In a quest to discover the truth behind the twentieth century’s disastrous record of conflict and war, Terry Boardman considers two contradictory approaches to history: so-called cock-up theory and conspiracy theory. Could there be truth to the often-dismissed concept of conspiracy in history: the manipulation of external events by groups and individuals mostly hidden from the public eye? In the work of philosopher and scientist Rudolf Steiner, Boardman finds convincing evidence of the existence of secretive circles in the West, which have plans for humanity’s long-term future. Steiner indicated that such "brotherhoods" had prepared for world war in the twentieth century, and had instructed their members, using redrawn maps as a guide, on how Europe was to be changed. If these brotherhoods existed in Steiner’s time, could they still be active today? Based on detailed research, Boardman concludes that such groups are directing world politics in our time. As backing for his theory, he studies a series of important articles and maps - ranging from an 1890 edition of the satirical journal Truth to more recent pieces from influential publications that speak for themselves. He concludes that vast plans are in progress for a New World Order to control and direct individuals and nations, and he calls us to be vigilant, awake and informed.

A visually stunning and conceptually explosive report from the frontiers of mapmaking. Ranging from the mapping of the ocean floor to the scanning of remote galaxies, from portraits of subatomic collisions to an unprecedented view of the mathematical constant "pi, " this work makes the theoretical compellingly concrete, even as it reminds us that the world is far more vast than we ever dreamed. Photographs throughout.

Mapping the Middle East explores the many ways people have visualized the vast area lying between the Atlantic Ocean and the Oxus and Indus River Valleys over the past millennium. By analyzing maps produced from the eleventh century on, Zayde Antrim emphasizes the deep roots of mapping in a region too often considered unexamined and unchanging before the modern period. As Antrim argues, better-known maps from the nineteenth and twentieth centuries—a period coinciding with European colonialism and the rise of the nation-state—not only obscure this rich past, but also constrain visions for the region’s future. Organized chronologically, Mapping the Middle East addresses the medieval “Realm of Islam;” the sixteenth- to eighteenth-century Ottoman Empire; French and British colonialism through World War I; nationalism in modern Turkey, Iran, and Israel/Palestine; and alternative geographies in the twentieth and twenty-first centuries. Vivid color illustrations throughout allow readers to compare the maps themselves with Antrim’s analysis. Much more than a conventional history of cartography, Mapping the Middle East is an incisive critique of the changing relationship between maps and belonging in a dynamic world region over the past thousand years.

In nearly two decades since Samuel P. Huntington proposed his influential and troubling ‘clash of civilizations’ thesis, nationalism has only continued to puzzle and frustrate commentators, policy analysts and political theorists. No consensus exists concerning its identity, genesis or future. Are we reverting to the petty nationalisms of the nineteenth century or evolving into a globalized, supranational world? Has the nation-state outlived its usefulness and exhausted its progressive and emancipatory role? Opening with powerful statements by Lord Acton and Otto Bauer – the classic liberal and socialist positions, respectively – Mapping the Nation presents a wealth of thought on this issue: the debate between Ernest Gellner and Miroslav Hroch; Gopal Balakrishnan’s critique of Benedict Anderson’s seminal Imagined Communities; Partha Chatterjee on the limitations of the Enlightenment approach to nationhood; and contributions from Michael Mann, Eric Hobsbawm, Tom Nairn, and Jürgen Habermas.

A visually stunning and conceptually explosive report from the frontiers of mapmaking. Ranging from the mapping of the ocean floor to the scanning of remote galaxies, from portraits of subatomic collisions to an unprecedented view of the mathematical constant "pi," this work makes the theoretical compellingly concrete, even as it reminds us that the world is far more vast than we ever dreamed. Photographs throughout. "From the Trade Paperback edition.

Gamut mapping algorithms, implemented by color management systems, are an integral part of the color reproduction process. By adjusting the colors with appropriate algorithms, gamut mapping enables original colors to ‘fit’ inside differently shaped color gamuts and authentically transfers images across a range of media. This book illustrates the range of possible gamut mapping strategies for cross-media color reproduction, evaluates the performance of various options and advises on designing new, improved solutions. Starting with overviews of color science, reproduction and management, the text includes: a detailed survey of 90+ gamut mapping algorithms covering color-by-color reduction and expansion, spatial reduction, spectral reduction and gamut mapping for niche applications; a step-by-step example of a color’s journey from original to reproduction, via a digital workflow; a detailed analysis of color gamut computation, including a comparison of alternative techniques and an illustration of the gamuts of salient color sets and media; a presentation of both measurement-based and psychovisual evaluation of individual color reproductions; an overview of alternative approaches to gamut mapping proposed by the ISO and the CIE including an analysis of the building blocks of gamut mapping algorithms and the factors affecting their performance. Color Gamut Mapping is a comprehensive resource for practicing color and imaging engineers, scientists and researchers working in the development of imaging devices, software and solutions. It is also a valuable reference for students of color and imaging science, as well as photographers, graphic designers and artists.