There are five marked quotations from Psalms in the Gospel of Matthew. These are: (1) Ps 91:1–12 in Matt 4:6; (2) Ps 78:2 in Matt 13:35; (3) Ps 8:3 in Matt 21:16; (4) Ps 118:22–23 in Matt 21:42; and (5) Ps 110:1 in Matt 22:44. Piotr Herok argues that the investigated texts are related to each other not only by the presence of the introductory formulas, making clear that a given citation comes from Scripture, but also through mutual thematic convergence, concerning in various degrees king David, the temple, and the theme of Jesus' identity. Thanks to the new literary context, in which the quotations are embedded, Matthew reinterprets them significantly while giving them a new dimension clearly distinguishing them from the rest of the psalm quotations found in his work. This aims at presenting Jesus as not only the Son of David, but first of all the Son of God.

There are five marked quotations from Psalms in the Gospel of Matthew. These are: (1) Ps 91:1-12 in Matt 4:6; (2) Ps 78:2 in Matt 13:35; (3) Ps 8:3 in Matt 21:16; (4) Ps 118:22-23 in Matt 21:42; and (5) Ps 110:1 in Matt 22:44. Piotr Herok argues that the investigated texts are related to each other not only by the presence of the introductory formulas, making clear that a given citation comes from Scripture, but also through mutual thematic convergence, concerning in various degrees king David, the temple, and the theme of Jesus' identity. Thanks to the new literary context, in which the quotations are embedded, Matthew reinterprets them significantly while giving them a new dimension clearly distinguishing them from the rest of the psalm quotations found in his work. This aims at presenting Jesus as not only the Son of David, but first of all the Son of God.

The publication of the King James version of the Bible, translated between 1603 and 1611, coincided with an extraordinary flowering of English literature and is universally acknowledged as the greatest influence on English-language literature in history. Now, world-class literary writers introduce the book of the King James Bible in a series of beautifully designed, small-format volumes. The introducers' passionate, provocative, and personal engagements with the spirituality and the language of the text make the Bible come alive as a stunning work of literature and remind us of its overwhelming contemporary relevance.

This book offers a comprehensive summary of the use of the Psalms at Qumran and in the New Testament. For the first time this collection offers a set of studies which will offer an overview of the role and function of the Psalms in the first century. Each chapter considers matters of textual form, points of particular interest, and hermeneutics. Together, this collection forms an important research tool for Septuagintal and manuscript studies, first-century hermeneutics and the development of Christian apologetics and theology. The contributors have all either written or are writing monographs on their particular section of the New Testament/ Qumran. In a number of cases, the particular chapter will be the first of its kind (such as Steve Moyise's discussion of Psalms in Revelation).

The earliest of the four Gospels, the book portrays Jesus as an enigmatic figure, struggling with enemies, his inner and external demons, and with his devoted but disconcerted disciples. Unlike other gospels, his parables are obscure, to be explained secretly to his followers. With an introduction by Nick Cave

This book offers a comprehensive summary of the use of the Psalms at Qumran and in the New Testament. For the first time this collection offers a set of studies which will offer an overview of the role and function of the Psalms in the first century. Each chapter considers matters of textual form, points of particular interest, and hermeneutics. Together, this collection forms an important research tool for Septuagintal and manuscript studies, first-century hermeneutics and the development of Christian apologetics and theology. The contributors have all either written or are writing monographs on their particular section of the New Testament/ Qumran. In a number of cases, the particular chapter will be the first of its kind (such as Steve Moyise's discussion of Psalms in Revelation).

Identification of the Royal Psalms by Herman Gunkel indicates that the history and genre of the Royal Psalms must be distinguished from the Enthronement Psalms that are written to celebrate Yahweh's Kingship from those written to celebrate Davidic kingship. In reference to this, Joachim Becker argues against the presence of messianic Davidic Psalms in the Old Testament and posits that the initial hope in Davidic kingship died out during the exilic period and consequently centered Israelite faith in Yahweh alone. It may thus be concluded that Yahweh's Kingship effaces the place of the Davidic Messiah. Against this claim, The Messianic Kingship of Jesus argues that the early Christian use of Psalm quotations in particular suggest that the Royal and Enthronement Psalms were viewed as one entity which suggests that Yahweh's reign and Davidic kingship in Jewish-Christian thinking were not antagonistic but mutually complementary. Within the synoptic tradition, Matthew's emphasis on Davidic heritage supports this notion as he applies 'Son of David' to the 'Son of God' and also 'Son of Man.' Therein lies 'paradoxical tension' in the use of the old Jewish Scripture as early Christians, on the one hand, sought to preserve their Jewish legacy but, on the other, creatively employed the Old Testament to support their christological message and the divine attributes of Jesus expressed in the Gospel. The entire process of quotation by Matthew generates one of the major characteristics of Judeo-Christian religiosity; namely, the manifestation of divine redemptive activity in the history of Israel.