A unique monograph of over 50 collections created by the fashion designer Marc Jacobs in the past 25 years and illustrated by Grace Coddington. In 2016, internationally acclaimed designer Marc Jacobs asked his friend and talented illustrator Grace Coddington to select and draw looks from over fifty of his collections dating back to 1993, the year he presented his now-infamous Grunge collection for Perry Ellis, up until his Spring/Summer 2019 collection designed for his eponymous label. Sofia Coppola contributes an introduction, and the illustrations are punctuated with Jacobs's written commentary and a lighthearted timeline of key moments in pop culture. Personal and insightful, this is the first look back on the designer's groundbreaking career: Marc Jacobs in his own words.

Entering fashion history in 1993 with his notorious 'grunge' collection for Perry Ellis, Marc Jacobs would soon be hailed by American Vogue as 'the dauphin of grungy, understated cool'. He quickly rose to become one of the most influential designers of his generation, both at the helm of his own label and as creative director of Louis Vuitton from 1998 to 2014. Known for his collaborations with prominent artists, musicians and muses - from Stephen Sprouse to Sonic Youth, Debbie Harry, Sofia Coppola and Chloë Sevigny, Marc Jacobs 'changed what it means to be a fashion designer, just as once upon a time Andy Warhol changed what it meant to be an artist', according to fashion historian Valerie Steele. Opening with an essay on the designer's work, Marc Jacobs: Unseen unfolds chronologically, revisiting the designer's most iconic creations and revealing previously unseen behind-the-scenes moments of models, hairdressers, stylists, make-up artists and Marc Jacobs himself at their most creative. Robert Fairer's stunning and highenergy photographs capture the youth, glamour and spirit that defined Jacobs's shows.

This volume is an unprecedented history of Louis Vuitton’s women’s bags, the most coveted line of accessories in women’s fashion. At the heart of Louis Vuitton are its City Bags, a range of women’s bags that dates back to the turn of the twentieth century. Featuring the trademark monograms of the house, the City Bag story began with the Steamer, a resort bag designed in 1901 to be packed inside a much larger steamer trunk. These bags have in a hundred years formally diversified into a dizzying array of handbags for every conceivable function demanded by the modern woman. Profoundly influential, City Bags are now known to millions by their descriptive names (Keepall, Bucket, Papillon, Alma, Locket, Noe, Speedy) and are still evolving into more fantastical forms. Lavishly illustrated with new and archival photography, historical graphics, landmark editorials, and ad campaigns, the volume traces the history of these specific bag families, and examines the earliest specimens and today’s most sought-after collectibles, including Vuitton’s collaborations with Takashi Murakami, Stephen Sprouse, Richard Prince, Yayoi Kusama, and Rei Kawakubo and one-off projects by Zaha Hadid, Shigeru Ban, Vivienne Westwood, Helmut Lang, Andrée Putman, and of course, Marc Jacobs. Louis Vuitton: City Bags is an ambitious volume on the creation and cultivation of a cultural phenomenon.

In the late ’70s, spirited young designer, Perry Ellis introduced a fresh, witty and relaxed new sensibility to American sportswear, initially for women and a few years later, for men. The clothes were easy, oversized, slouchy, but classic at heart and they caused a sensation. Ellis, who once told the New York Times that he "always made a determined effort to do something different," did just that, creating a series of signature looks such as his “dimple” sleeves and single-cabled sweaters that set his clothes apart from everyone else’s. Nearly three decades after his untimely death, the legacy of the designer Ellis is still very much felt : PERRY ELLIS: An American Original is the first complete monograph to celebrate his exceptional career. The beautifully illustrated book showcases Ellis’s designs through a combination of photography and sketches, providing an insightful look at each season of his career, from 1976 to 1986, offering readers unique access to editorial and ad campaign photographs from the archives of brilliant photographer Erica Lennard, with whom Ellis worked almost exclusively. Included here are ephemera, a treasure trove of drawings, and never-before-published photos from the personal collections of the designer’s friends and family, adding insight to Ellis’s unique aesthetic while solidifying his place as one of the key contemporary designers of American fashion.

Handbags have never been more important in fashion: the 'must-have' bag of the season is a much-lusted-after designer item that can make or break a fashion house. For women, the handbag is an intimate extension of the body, a kind of mobile home for all the items indispensable for daily life, and at the same time an indicator of her fashionability - be it Prada, Vuitton or Chanel. Here, Caroline Cox tells the intriguing story of the handbag, in fact a relatively recent phenomenon only in general use since the early twentieth century. She traces its development from its origins in the nineteenth century with reticules (essentially pockets with handles) and Louis Vuitton's revolutionary Noe bag for the female traveller, via Art Deco clutch bags moulded in Bakelite and the Hermes Kelly bag endorsed by Princess Grace in the 1950s, right up to the accessory of the moment, the Mulberry Roxanne. Lavishly illustrated throughout with rare and striking images of bags historical and modern, and exquisitely designed, Bags will be the must-have book of the season.

Inventive, enigmatic, and supremely creative, Stephen Sprouse made art and clothing that captured the mood of the eighties. One of the first American designers to mix graffiti and a punk aesthetic with fashion, Sprouse manipulated conventional notions of style, and his unique sensibility has inspired designers from John Galliano to Raf Simmons to Marc Jacobs. Sprouse’s career started in the late seventies, when, after working for Halston, he migrated to a warehouse on the Bowery and started making outfits for his neighbor, Debbie Harry. The fashion world quickly embraced his innovative, culturally relevant sensibility and downtown edge. But Sprouse’s inability to compromise his artistic vision for the rigid fashion business compromised his commercial success. The Padilhas possess the largest private collection of Sprouse’s work, and were given exclusive access to his archives by his family for this project. They also obtained never-before-published images from photographers such as Steven Meisel, Bob Gruen, and Mert and Marcus. The book features a foreword by the novelist Tama Janowitz, one of Sprouse’s closest friends. The release of this book coincides with a retrospective at Deitch Projects. The book will be available with four different jackets, each featuring a different Day-Glo color, an homage to Sprouse’s iconic album cover for Debbie Harry’s Rockbird.

Alan Male's Illustration is a classic in the field. Bringing together theory, context and issues around conceptual understanding, the book is a perfect companion for illustration students around the world. Hundreds of images from a wide variety of contemporary illustrators explore how successful creators work with depth of knowledge and understanding of their subjects. By looking across examples from around the world, readers gain an understanding of: - Visual metaphors - Storytelling and narrative - Truth and documentation - Identity and persuasion - Briefs and development New for this edition is 'Illustrator as Author and Polymath', a chapter which explores the mix of skills that illustrators need beyond a strong visual style – they must be problem-solvers, visual thinkers, researchers and communicators. It also reveals how image creators from the world of illustration, visual communication and fine art can illuminate and present exciting and original concepts and ideas related to everything that is current, in the past and in the future.