Text by Danilo Eccher, Marc Quinn, Jason Shulman.

Artists have long been stimulated and motivated by the work of those who came before them—sometimes, centuries before them. Interviews with 120 international contemporary artists discussing works from The Metropolitan Museum of Art's collection that spark their imagination shed new light on art-making, museums, and the creative process. Images of works from The Met collection appear alongside images of the contemporary artists' work, allowing readers to discover a rich web of visual connections that spans cultures and millennia.

Ancient Graffiti in Context brings together papers by historians and archaeologists using graffiti as evidence to explore the Greek and Roman worlds. Illuminating such varied topics as ancient emotions, Roman children, quarry workers, and military communities, this collection demonstrates the importance of this often undervalued form of evidence.

This work outlines the bright and dark sides of the Myth of Venice, dwelling on four aspects: Venice the Rich, Venice the Wise, Venice the Just, and Venezia-citta-galante. After describing the channels through which Shakespeare and Jonson could have become aware of this myth, this work uses it to generate new understandings of the Merchant of Venice, Othello, and Volpone.

Aleister Crowley (1875-1947) is one of the most famous and significant authors in the history of western esotericism. Crowley has been long ignored by scholars of religion whilst the stories of magical and sexual practice which circulate about him continue to attract popular interest. "Aleister Crowley and the Temptation of Politics" looks at the man behind the myth - by setting him firmly within the politics of his time - and the development of his ideas through his extensive and extraordinarily varied writings. Crowley was a rationalist, sympathetic to the values of the Enlightenment, but also a romantic and a reactionary. His search for an alternative way to express his religious feelings led him to elaborate his own vision of social and political change. Crowley's complex politics led to his involvement with many key individuals, organisations and groups of his day - the secret service of various countries, the German Nazi party, Russian political activists, journalists and politicians of various persuasions, as well as other writers - both in Europe and America. "Aleister Crowley and the Temptation of Politics" presents a life of ideas, an examination of a man shaped by and shaping the politics of his times.

A complete introduction to the rich cultural legacy of Rome through the study of Roman art ... It includes a discussion of the relevance of Rome to the modern world, a short historical overview, and descriptions of forty-five works of art in the Roman collection organized in three thematic sections: Power and Authority in Roman Portraiture; Myth, Religion, and the Afterlife; and Daily Life in Ancient Rome. This resource also provides lesson plans and classroom activities."--Publisher website.

Celebrated Argentinian artist Adrián Villar Rojas is known for his site-specific sculptural installations. For The Theater of Disappearance, the artist mines The Met’s collection, drawing on the five thousand years of world history within its galleries, to create an elaborate ahistorical work. Set atop the Iris and B. Gerald Cantor Roof Garden, Villar Rojas’s installation transforms the space into a performative diorama, where banquet tables occupy an oversize black-and-white checkerboard floor punctuated by sculptures that fuse together human figures and artifacts found within the museum. The resulting juxtapositions put forth a radical reinterpretation of museum practices. This illustrated book is the fifth edition in a series that documents and contextualizes The Met’s annual rooftop commissions. The introductory essay by Beatrice Galilee explores the conceptual framework that informs Villar Rojas’s remarkable commission as well as his interventions around the world. While exploring the Museum, Villar Rojas took thousands of photographs of objects and moments of interest. A selection of these images is featured here alongside the artist’s commentary, offering a unique visual diary of Villar Rojas’s thought process as he developed this arresting installation.