With this book, teachers can give students many hands-on opportunities to practice using these visual tools in a meaningful context. Students will learn how to read different types of maps, charts, graphs, and diagrams, as well as how to construct their own. They will learn which visual tools are best for presenting specific types of information.--Page 3.

In this groundbreaking book, Franco Moretti argues that literature scholars should stop reading books and start counting, graphing, and mapping them instead. In place of the traditionally selective literary canon of a few hundred texts, Moretti offers charts, maps and time lines, developing the idea of "distant reading" into a full-blown experiment in literary historiography, in which the canon disappears into the larger literary system. Charting entire genres-the epistolary, the gothic, and the historical novel-as well as the literary output of countries such as Japan, Italy, Spain, and Nigeria, he shows how literary history looks significantly different from what is commonly supposed and how the concept of aesthetic form can be radically redefined.

With this book, teachers can give students many hands-on opportunities to practice using these visual tools in a meaningful context. Students will learn how to read different types of maps, charts, graphs, and diagrams, as well as how to construct their own. They will learn which visual tools are best for presenting specific types of information.--Page 3.

A compendium of 250 assorted graphs, maps, charts and illustrations - the latest and best in diagram graphics from all over the world. Put together with the cooperation of some of the world's leading graphic artists based in America, Holland, Britain, France, Japan and elsewhere, this is an outstanding selection surpassing the first volume in its comprehensiveness. It showcases fine diagram design used in pamphlets, in annual reports, in magazines and newspapers, from a range of different media in different places. From computer-assisted 'new wave' graphics to the more orthodox, demonstrating the delicate artistry of hand-drawn graphics, this is a rare assemblage of quality artwork that is not normally accessible in collective format. A 'must' for every designer's bookshelf!

A leading data visualization expert explores the negative—and positive—influences that charts have on our perception of truth. We’ve all heard that a picture is worth a thousand words, but what if we don’t understand what we’re looking at? Social media has made charts, infographics, and diagrams ubiquitous—and easier to share than ever. We associate charts with science and reason; the flashy visuals are both appealing and persuasive. Pie charts, maps, bar and line graphs, and scatter plots (to name a few) can better inform us, revealing patterns and trends hidden behind the numbers we encounter in our lives. In short, good charts make us smarter—if we know how to read them. However, they can also lead us astray. Charts lie in a variety of ways—displaying incomplete or inaccurate data, suggesting misleading patterns, and concealing uncertainty—or are frequently misunderstood, such as the confusing cone of uncertainty maps shown on TV every hurricane season. To make matters worse, many of us are ill-equipped to interpret the visuals that politicians, journalists, advertisers, and even our employers present each day, enabling bad actors to easily manipulate them to promote their own agendas. In How Charts Lie, data visualization expert Alberto Cairo teaches us to not only spot the lies in deceptive visuals, but also to take advantage of good ones to understand complex stories. Public conversations are increasingly propelled by numbers, and to make sense of them we must be able to decode and use visual information. By examining contemporary examples ranging from election-result infographics to global GDP maps and box-office record charts, How Charts Lie demystifies an essential new literacy, one that will make us better equipped to navigate our data-driven world.