, Chinese) organized in six chapters: Sounds of nations, Words on musics, Performance of musical cultures, Images on musics, Organology, and Classifying data on music.

This book studies the creative discourse of the modern African diaspora by analyzing poems, novels, essays, hip-hop and dub poetry in the Caribbean, England, Spain, and Colombia, and capturing diasporan movement through mutually intersecting axes of dislocation and relocation, and efforts at political group affirmation and settlement, or “location.” Branche’s study connects London’s multimillion-dollar riots of 2011, and its antecedents associated with the West Indian settler community, to the discontent and harrowing conditions facing black immigrants to contemporary Spain as gateway to Fortress Europe. It links the brutal massacres that target Colombia’s dispossessed and displaced poor - and mainly black - “throwaway” citizens, victims of the drug trade and neoliberal expansionism, to older Caribbean stories that tell of the original spurts of capitalist greed, and the colonial cauldron it created, at the center of which lay the slave trade. In revisiting the question of what really has awaited Afro-descendants at the end of the Middle Passage, this volume brings transatlantic slavery, the making of weak postcolonial states that bleed people, and the needle’s eye of racial identification together through a close reading of rappers, black radicals, dub poetry, and novelists from Europe, Africa, and the Americas. Branche at once demonstrates the existence of an archive of Afro-modern diasporan, discursive production, and just as importantly, points toward a historically-rooted theoretical framework that would contain its liberatory trajectory.