In this study, the engaging art created by children’s author Margaret Wise Brown receives the critical attention it deserves as a lasting contribution to American children’s literature. Through analysis of her dozens of titles published during the height of western Modernism, this scholarly text shares Brown’s importance and impact from the perspective of Brown’s work, rather than biographically. Moving beyond such popular titles as Goodnight Moon and The Runaway Bunny into deeper cuts reveals how Brown’s oeuvre bridges multiple disciplines, including writing, visual art, philosophy, and music. Her projects successfully experiment with artistic collaboration and synesthesia as a natural expression for a child readership while both contributing to and reflecting high Modernism amidst the two World Wars. The quality of Brown’s writing and the maturity of her themes reveal respect for her child audience and recommend her work to the generations of readers who followed her early death. As this book demonstrates, Margaret Wise Brown remains one of the truly great authors of children’s literature.

There was a little fur family warm as toast smaller than most in little fur coats and they lived in a warm wooden tree.

In this classic of children's literature, beloved by generations of readers and listeners, the quiet poetry of the words and the gentle, lulling illustrations combine to make a perfect book for the end of the day. In a great green room, tucked away in bed, is a little bunny. "Goodnight room, goodnight moon." And to all the familiar things in the softly lit room—to the picture of the three little bears sitting on chairs, to the clocks and his socks, to the mittens and the kittens, to everything one by one—the little bunny says goodnight. One of the most beloved books of all time, Goodnight Moon is a must for every bookshelf and a time-honored gift for baby showers and other special events.

"Leonard S. Marcus... has masterfully written about a fascinating woman who in her short life changed literature for the very young. I was throroughly enchanted."--Eric Carle Nearly fifty years after her sudden death at the age of forty-two, Margaret Wise Brown remains a legend and an enigma. Author of Goodnight Moon, The Runaway Bunny, and dozens of other children's classics, Brown all but invented the picture book as we know it today. Combining poetic instinct with a profound empathy for small children, she understood a child's need for security, love, and a sense of being at home in the world. Yet, these were comforts that had eluded her. Her sparkling presence and her unparalleled success as a legendary children's book author masked an insecurity that left her restless and vulnerable. In this authoritative and moving biography, Leonard S. Marcus, who had access to never-before-published letters and family papers, portrays Brown's complex character and her tragic, seesaw life. Colorful, thoughtful, and insightful, Margaret Wise Brown is both a portrayal of a woman whose stories still speak to millions and a portrait of New York in the 1930s and 1940s, when the literary world blossomed and made history.

Poetic text and illustrations describe an animal's journey around the world on his four fur feet.

This classic children’s book is “a treasure trove for admirers of [Stein’s] singular vision and Hurd’s always charming artwork” (Publishers Weekly). Written in her unique prose style, Gertrude Stein’s The World Is Round chronicles the adventures of a young girl named Rose—a whimsical tale that delights in wordplay and sound while exploring the ideas of personal identity and individuality. This volume replicates the original 1939 edition, including all of Clement Hurd’s original blue-and-white art printed on the rose-pink paper that Stein insisted upon. Also featured here are two essays that provide an inside view to the making of the book. The first, a foreword by Clement Hurd’s son, author and illustrator Thacher Hurd, includes previously unpublished photographs and sheds light on a creative family life in Vermont, where his father and mother, author Edith Thacher Hurd, often collaborated on children’s books. The second essay, an afterword by Edith Thacher Hurd, takes readers behind the scenes of the making of The World Is Round, including the numerous letters exchanged between Hurd and Stein as well as images of Stein with the real-life Rose and her white poodle, Love. “The perfect mix of Gertrude Stein’s painterly words and Clement Hurd’s elegant illustrations make The World Is Round an unforgettable treasure.” —Todd Oldham “a book. a beautiful book. arrived. it is pink and it is smart and it is beautiful. bring that book over here so i can look at it. would you like some tea?” —Maira Kalman

While the color kittens are trying to make green paint, their mixing leads to pink, orange, and purple.