A true story of Japanese American experience during and after the World War internment.

“A compelling account of the lives of Japanese and Japanese Americans incarcerated during World War II . . . instructive and moving.”—Nippon.com From the editor of the award-winning Children of Manzanar, Heather C. Lindquist, and Edgar Award winner Naomi Hirahara comes a nuanced account of the “Resettlement”: the relatively unexamined period when ordinary people of Japanese ancestry, having been unjustly imprisoned during World War II, were finally released from custody. Given twenty-five dollars and a one-way bus ticket to make a new life, some ventured east to Denver and Chicago to start over, while others returned to Southern California only to face discrimination and an alarming scarcity of housing and jobs. Hirahara and Lindquist weave new and archival oral histories into an engaging narrative that illuminates the lives of former internees in the postwar era, both in struggle and unlikely triumph. Readers will appreciate the painstaking efforts that rebuilding required and will feel inspired by the activism that led to redress and restitution—and that built a community that even now speaks out against other racist agendas. “Through this thoughtful story, we see how the harsh realities of the incarceration experience follow real lives, and how Manzanar will sway generations to come. When you finish the last chapter you will demand to read more.”—Gary Mayeda, national president of the Japanese American Citizens League “An engaging, well-written telling of how former Manzanar detainees played key roles in remembering and righting the wrong of the World War II incarceration.”—Tom Ikeda, executive director of Densho

Through the use of rare historic footage and photographs, and personal recollections of a dozen former internees and others, this documentary explores the experiences of more than 10,000 Japanese Americans who were relocated to a remote desert facility during World War II.

Eleven tumultuous weeks after Pearl Harbor, President Franklin Delano Roosevelt signed Executive Order 9066, an act that authorized the U.S. Army to undertake the rapid removal of more than one hundred thousand Japanese and Japanese Americans from the West Coast. With only a few weeks' (and sometimes only a few days') notice, families were forced to abandon their homes and, under military escort, be removed to remote and hastily erected compounds, such as Manzanar War RelocationCenter in the California desert. Children of Manzanar/i> captures the experiences of the nearly four thousand children and young adults held at Manzanar during World War II. Quotes from these children, most now in their eighties and nineties, are accompanied by photographs from both official and unofficial photographers, including Ansel Adams, Dorothea Lange, and Toyo Miyatake, himself an internee who for months secretly documented daily life inside the camp, and then openly for the remaining years Manzanar operated.

"Late as usual, David Takeda puts his sister Kate and her family on a train and waits for his brother John so they can report before the deadline to the same internment camp where his parents and grandparents spent WWII, Manzanar. When John is beaten to death by overzealous patriots on the 405 while stuck in traffic, David sees the aftermath on a TV news special report.

Collection of photographs taken at the Manzanar internment camp where Japanese Americans were imprisoned during World War II. Dorothea Lange was hired by the WRA to photograph the mass evacuation; she worked into the first months of the internment until she was fired by WRA staff for her "sympathetic" approach. Many of her photographs were seized by the government and largely unseen by the public for a half century. More than a year later, Manzanar Project Director Ralph Merritt hired Ansel Adams to document life at the camp. Lange and Adams were also joined by WRA photographers Russell Lee, Clem Albers and Francis Stewart. Two Japanese internees, Toyo Miyatake and Jack Iwata, secretly photographed life within the camp with a smuggled camera.