Discover the amazing true story of Maria Mitchell, America’s first professional female astronomer. Every evening, from the time she was a child, Maria Mitchell stood on her rooftop with her telescope and swept the sky. And then one night she saw something unusual—a comet no one had ever seen before! Miss Mitchell’s extraordinary discovery made her famous the world over and paved the way for her to become America’s first professional female astronomer. Gorgeously illustrated by Diana Sudyka, this moving picture book about a girl from humble beginnings who became a star in the field of astronomy is sure to inspire budding scientists everywhere.

America's first woman astronomer was born in 1818 on Nantucket Island, Massachusetts. Patiently observing the skies with her father as early as age twelve, Maria eventually discovers a telescopic comet. For this 1847 feat, she is awarded a Gold Medal by the King of Denmark. Other honors and world fame follow. When Vassar College opens in 1865, Maria is there as its first Professor of Astronomy. She remains to serve under three Vassar presidents. A passionate seeker of truth and wisdom, Maria Mitchell's keen views are revealed in her journals. Her growth as an advocate for women's rights is dramatically portrayed. At eighteen she is hired as the first librarian for the Nantucket Atheneum, where she educates herself studying the books she orders. Twenty years later, we see her, now internationally renowned, a welcome guest in salons of the world's leading scientists and literary figures. Maria's tales of daring travel by bumpy stagecoach, Russian droskys, Mississippi River boats and Atlantic side-wheelers are here, as are her perceptive accounts of the celebrities of her day. Journeying westward alone, escorting a Chicago debutante on her Grand Tour, taking a teenage nephew to Russia (complete with daunting, sometimes comical adventures) all come to life. She organizes Vassar students to observe meteors and undertake eclipse expeditions. In her journals we see Maria Mitchell grow under the tutelage of her father in a warm and active family.

Figuring explores the complexities of love and the human search for truth and meaning through the interconnected lives of several historical figures across four centuries—beginning with the astronomer Johannes Kepler, who discovered the laws of planetary motion, and ending with the marine biologist and author Rachel Carson, who catalyzed the environmental movement. Stretching between these figures is a cast of artists, writers, and scientists—mostly women, mostly queer—whose public contribution have risen out of their unclassifiable and often heartbreaking private relationships to change the way we understand, experience, and appreciate the universe. Among them are the astronomer Maria Mitchell, who paved the way for women in science; the sculptor Harriet Hosmer, who did the same in art; the journalist and literary critic Margaret Fuller, who sparked the feminist movement; and the poet Emily Dickinson. Emanating from these lives are larger questions about the measure of a good life and what it means to leave a lasting mark of betterment on an imperfect world: Are achievement and acclaim enough for happiness? Is genius? Is love? Weaving through the narrative is a set of peripheral figures—Ralph Waldo Emerson, Charles Darwin, Elizabeth Barrett Browning, Herman Melville, Frederick Douglass, Nathaniel Hawthorne, and Walt Whitman—and a tapestry of themes spanning music, feminism, the history of science, the rise and decline of religion, and how the intersection of astronomy, poetry, and Transcendentalist philosophy fomented the environmental movement.

New England blossomed in the nineteenth century, producing a crop of distinctively American writers along with distinguished philosophers and jurists, abolitionists and scholars. A few of the female stars of this era-Emily Dickinson, Margaret Fuller, and Susan B. Anthony, for instance-are still appreciated, but there are a number of intellectual women whose crucial roles in the philosophical, social, and scientific debates that roiled the era have not been fully examined. Among them is the astronomer Maria Mitchell. She was raised in isolated but cosmopolitan Nantucket, a place brimming with enthusiasm for intellectual culture and hosting the luminaries of the day, from Ralph Waldo Emerson to Sojourner Truth. Like many island girls, she was encouraged to study the stars. Given the relative dearth of women scientists today, most of us assume that science has always been a masculine domain. But as Renee Bergland reminds us, science and humanities were not seen as separate spheres in the nineteenth century; indeed, before the Civil War, women flourished in science and mathematics, disciplines that were considered less politically threatening and less profitable than the humanities. Mitchell apprenticed with her father, an amateur astronomer; taught herself the higher math of the day; and for years regularly "swept" the clear Nantucket night sky with the telescope in her rooftop observatory. In 1847, thanks to these diligent sweeps, Mitchell discovered a comet and was catapulted to international fame. Within a few years she was one of America's first professional astronomers; as "computer of Venus"-a sort of human calculator-for the U.S. Navy's Nautical Almanac, she calculated the planet's changing position. After an intellectual tour of Europe that included a winter in Rome with Sophia and Nathaniel Hawthorne, Mitchell was invited to join the founding faculty at Vassar College, where she spent her later years mentoring the next generation of women astronomers. Tragically, opportunities for her students dried up over the next few decades as the increasingly male scientific establishment began to close ranks. Mitchell protested this cultural shift in vain. "The woman who has peculiar gifts has a definite line marked out for her," she wrote, "and the call from God to do his work in the field of scientific investigation may be as imperative as that which calls the missionary into the moral field or the mother into the family . . . The question whether women have the capacity for original investigation in science is simply idle until equal opportunity is given them." In this compulsively readable biography, Renee Bergland chronicles the ideological, academic, and economic changes that led to the original sexing of science-now so familiar that most of us have never known it any other way. "The best thing in its line since Dava Sobel's Longitude. Maria Mitchell and the Sexing of Science tells a great, if too little known, story of an intellectual woman in 19th century New England. And it is beautifully told: I simply could not put it down. Anyone who cares about women's education in America should read this compelling and indispensable book." -Robert D. Richardson, author of Henry Thoreau: A Life of the Mind, Emerson: The Mind on Fire, and William James: In the Maelstrom of American Modernism "Renee Bergland recounts the story of Maria Mitchell's life and work in glorious and careful detail. One feels and hears the sounds of Mitchell's native Nantucket, her adopted Vassar, and comes to understand how one of the 'gentler sex' advanced astronomy in her day." -Londa Schiebinger, author of Has Feminism Changed Science?

A pioneering exploration of the origins of German Christian Democracy in the context of 19th- and 20th-century politics and religion