The author explores the status of being a misfit as something to be embraced, and social misfits as being individuals of value who have a place in society, in a work that encourages people who have had difficulty finding their way to pursue their goals.

In this book, Octavio R. González revisits the theme of alienation in the twentieth-century novel, identifying an alternative aesthetic centered on the experience of double exile, or marginalization from both majority and home culture. This misfit modernist aesthetic decenters the mainstream narrative of modernism—which explores alienation from a universal and existential perspective—by showing how a group of authors leveraged modernist narrative to explore minoritarian experiences of cultural nonbelonging. Tying the biography of a particular author to a close reading of one of that author’s major works, González considers in turn Nella Larsen’s Quicksand, Wallace Thurman’s The Blacker the Berry, Jean Rhys’s Quartet, and Christopher Isherwood’s A Single Man. Each of these novels explores conditions of maladjustment within one of three burgeoning cultural movements that sought representation in the greater public sphere: the New Negro movement during the Harlem Renaissance, the 1920s Paris expatriate scene, and the queer expatriate scene in Los Angeles before Stonewall. Using a methodological approach that resists institutional taxonomies of knowledge, González shows that this double exile speaks profoundly through largely autobiographical narratives and that the novels’ protagonists challenge the compromises made by these minoritarian groups out of an urge to assimilate into dominant social norms and values. Original and innovative, Misfit Modernism is a vital contribution to conversations about modernism in the contexts of sexual identity, nationality, and race. Moving beyond the debates over the intellectual legacies of intersectionality and queer theory, González shows us new ways to think about exclusion.

Misfits are often confused with outcasts. Yet misfits rather find themselves in-between that which fits and that which does not. This volume is interested in this slipperiness of misfits and explores the blockages and the promises of such movements, as well as the processes and conditions that produce misfits, the means that enable them to undo their denomination as misfits, and the practices that turn those who fit into misfits, and vice versa. This collection of essays on misfit children produces transmissible motions across and engages in scholarly conversations that unfold betwixt and between in order to make rigid concepts twist and twirl, and ultimately fail to fit.

In this fun and fresh sequel to Saints and Misfits, Janna hopes her brother’s wedding will be the perfect start to her own summer of love, but attractive new arrivals have her more confused than ever. Janna Yusuf is so excited for the weekend: her brother Muhammad’s getting married, and she’s reuniting with her mom, whom she’s missed the whole summer. And Nuah’s arriving for the weekend too. Sweet, constant Nuah. The last time she saw him, Janna wasn’t ready to reciprocate his feelings for her. But things are different now. She’s finished high school, ready for college…and ready for Nuah. It’s time for Janna’s (carefully planned) summer of love to begin—starting right at the wedding. But it wouldn’t be a wedding if everything went according to plan. Muhammad’s party choices aren’t in line with his fiancée’s taste at all, Janna’s dad is acting strange, and her mom is spending more time with an old friend (and maybe love interest?) than Janna. And Nuah’s treating her differently. Just when things couldn’t get more complicated, two newcomers—the dreamy Haytham and brooding Layth—have Janna more confused than ever about what her misfit heart really wants. Janna’s summer of love is turning out to be super crowded and painfully unpredictable.

Fifteen-year-old Janna Yusuf, a Flannery O'Connor-obsessed book nerd and the daughter of the only divorced mother at their mosque, tries to make sense of the events that follow when her best friend's cousin--a holy star in the Muslim community--attempts to assault her at the end of sophomore year.

When Charlie-in-the-Box gets swept out to sea two days before Christmas, King Moonracer puts together a band of misfit toys to rescue him.

Why would the keynote speaker at a national mediation conference need a full-time security guard? Kent Foxe, an aspiring mediator and executive coach, finds out why when he turns to his mentor, Adam Maurie, for professional advice. Maurie believes mediators must have "a human soul that is comfortable being with difficult, emotional conflict." That requirement, Kent soon realizes, is highly controversial. After unsuccessfully mediating a violent gang dispute, Kent develops grave doubts about his abilities. His search for his professional soul haunts him as he deals with challenging conflicts, and several profound events put him at a critical crossroads personally and professionally. Does he dare make the changes that will surely cast him as an unwelcome misfit in his own profession? Can he defend his unpopular beliefs about what good practice is? And will he refuse the support of misguided stakeholders? Memoir of a Misfit Mediator by Joe Folger raises the critical issues anyone must face if they intervene in the lives of others.