Take a trolley tour around Mansfield, Ohio, by way of this collection of vintage postcards. Starting the tour with The Square, see the series of ornate government seats built here, like the 1840 Greek Revival and 1878 Victorian courthouses, as well as the fountain and the gazebo located there. Next, traveling into the Downtown now encompassed by the Carousel and Central Park Districts, explore Main Street and the old hotels, the stone churches, and the railroad depots. From there, progressing to The Flats, catch a glimpse of the industries and the now-vanished agricultural works. Heading into The Neighborhoods from Downtown, visit the schools, the churches, and the Children's Home. And finally, following the tracks out past the Sturges area and Senator Sherman's mansion, ride to the end of the tracks to see Luna Park, Kingwood, and the Ohio State Reformatory.

Views of early twentieth-century New York with accompanying text for the city buff and postcard collector alike.

A British soldier flees to the Hebrides for reprieve from war while something else hunts for him in this historical thriller by the author of The Crossing. When Cap. John Lacroix returns home from Spain, wounded, unconscious, and alone, he believes that he has seen the worst of what men may do. It is 1809, and in England’s wars against Napoleon, the Battle of Corruna stands out as a humiliation: a once-proud army forced to retreat, civilized men reduced to senseless acts of cruelty. Slowly regaining his health, Lacroix journeys north to the misty isles of Scotland with the intent of forgetting the horrors of the war. Unbeknownst to him, however, something else has followed him back from the war—something far more dangerous than a memory . . . A New York Times Notable Book of 2019 “Miller’s writing is a source of wonder and delight.” —Hilary Mantel Praise for New We Shall Be Entirely Free “Mr. Miller strikes an impressive balance between adventure and atmosphere.” —The Wall Street Journal “Miller acutely imagines the war-scarred psychology of his characters . . . and uses the historical setting to great advantage.” —TheNew Yorker “Miller is in fine form here, mixing an unforgettable cat-and-mouse chase with a moving love story.” —Kirkus Reviews

Explores Mansfield's identity as a (post)colonial writer in relation to her foremost reputation as a European modernistIn seeking new possibilities for alignments with, and resolutions to, the contradictory agendas implied by the terms '(post)colonial' and 'modernist', the essays in this volume address the clashing perspectives between Mansfield's life in Europe, where her troubled self-designation as the 'little colonial' became a fertile source of her distinctive brand of literary modernism, and her ongoing, complex relationship with her New Zealand homeland. The contributors investigate Mansfield's (post)colonial modernism in the context both of New Zealand settler-colonial fiction and of her European literary inheritance. Affinities with writers such as Edith Wharton and Robert Louis Stevenson reveal that 'home' can be a diasporic place, combining alienation with belonging. The volume also registers initial responses to the widened scope for Mansfield scholarship launched by the first two volumes of the new Edinburgh Collected Works of Katherine Mansfield.Includes:*Previously unpublished poetry and fiction*Reports of current research findings on Katherine Mansfield*An introduction by Janet Wilson, Professor of English and Postcolonial Studies, University of Northampton *Reviews of recent publications on Mansfield and her contemporaries