Is the truth as simple as black and white? Mark My Words is the searing novel from Branford Boase Award-winner and 2020 World Book Day author Muhammad Khan, asking who you can trust when all you see is lies. 'A brilliant and powerful story that kept me on the edge of my seat. The protagonist is extremely compelling and relatable, a warrior through and through - you'll root for Dua the entire way!' - Nikita Gill Fifteen-year-old Dua Iqbal has always had trouble minding her own business. With a silver-tongue and an inquisitive nature, a career in journalism seems fated. When her school merges with another, Dua seizes her chance and sets up a rival newspaper, exposing the controversial stories that teachers and the kids who rule the school would rather keep buried. Dua's investigations are digging up things she shouldn't get involved with about family, friends and her community and as exams rattle towards her, she needs to make some hard decisions about when to leave things alone. But when she discovers that some kids at school are being blamed for selling drugs when the real perpetrator is right in front of their noses, she can't keep quiet any longer. 'A voice long overdue in British fiction' – Alex Wheatle on I Am Thunder 'Khan has created a book steeped in drama and empathy, as well as providing two iconic superheroes' – Nikesh Shukla on Kick the Moon

Mark My Words traces settler colonialism as an enduring form of gendered spatial violence, demonstrating how it persists in the contemporary context of neoliberal globalization. In a strong and lucid voice, Mishuana Goeman provides close readings of literary texts, arguing that it is vital to refocus the efforts of Native nations beyond replicating settler models of territory, jurisdiction, and race.

Provides a personal look at the man behind the writing through an amusing collection of his expressed opinions and thoughts on such topics as such as fellow writers, authors, editors, children's books, humor, and public speakers.

A selection of favorite quotes that the celebrated literary critic has collected over the decades. From Dwight Garner, the New York Times book critic, comes a rollicking, irreverent, scabrous, amazingly alive selection of unforgettable moments from forty years of wide and deep reading. Garner’s Quotations is like no commonplace book you’ll ever read. If you’ve ever wondered what’s really going on in the world of letters today, this book will make you sit up and take notice. Unputdownable!

Mark Hasten was born inBohorodczany, Poland in1927. He and his familysurvived WWII in Kazakhstan whereMark entered the military. After thewar Mark immigrated to the newState of Israel where he fought in theWar of Independence.Immigrating first to Canada andthen to the U.S., Mark studied atS.M.U. and joined General Mills as aresearch engineer. In the 1960

In the '60s and '70s, America's music scene was marked by raucous excess, reflected in the tragic overdoses of young superstars such as Jimi Hendrix and Janis Joplin. At the same time, the uplifting harmonies and sunny lyrics that propelled Karen Carpenter and her brother, Richard, to international fame belied a different sort of tragedy—the underconsumption that led to Karen's death at age thirty-two from the effects of an eating disorder. In Why Karen Carpenter Matters, Karen Tongson (whose Filipino musician parents named her after the pop icon) interweaves the story of the singer’s rise to fame with her own trans-Pacific journey between the Philippines—where imitations of American pop styles flourished—and Karen Carpenter’s home ground of Southern California. Tongson reveals why the Carpenters' chart-topping, seemingly whitewashed musical fantasies of "normal love" can now have profound significance for her—as well as for other people of color, LGBT+ communities, and anyone outside the mainstream culture usually associated with Karen Carpenter’s legacy. This hybrid of memoir and biography excavates the destructive perfectionism at the root of the Carpenters’ sound, while finding the beauty in the singer's all too brief life.