Papers from a conference held Jan. 2003 at the University of Sheffield.

This work explores the author's personal experience of psychoanalysis. It reveals her truamatic childhood and institutionalization, followed by her escape to the quiet cul-de-sac where her psychoanalysist lived. There, for many years, she made the journey towards recovery through Freudian analysis.

Everything in Elsa Labbe's life scems calm and ordered. She is a successful psychologist; she has an adorable daughter Laure, and is passionately devoted to the cause of reason and science. Then she discovers her daughter's heroin addiction. Elsa abandons everything to try and save her child's life. This complex study of addiction, obsession and maternal love is by one of France's most distinguished novelists, the author of the acclaimed Les Mots Pour Le Dire, published in English as The Words to Say It in 1984.

Part I - Cardinal Dulles's Legacy in His Words. Part II - Cardinal Dulles's Legacy in His Witness.

Ann Dávila Cardinal's Five Midnights is a “wickedly thrilling” (William Alexander) and “flat-out unputdownable” (Paul Tremblay) novel based on the el Cuco myth set against the backdrop of modern day Puerto Rico. 2019 Digital Book World Award Winner for best Suspense/Horror Book Five friends cursed. Five deadly fates. Five nights of retribución. If Lupe Dávila and Javier Utierre can survive each other’s company, together they can solve a series of grisly murders sweeping though Puerto Rico. But the clues lead them out of the real world and into the realm of myths and legends. And if they want to catch the killer, they'll have to step into the shadows to see what's lurking there—murderer, or monster? “A frightening, fast-paced thriller.” —Julianna Baggott, Alex Award-winning author of Pure At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The memoirs of Hortense (1646–1699) and of Marie (1639–1715) Mancini, nieces of the powerful Cardinal Mazarin and members of the court of Louis XIV, represent the earliest examples in France of memoirs published by women under their own names during their lifetimes. Both unhappily married—Marie had also fled the aftermath of her failed affair with the king—the sisters chose to leave their husbands for life on the road, a life quite rare for women of their day. Through their writings, the Mancinis sought to rehabilitate their reputations and reclaim the right to define their public images themselves, rather than leave the stories of their lives to the intrigues of the court—and to their disgruntled ex-husbands. First translated in 1676 and 1678 and credited largely to male redactors, the two memoirs reemerge here in an accessible English translation that chronicles the beginnings of women’s rights to personal independence within the confines of an otherwise circumscribed early modern aristocratic society.