St. Margaret of Antioch was one of the most popular saints in medieval England and, throughout the Middle Ages, the various Lives of St. Margaret functioned as a blueprint for a virginal life and supernatural assistance to pregnant women during the dangerous process of labor. In her narrative, Margaret is accosted by various demons and, having defeated each monster in turn, she is taken to the place of her martyrdom where she prays for supernatural boons for her adherents. This book argues that Margaret’s monsters are a key element in understanding Margaret’s importance to her adherents, specifically how the sexual identities of her adherents were constructed and maintained. More broadly, this study offers three major contributions to the field of medieval studies: first, it argues for the utility of a diachronic analysis of Saints’ Lives literature in a field dominated by synchronic analyses; second, this diachronic analysis is important to interpreting the intertext of Saints’ Lives, not only between different Lives but also different versions of the same Life; and third, the approach further suggests that the most valuable socio-cultural information in hagiographic literature is found in the auxiliary characters and not in the figure of the saint him/herself.

A timid little girl imagines monsters in various unlikely places but is able to overcome her fears.

A little monster discovers that true terribleness can come in a very tiny package in this bold, funny exploration of sibling rivalry. Mirror, Mirror, on the wall, who’s the most terrible one of all? Every morning, Smugg’s magic mirror tells him that he’s the most terrible monster there is. Until one day, when the mirror tells him there’s an even worse monster, right next door! More terrible than Smugg? How can that be? When Smugg marches next door, he learns that his neighbors have a new baby. She doesn’t look so bad—after all, she’s tiny. Smugg is sure he can be more terrible than she is. But the little beast is just getting started. She writes on the walls, devours the books, and—oh no!—she won’t stop crying. But the worst part is that she just might be getting attached to Smugg himself! He wouldn’t want a terrible tiny baby clinging to him…would he?

Percy Jackson meets Hayao Miyazaki in this contemporary twist on a Japanese folktale, now in paperback. An Asian American boy discovers the powers that are his birthright when he goes on a quest to save his father from monsters that are wreaking havoc on the earth.

"Gorgeous prose, delicious magic." - V.E. Schwab YALSA Best Fiction for Young Adults Selection Kids' Indie Next Pick Amazon Best Book A scrappy maid must outsmart both palace nobles and Low Gods in a new YA fantasy by Margaret Owen, author of the Merciful Crow series. Once upon a time, there was a horrible girl... Vanja Schmidt knows that no gift is freely given, not even a mother’s love—and she’s on the hook for one hell of a debt. Vanja, the adopted goddaughter of Death and Fortune, was Princess Gisele's dutiful servant up until a year ago. That was when Vanja’s otherworldly mothers demanded a terrible price for their care, and Vanja decided to steal her future back... by stealing Gisele’s life for herself. The real Gisele is left a penniless nobody while Vanja uses an enchanted string of pearls to take her place. Now, Vanja leads a lonely but lucrative double life as princess and jewel thief, charming nobility while emptying their coffers to fund her great escape. Then, one heist away from freedom, Vanja crosses the wrong god and is cursed to an untimely end: turning into jewels, stone by stone, for her greed. Vanja has just two weeks to figure out how to break her curse and make her getaway. And with a feral guardian half-god, Gisele’s sinister fiancé, and an overeager junior detective on Vanja’s tail, she’ll have to pull the biggest grift yet to save her own life. Margaret Owen, author of The Merciful Crow series, crafts a delightfully irreverent retelling of “The Goose Girl” about stolen lives, thorny truths, and the wicked girls at the heart of both.

For anyone who loved Leonardo, the Terrible Monster, this is a humorous and important book about learning to follow your heart and proving that kindness can outweigh villainy any day. Maximillian Villainous is a monster who doesn't have the heart to be a villain. His famous family pulls pranks on the likes of Santa Claus and the Tooth Fairy, and Max spends his time undoing them. So when he brings home a bunny to be his sidekick, Max's disapproving mother hatches a plan. She challenges Max and the bunny to become a devious duo; otherwise . . . the bunny hops. If they want to stay together, Max and the bunny have no choice but to go against their nature. They blunder into villainy with comical effect until Max discovers that embracing his good heart may just be the key to pulling off the most devious deed of all and winning his family's acceptance. Delightfully fun and irreverent, Maximillian Villainous is an empowering story about embracing one's true self and finding acceptance. Up and coming illustrator Lesley Breen Withrow brings the characters to life with bold and colorful illustrations in a style reminiscent of Richard Scarry.

The investigation into the disappearance of a wealthy California rancher brings to light the secrets of a whole community in this haunting masterpiece of suspense On a small family ranch outside Boca de Rio, a California city just across the Mexican border from Tijuana, time has stood still for the last year, since the day Robert Osborne, the 24-year-old ranch owner, went out for a walk with his dog and never came home. A large amount of two types of blood was found on the floor of the canteen used by the Mexican viseros, day-laborers hired to work the fields, but Robert's body was never recovered--if he was killed. The sheriff investigating the case pursued the case so tirelessly he couldn't cope with his failure to solve it and quit his job. In the year that has passed, the ranch has languished. Until Robert is declared dead, the ranch's executorship cannot be passed to someone else. His widow, Devon, yearns to move on with her life. But Robert's mother can't accept that her son is dead. Now, at last, the case to have Robert Osborne declared dead in absentia is being heard before the County of San Diego Court. It should be a cut-and-dry ruling--all evidence points to murder. But as witnesses come forward to testify before the judge, secrets of the ranch's past are exposed--secrets of a salacious love affair and a suspicious suicide, of anti-Mexican racism and illegal border-crossing, of alcoholism, indigence, adultery, unwanted pregnancy, even older rumors of murder. Will learning the truth about Robert Osborne allow these wounds to finally heal, or will it only rip open new ones?