This book shows how Mark adapted what he learned from Benny Thomasson to produce an original voice in fiddle tune variation, becoming the most celebratedfiddle in recent history. Contains meticulously accurate transcriptions of the album of the same name. Includes hoe-downs, schottisches, waltzes, jigs, rags and polkas. The text details the first phase of Mark's career, during which he established a new standard for old-time fiddling. Several of the arrangements are presented more than once, with different arrangements and even keys to exhibit Mark's musical growth, stimulated by his continuing challenges to himself. Also included are an interview with Mark O'Connor by the transcriber and severalphotos from Mark's personal collection. Late intermediate to advanced in difficulty

North American Fiddle Music: A Research and Information Guide is the first large-scale annotated bibliography and research guide on the fiddle traditions of the United States and Canada. These countries, both of which have large immigrant populations as well as Native populations, have maintained fiddle traditions that, while sometimes faithful to old-world or Native styles, often feature blended elements from various traditions. Therefore, researchers of the fiddle traditions in these two countries can not only explore elements of fiddling practices drawn from various regions of the world, but also look at how different fiddle traditions can interact and change. In addition to including short essays and listings of resources about the full range of fiddle traditions in those two countries, it also discusses selected resources about fiddle traditions in other countries that have influenced the traditions in the United States and Canada.

This book shows how Mark adapted what he learned from Benny Thomasson to produce an original voice in fiddle tune variation, becoming the most celebrated fiddle in recent history. Contains meticulously accurate transcriptions of the album of the same name. Includes hoe-downs, schottisches, waltzes, jigs, rags and polkas. The text details the first phase of Mark's career, during which he established a new standard for old-time fiddling. Several of the arrangements are presented more than once, with different arrangements and even keys to exhibit Mark's musical growth, stimulated by his continuing challenges to himself. Also included are an interview with Mark O'Connor by the transcriber and several photos from Mark's personal collection. Late intermediate to advanced in difficulty.

This book is a follow-up to "Irish Fiddle Playing: A Guide for the Serious Player" (MB99402BCD). the student will gain a deeper knowledge of fiddle playing and improve their overall playing and musical understanding. Subjects include:•

Every country in Europe seems to have rediscovered its own vital tradition of fiddle music, except England ... But, English fiddle music forms an important, yet neglected, part of the mosaic of Old and New World fiddle styles.Chris Bartram has played this music for over forty years. He has learned from traditional musicians around his home communities and more widely in other parts of England and in Cornwall. He has studied the majority of the existing field recordings of older generations of players and many of the handwritten manuscripts of nineteenth century fiddlers. 'English Fiddling' contains a wide variety of traditional tunes, an essay about the history of the instrument in England and a number of archive photographs.'English Fiddling' is intended to be a source for people who can already play the fiddle - or violin - at some level. This is not a book for the complete beginner, although a player who can play simple tunes in the first position and who can read music a little will find it helpful and instructive.The companion CD contains a selection of tunes played by Chris and some of his friends.•

Classical violinists can help keep alive the historic traditions of American fiddle music, but doing so requires a clear understanding of performance practice. A Guide to American Fiddling exposes serious students of the violin to the technical nuances of traditional Old Time fiddling. In this book, violinist/fiddler Andrew Carlson provides a detailed technical analysis of Missouri-style fiddling, focusing primarily on the use of the bow. Carlson further offers a comparison of classical and non-classical techniques, a brief history of American fiddling, plus 23 traditional tunes with authentic bowing indications. A CD recording of the tunes is included.