Having grown up and trained as a lawyer in T oronto, Shulman worked as an intelligence officer and was re sponsible for interviewing German prisoners-of-war. In this book he chronicles his own fascinating life history. '

An intimate memoir recalling a young photographer's relationship with Marilyn Monroe just months before her death, with extraordinary photographs, some of which have never been published. "With the precision of a surgeon, Schiller slices through the façade of Marilyn Monroe in his unflinching memoir. Revealing and readable, it’s a book I couldn’t put down." —Tina Brown When he pulled his station wagon into the 20th Century-Fox studios parking lot in Los Angeles in 1960, twenty-three-year-old Lawrence Schiller kept telling himself that this was just another assignment, just another pretty girl. But the assignment and the girl were anything but ordinary. Schiller was a photographer for Look magazine and his subject was Marilyn Monroe, America's sweetheart and sex symbol. In this intimate memoir, Schiller recalls the friendship that developed between him and Monroe while he photographed her in Hollywood in 1960 and 1962 on the sets of Let's Make Love and the unfinished feature Something's Got to Give, the last film she worked on. Schiller recalls Marilyn as tough and determined, enormously insecure as an actress but totally self-assured as a photographer’s model. Monroe knew how to use her looks and sexuality to generate publicity, and in 1962 she allowed Schiller to publish the first nude photographs of her in over ten years, which she then used as a weapon against a studio that wanted to have her fired—and ultimately succeeded. The Marilyn Schiller knew and writes about was adept at hiding deep psychological scars, but she was also warm and open, candid and disarming, a movie star who wished to be taken more seriously than she was. Accompanying the text are eighteen of the author’s own photographs, some never previously published. Many writers have tried to capture her essence on the page, but as someone who was in the room, a young man Marilyn could connect with and trust, Schiller gives us a unique look at the real woman offscreen. "In this short, splendid memoir, Lawrence Schiller offers us another cut on the scintillating diamond that is Marilyn Monroe. In clear honest straightforward prose, Schiller allows us to dwell in the heart of another time. He captures Marilyn, both in photographs and words, and in so doing he gives us intimate access into one of the great stories of the 20th century: the complicated cocktail of joy and sadness that goes along with both beauty and fame." —Colum McCann

The final work of fiction from Norman Mailer, a defining voice of the postwar era, is also one of his most ambitious, taking as its subject the evil of Adolf Hitler. The narrator, a mysterious SS man in possession of extraordinary secrets, follows Adolf from birth through adolescence and offers revealing portraits of Hitler’s parents and siblings. A crucial reflection on the shadows that eclipsed the twentieth century, Mailer’s novel delivers myriad twists and surprises along with characteristically astonishing insights into the struggle between good and evil that exists in us all. Praise for The Castle in the Forest “This remarkable novel about the young Adolf Hitler, his family and their shifting circumstances, is Mailer’s most perfect apprehension of the absolutely alien. . . . Mailer doesn’t inhabit these historical figures so much as possess them.”—The New York Times Book Review “Terrifically creepy . . . an icy and convincing portrait of the dictator as a young sociopath.”—Entertainment Weekly “The work of a bold and confident writer who may yet be seen as the preeminent novelist of our time . . . a source of tremendous narrative pleasure . . . Every character . . . lives and breathes.”—South Florida Sun-Sentinel “Blackly hilarious, beautifully written . . . [The Castle in the Forest] has vigor, excitement, humor and vastness of spirit.”—The New York Observer Praise for Norman Mailer “[Norman Mailer] loomed over American letters longer and larger than any other writer of his generation.”—The New York Times “A writer of the greatest and most reckless talent.”—The New Yorker “Mailer is indispensable, an American treasure.”—The Washington Post “A devastatingly alive and original creative mind.”—Life “Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance.”—The New York Review of Books “The largest mind and imagination [in modern] American literature . . . Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book.”—Chicago Tribune “Mailer is a master of his craft. His language carries you through the story like a leaf on a stream.”—The Cincinnati Post

A collection of whimsical true encounters between famous and infamous individuals describes the unlikely meetings of Marilyn Monroe with Frank Lloyd Wright, Michael Jackson with Nancy Reagan, and Sigmund Freud with Gustav Mahler.

Karl and Rosa's family watch in horror as Hitler's troops parade down the streets of their home city -- Vienna. It has become very dangerous to be a Jew in Austria, and after their uncle is sent to Dachau, Karl and Rosa's parents decide to send the children out of the country on a Kindertransport, one of the many ships carrying refugee children away from Nazi danger. Isolated and homesick, Karl ends up in Millisle, a run-down farm in Ards in Northern Ireland, which has become a Jewish refugee centre, while Rosa is fostered by a local family. Hard work on the farm keeps Karl occupied, although he still waits desperately for any news from home. Then he makes friends with locals Peewee and Wee Billy, and also with the girls from neutral Dublin who come to help on the farm, especially Judy. But Northern Ireland is in the war too, with rationing and air-raid warnings, and, in April 1941 the bombs of the Belfast Blitz bring the reality of war right to their doorstep. And for Karl and Rosa and the other refugees there is the constant fear that they may never see their parents again. Based on a true story -- there was a refugee farm at Millisle and among its occupants was a young boy called Karl.