A woman intends to put business over pleasure in this charming historical romance. “Banning’s talent for crafting warm, delightful tales once again wins.” —RT Book Reviews “I want you to marry me.” A wedding in Smoke River, Oregon . . . Marianne Collingwood has inherited a business, the perfect escape from her life of drudgery. There’s one condition: to claim the business, she must be married! Her coworker, handsome Lance Burnside, will have to be the groom—this marriage of convenience will help them both. Only once it’s too late does she consider the question of the marriage bed they must share . . .

Do you dream of wicked rakes, gorgeous Highlanders, muscled Viking warriors and rugged Wild West cowboys? Harlequin® Historical brings you three new full-length titles in one collection! MARIANNE’S MARRIAGE OF CONVENIENCE by Lynna Banning (Western) To claim the business she has inherited, Marianne Collingwood enters a marriage of convenience with her coworker, Lance Burnside. Only too late does she consider the bed they will now share… THE WARRIOR’S RUNAWAY WIFE by Denise Lynn (Medieval) Lady Avelyn flees an unwanted betrothal, but is found by fearsome Elrik, Lord of Roul, a legendary warrior. Now Avelyn is bound to Elrik when he is commanded by the courts to wed her! DIARY OF A WAR BRIDE by Lauri Robinson (WWII) Kathryn Winslow knows she should shut off her feelings for American officer Sergeant Dale Johnson—he could be transferred at any time. Fighting her heart feels like the biggest battle of all… Look for Harlequin® Historical’s July 2018 Box set 1 of 2, filled with even more timeless love stories!

This Companion explores the Bible's role and influence on individual writers, whilst tracing the key developments of Biblical themes and literary theory through the ages. An ambitious overview of the Bible's impact on English literature – as arguably the most powerful work of literature in history – from the medieval period through to the twentieth-century Includes introductory sections to each period giving background information about the Bible as a source text in English literature, and placing writers in their historical context Draws on examples from medieval, early-modern, eighteenth-century and Romantic, Victorian, and Modernist literature Includes many 'secular' or 'anti-clerical' writers alongside their 'Christian' contemporaries, revealing how the Bible's text shifts and changes in the writing of each author who reads and studies it

Victoria Bazin examines the poetry of Marianne Moore as it is shaped by and responsive to the experience of being a modern woman, of living in the aftermath of the First World War, of being interpellated as a modern consumer and of writing in "the age of mechanical reproduction." She argues that Moore's textual collages and syllabic sculptures are based on the cultural clutter or debris of modernity, on textual extracts and reproductions, on the phantasmagoria of city life revealing something modernism worked hard to conceal: its relation to modernity, more specifically its relation to the new emerging and expanding mass consumer culture. Drawing extensively on archival resources to trace Moore's influences and to describe her own distinctive modernist aesthetic, this book argues that it was her feminist adaptation of pragmatism that shaped her poetic response to modernity. Moore's use of the quoted fragment is conceptualised in relation not only to Walter Benjamin's philosophical history but also to William James's image of the world as a series of "partial stories." As such, this account of Marianne Moore not only contributes to a greater understanding of the poet and her work, but it also offers up a more politicized and historically nuanced understanding of poetic modernism between the wars, one that retains a sense of the formal complexities of poetic language and the poet's own ethical imperatives whilst also recognising the material impact of modernity upon the modernist poem. This book will appeal, therefore, not only to scholars already familiar with Moore's poetry but more widely to those interested in modernism and American culture between the wars.

Are Jane Austen and Charles Darwin the two great English empiricists of the nineteenth century? Peter W. Graham poses this question as he brings these two icons of nineteenth-century British culture into intellectual conversation in his provocative new book. Graham shows that while the one is generally termed a naturalist (Darwin's preferred term for himself) and the other a novelist, these characterizations are at least partially interchangeable, as each author possessed skills that would serve well in either arena. Both Austen and Darwin are naturalists who look with a sharp, cold eye at the concrete particulars of the world around them. Both are in certain senses novelists who weave densely particularized and convincingly grounded narratives that convey their personal observations and perceptions to wide readerships. When taken seriously, the words and works of Austen and Darwin encourage their readers to look closely at the social and natural worlds around them and form opinions based on individual judgment rather than on transmitted opinion. Graham's four interlocked essays begin by situating Austen and Darwin in the English empirical tradition and focusing on the uncanny similarities in the two writers' respective circumstances and preoccupations. Both Austen and Darwin were fascinated by sibling relations. Both were acute observers and analysts of courtship rituals. Both understood constant change as the way of the world, whether the microcosm under consideration is geological, biological, social, or literary. Both grasped the importance of scale in making observations. Both discerned the connection between minute, particular causes and vast, general effects. Employing the trenchant analytical talents associated with his subjects and informed by a wealth of historical and biographical detail and the best of recent work by historians of science, Graham has given us a new entree into Austen's and Darwin's writings.

“One word sums this book up for me; Magnificent! . . . this is right up there with the best war romances I have read . . . Just stunning!” —Chicks, Rogues and Scandals July 1942 Dear diary, despite the war raging around me, I find I can’t stop thinking about the American officer, Sergeant Dale Johnson. I’ve never known anyone as brave, kind and handsome! But I promised myself I wouldn’t care this much about a man again, especially when he could be transferred at any time. Yet that only makes me want to relish our time together. Now fighting my heart feels like the biggest battle . . . “An excellent WWII romance that is both sweet and well-researched. This book was a delight to read.” —Romantic Parvenu

The spellbinding premiere of The Weir at the Royal Court in 1997 was the first of many works to bring Conor McPherson to the attention of the theatre-going public. Acclaimed plays followed, including Shining City, The Seafarer, The Night Alive and Girl from the North Country, garnering international acclaim and being regularly produced around the globe. McPherson has also had significant successes as a theatre director, film director and screenwriter, most notably, with his award-winning screenplay for I Went Down. This companion offers a detailed and engaging critical analysis of the plays and films of Conor McPherson. It considers issues of gender and class disparity, violence and wealth in the cultural and political contexts in which the work is written and performed, as well as the inclusion of song, sound, the supernatural, religious and pagan festive sensibilities through which initial genre perceptions are nudged elsewhere, towards the unconscious and ineffable. Supplemented by a number of contributed critical and performance perspectives, including an interview with Conor McPherson, this is a book to be read by theatre audiences, performance-makers and students who wish to explore, contextualize and situate McPherson's provocative, exquisite and generation-defining writings and performances.