Rich treasury of 210 vintage views of New York harbor before 1900. Clipper ships, South Street docks, Brooklyn Navy Yard, Cunard liners, much more. Many photos never before published. Unique record of Old New York via early photography.

Analyse: Photographies de Richard Wurts, Carl van Vechten, Samuel H. Gottscho, Underwood & Underwood, Sigurd Fisher et Michael L. Radoslovich.

157 photographs, many never before reprinted, show the vitality and variety of old Brooklyn: waterfront, Brooklyn Bridge, Fulton Street, Brooklyn Heights, Ebbets Field, Luna Park, Sheepshead Bay, Manhattan Beach Hotel, more.

Recalls "good old days" in Maspeth, Jamaica, Astoria, Jackson Heights, other areas: DeWitt Clinton mansion, hotel where Washington slept (1790), plus recent landmarks — Astoria Studios, 1939 World's Fair, more. 261 prints.

Descriptive notes and a discussion of stylistic influences augment one hundred thirty-one rare photographs portraying the interiors of New York City homes, businesses, and public places between 1893 and 1916

Early Manhattan sites are set against more modern photos taken from same position: Times Square, Wall Street, Fifth Avenue, many more. Includes 83 early photographs from 1875 to 1925 contrasted with photos taken in 1976.

How did scientists, artists, designers, manufacturers and amateur enthusiasts experience and value the sea and its products? Examining the commoditization of the ocean world during the nineteenth century, this book demonstrates how the transaction of oceanic objects inspired a multifaceted material discourse stemming from scientific exploration, colonial expansion, industrialization, and the rise of middle-class leisure. From the seashore to the seabed, marine organisms and environments, made tangible through processing and representational technologies, captivated practitioners and audiences. Combining essays and case studies by scholars, curators, and scientists, Sea Currents investigates the collecting and display, illustration and ornamentation, and trade and consumption of marine flora and fauna, analysing their material, aesthetic and commercial dimensions. Traversing global art history, the history of science, empire studies, anthropology, ecocriticism and material culture, this book surveys the currency of marine matter embedded in the economies and ecologies of a modernizing ocean world.