By redefining Twain's aesthetic, Fulton reinvigorates current debates about what constitutes literary realism."--Jacket.

For years, many of Twain’s philosophical, religious, and historical fantasies concerning the nature and condition of humanity remained unpublished. Thirty-six of these writings make their first appearance here.

In this book, my [Twain's] purpose has been to present a character portrait of Mrs. Eddy [founder of Christian Science Society], drawn from her own acts and words solely, not from hearsay and rumor; and to explain the nature an scope of her Monarchy, as revealed in the laws by which she governs it, and which she wrote herself. The controversial text was originally rejected by Twain's publisher.

The field of Mark Twain biography has been dominated by men, and Samuel Clemens himself - riverboat pilot, Western correspondent, silver prospector, world traveler - has been traditionally portrayed as a man's man. The publication of Laura E. Skandera-Trombley's Mark Twain in the Company of Women, however, marks a significant departure from conventional scholarship. Skandera-Trombley, the first woman to write a scholarly biography of Mark Twain, contends that Clemens intentionally surrounded himself with women, and that his capacity to produce extended fictions had almost as much to do with the environment shaped by his female family as with the talent and genius of the writer himself. Women helped Clemens to define his boundaries, both personal and literary. Women shaped his life, edited his books, and provided models for his fictional characters. Clemens read and corresponded with female authors, and often actively promoted their careers. Skandera-Trombley seeks to combine a biographical study of Clemens's life with his beloved wife, Olivia (Livy) Langdon, and their three daughters, Susy, Clara, and Jean, with new readings of Adventures of Huckleberry Finn and Personal Recollections of Joan of Arc. Several crucial areas are investigated: the nature of Clemens's family participation in his writing process, the degree to which their experiences as women during the mid- and late nineteenth century affected his writing, and the extent to which the loss of his family may have impeded and ultimately ended his ability to write lengthy narratives. Skandera-Trombley points out that in marrying Livy, Clemens not only joined a family of substantial means, but also entered one active in thesuffragist, abolitionist, and other reformist movements, which had deep roots in the progressive community of Elmira, New York. Mark Twain in the Company of Women will be of interest to Twain scholars and readers as well as students in American studies, women's studies, nineteenth-century history, and political and cultural studies.

Ben Hecht's critically acclaimed autobiographical memoir, first published in 1954, offers incomparably pungent evocations of Chicago in the 1910s and 1920s, Hollywood in the 1930s, and New York during the Second World War and after. "His manners are not always nice, but then nice manners do not always make interesting autobiographies, and this autobiography has the merit of being intensely interesting."--Saul Bellow, New York Times Named to Time's list of All-Time 100 Nonfiction Books, which deems it "the un-put-downable testament of the era's great multimedia entertainer."